“They will know you only as my wife and the mother of monsters, because you chose to be nothing more.”
So What’s It About?
Angrboda's story begins where most witches' tales end: with a burning. A punishment from Odin for refusing to provide him with knowledge of the future, the fire leaves Angrboda injured and powerless, and she flees into the farthest reaches of a remote forest. There she is found by a man who reveals himself to be Loki, and her initial distrust of him transforms into a deep and abiding love.
Their union produces three unusual children, each with a secret destiny, who Angrboda is keen to raise at the edge of the world, safely hidden from Odin's all-seeing eye. But as Angrboda slowly recovers her prophetic powers, she learns that her blissful life—and possibly all of existence—is in danger.
With help from the fierce huntress Skadi, with whom she shares a growing bond, Angrboda must choose whether she’ll accept the fate that she's foreseen for her beloved family…or rise to remake their future. From the most ancient of tales this novel forges a story of love, loss, and hope for the modern age.
What I Thought
I started off reading The Witch’s Heart with my mom, and she ended up getting so annoyed by it that she abandoned ship early on and left me to finish it alone. I’m ultimately glad that I did because it got a lot better as it went. It’s one of the strangest cases of a book in two parts I’ve ever read, and the difference in quality is quite extreme between the two.
The first half of the book is almost entirely comprised of Angrboda living in a cave, bantering with Loki and raising her children. This wouldn’t be so bad she wasn’t so boring and Loki wasn’t so incredibly annoying. To break it down:
Loki: I am serious when I say that the banter with Loki goes on and on and on and the quips are very, very inane. It’s the most blatantly trying-to-be-clever-but-failing-terribly dialogue I’ve read in quite some time. The first half of the book hinges on the fact that Angrboda loves Loki and is willing to put up with A Lot from him, but nothing about this particular iteration of Loki is loveable at all. He’s an annoying, bratty manchild who sometimes wears a dress ooooooh isn’t he so weird???? The book’s saving grace is that he eventually does something so irredeemable that Angrboda falls out of love with him.
Angrboda: The Witch’s Heart is being marketed as the Norse answer to Circe by Madeline Miller, but I don’t think this book stands up very well in comparison. One of the things that Angrboda lacks and Circe has in spades is interiority as a character. For a witch who has died three times, has access to ancient magic and is the wife of a trickster god who betrays her and the mother of freaky monster babies, Angrboda doesn’t really have any interesting thoughts or struggles about any of this. While I had my problems with Circe’s brand of feminism, I think The Witch’s Heart is even more lacking in that regard - it’s branded as being a subversive retelling that gives voice to a woman who is only remembered as a wife and mother, but it’s hard to be subversive when the central character in question doesn’t really have that much to say.
Speaking of Circe’s feminism, one of the main complaints I had was that Circe had no meaningful relationships with other women. The Witch’s Heart starts off with Angrboda slut-shaming Freyja, fighting with Sigyn and refusing to forgive Gerd for her betrayal even though she was married off against her will and coerced to betray Angrboda, but over the course of the book, she comes to see things differently, making peace with Sigyn and forgiving Gerd. I liked this development, and I also really liked her huntress friend/girlfriend Skadi and their relationship - it wasn’t the most interesting or well-developed relationship I’ve ever read, but it was very nice nonetheless.
To retrace my steps, I really struggled with the first half of the book, but once the prophecy picks up, the story gets much stronger. I ended up being hooked until the end and quite moved by what happened during Ragnarok and Angrboda’s final acts to save her daughter.
That being said, the book has a consistent problem with perspective jumping and headjumping, as well as massive amounts of time passing in abrupt chunks. For example, Hel becomes an adult very quickly in a passage of time that isn’t communicated clearly by the book. As my final comparison to Circe, both books centrally feature this idea of the gods’ corruption. While you completely understood why Circe was disgusted by the gods and yearned to differentiate herself from them, I didn’t get the same impression here even though it was clear it was trying for the same thing.