I got an ARC from NetGalley in exchange for an honest review.
The first half of this collection is comprised of near-future SF stories, told in a crisp prose, lyrical but unsentimental. They're very timely, filled as they are with online novels, livestreams, AI. But I love how strange Kriz makes those topics and how she finds a personal, emotional angle on them: the colonial dynamics and precarity of "There Are No Hot Topics on Whukai", the fraught friendship and playing with perspective in the titular story, the melancholy and traces of magical realism in "Miss DELETE Myself". I even enjoyed "Communist Computer Rap God", which is a true testament to Kriz's skill and perspective because I've seen a few stories about sentient communist robots/AI and I tend to hate them for a variety of reasons – but this slice of life story about an AI that becomes an unsuccessful youtuber really managed to endear me. How can I not love a story containing senteces like "Maybe being a bad communist and making bad rap, in spite of a lot of effort, was the most human it could be"?
There are three other groups of stories in the second half of the collection and even though they are very different from each other, the stories are arranged in such a way that the shifts are not jarring. A story about a disgraced professor trying to create an AI building other AIs serves as a segue into humorous riffs on academia. These are fine stories, although they feel the slightest in the whole collection.
Subsequently the collection shifts to more serious fantasy, dealing with apartheid, prejudice and xenophobia. "I Want to Dream of a Brief Future" plays strongly with Holocaust imagery in a fantasy setting and follows the main characters as they're stuck in a time loop, attempting to escape from a transport to a camp. And then the story shifts suddenly in the final scenes to being about something else entirely, but there's so little time to explore this new – central – idea that the intended takeaway has to be spelled out by one of the characters in dialogue. It's a puzzling story, and not entirely successful one I think. "And That's Why I Gave Up on Magic" deals with similar topics and feels more coherent: it's a melancholy tale of a friendship torn apart by prejudice. But I think it suffers from how generic the fantasy settings feel and ultimately left me feeling pretty cold.
The three final stories focus on anti-fascist resistance in occupied France and here the topics introduced earlier find a much better realisation. Once again there's science, friendships forged in blood and destroyed by war, time travel and alternative timelines. This setting feels much more detailed and particular, like the near future in the first part, and I think it gives heft to those stories. Of these "The Last Caricature of Jean Moulin" is by far my favourite; an affecting meditation on the power of art to resist and outlast murderous regimes.
Overall, I found this collection to be a pleasure. It's a breeze to get through: two of the twelve stories hit 5000 words, and the rest is significantly shorter than that. At its worst it can be a little overly didactic, slight, and generic. At its best it's sharp and lyrical, containing emotional and thematical complexity in few words. It floats like a butterfly and stings like a bee.