‘John Lewis-Stempel is the hottest nature writer around.’ – Spectator
‘His immense, patient powers of observation – along with a flair for the anthropomorphic – mean he is able to offer a portrait of animal life that's rare in its colour and drama.’ – Observer
‘That John Lewis-Stempel is one of the best nature writers of his generation is undisputed.’ – Country Life
‘I love the earthiness of John Lewis-Stempel's writing … The author has seen it, done it, sweated it, and has earned the right to write about it with straw-cut fingers and itchy palms. Brilliant stuff.’ – Christopher Somerville, walking correspondent for The Times
‘It’s his observation of the natural world – the sight, the sound, the smell of it – that is so memorable. He has a distinctively brisk, muscular style of writing that has a poetic intensity and concision. – Guardian
‘Lewis-Stempel sees and hears things others will never see and hear, and he can write about them as no one else can.’– DailyMail
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Our countryside is a series of distinctive habitats that unite to create a landscape that is unique for the rich diversity of our flora and fauna. In England, his most magisterial book to date, John Lewis-Stempel explores each in turn, taking us from coast to moor, from downs to field, from the park to the village to create a vivid living portrait of our natural history.
In his trademark lyrical prose, Lewis-Stempel reveals the hidden workings of each the clear waters and dragonflies; the bluebells, badgers and stag beetles; wild thyme; granite cliffs; rock pools and sandy beaches; red deer standing at ancient oaks; the wayside flowers of the lane; hedgehogs and hares; and snow on the high peak. Each landscape - be it calm green or wild moor, plunging cliff or flatland fen - has shaped our idea of ourselves, our sense of what it is to be in England.
In a stunning package, complete with decorated boards, endpapers, chapterheads and a map, A Natural History is the definitive volume on the English landscape and the capstone of John Lewis-Stempel's nature writing.
I bought this enticed by the cover and quotation that the author is Britain’s best living nature writer by the Times. Apologies, I don’t feel this is accurate, but there are much better writers like Robert MacFarlane I did not realise this would be a pro-hunting and farmers book. For instance, he kills a beautiful bird, marvelling at the dead creature without feeling anything for taking the life. Nevertheless, on the flip side the book showed me the humanity of the man with his appreciation and knowledge of the natural world and really that we do share much in common… so I shall not begrudge his intolerance of vegans, we are a mutually intolerant pairing generally which is a shame. I feel like I prefer wandering books that are more emotive and philosophical rather than a stream of disjointed facts. Again Farlane, Leif Bersweden, Rebecca Solnit etc. Personal preference though, this type of nature writing may be more appealing to some.
I’m somewhat puzzled by the subtitle of this: ‘A Natural History’ infers a comprehensive survey of English nature, and while the book certainly covers a lot of ground it does so in a freewheeling, anecdotal way. John Lewis-Stempel is an enthusiast and spending time in his company is frequently delightful and always informative, but his book is not the authoritative study implied by that tricksy subtitle, far less ‘the definitive volume on the English landscape’ (landscape?) that the front flyleaf blurb claims. It is, though, a joy to read, akin to a series of leisurely walks with an extremely knowledgeable and amiable amateur naturalist who loves to share his considerable learning and love for the natural world. Much effort has gone into the design of the book - it has a strikingly beautiful front cover, which when removed reveals a gold embossed front board and spine - so it seems inexcusable that the reader is short-changed by the lack of an index, which further undermines the publisher’s claims of definitiveness. There were several occasions when I would have liked to refer back to cross-reference some new nugget of information, but was unable to with any ease due to this oversight. A glossary would have been useful too, given the amount of scientific terminology; all explained in the text, but, with no index and no glossary, there’s no way of reinforcing the new knowledge acquired.
English natural history is a huge, complex and much-argued over subject. By narrowing things down to a dozen or so specific spots and habitats, Lewis-Stempel gives himself the chance to keep it simple and un-intimidating. What really makes it is the alchemy by which his encyclopaedic knowledge of nature turns into glorious words and phrases. This is wonderful story telling. A rare 5 star from me. I loved it.
Biased and personal and almost indulgent. However I really enjoyed this one man's exploration of what the British landscape is/was/means. Split into habitats, it felt obvious which were more familiar to him, but that made his voice more refreshing throughout. The history of these places, our use of the natural resources, impacts on wildlife populations and John's own modern experiences. Lots of literature, poetry and inspirating natural historians of the past are referred to. Not much by way of modern conservation beyond the agricultural practices.
Estuary: Thames Avocets Salinity 92 bird species supported Conservation designations Industrial history Salt marsh Sea aster mining bees Eelgrass beds and Brent geese Eels Mist and fog Sea buckthorn Ragworms
Park: Richmond Park Regency England vision History of deer parks- sport and status Deer overpopulation Stag beetles Hunting and culls Fox hunting controversy Red kites Shakespearean bird records Parakeets dispersal English oak Watching one tree over a day
Downs: Mount Caburn Memories of driving with his father The climb Archeological theories. Ancient forts and defences. Then a place for livestock. Geology and soil Alkaline loving flowers Skylarks. The Lark Ascending History and behaviour of rabbits Purse web spider hunting Crickets and grasshoppers Dew ponds of rainwater WH Hudson's writing
Beechwood: Burnham Beeches Pre-ice-age pollen records Height. Record being 144feet in West Sussex Can be hedgerow or pollarded Bark graffiti Fungi on decaying wood such as inkcap Winter desolation His mother's funeral day and the song of a robin Bluebell season Robin Hood greenwood Mast years and nuts Chestnut soup recipe Night walking
River: The Wye AONB Life stages of rivers like human lives Salmon fishing Cambrian mountains above, the source being Plynlimon. Climbing Plynlimon Dippers Herons Minnows nibbling while swimming Encounter with an otter Fish stock crashes Acid rain and phosphate run off. Sewage pollution. Not just the chicken farms! Beavers reintroduction. Pros and cons, such as blocking the migration of salmon
Field: Home Farm View getting the train home from London Year's diary. Hedges, sheep, equinoxes, weather, chickens, poets like Frost and Thomas, cuckoo, wheat field flowers, corn field poppies, suncream on pig ears, swifts returning, nerd about turd hehe, mood altering blackberries, kestrals, redwings at the start of winter, starlings feasting on the wheat stubble fields, badger sett of six
Village: Helpston Gosh he loves John Clare!? Graveyard Enclosures act Pubs and brewery English scent Verge foraging Village ponds and their multiple purposes Reverend Gilbert White- Selborne village natural historian Literature and nature writing
Moor: Spauton Snow dusting Heather and fowl Phantasmagoria fears Upland, hard rocks, waterlogged, peat, bog, mere, high rainfall Grouse Moorland home of nesting waders like curlews Cuckoo Bilberries and lingonberries Illegal persecution of raptors Sundew
Lake: Crummock Water Char High fells and deep lakes so characteristic Traditional fishing heritage adds to UNESCO status for the Lake District Made by ice Pikes. Can live 15 years. 53lb!! Swallows and Amazons nostalgia Herdwicks and sheep keeping The Rowan Rowan Jelly recipe Leeches Osprey sighting Lake hydrolics
Heath: Arne Twilight Dartford Warbler Loss of heathland Woodlark Stoats Adders Poetryyyy! Pigs (or) brush cutting humans The pine cone
Fen and Broad: Hickling Broad Human creation of the Norfolk broads Drowned peat pits 63 Norfolk Broads in total Hickling is the largest Childhood reading 1970s visit was all leaked fuel and muddied waters Invasive coypu hunted to prevent their bank burrowing damage (yet we reintroduce beavers?) "Method-Writing": wildfowling Shooting of teal, not done so since Time in a bird hide Cranes Mute swans Water vole MOTHS!!! Shakespeare's insects list Moths evolved before butterflies. 2,500 British species. Hook between hind and forewings. Feathery antennae. Water rail alarm call Rustling of the reeds. Swallowtail experience Mayflies and dragonflies Hobby Collective bound of the birds here Bitterns and their camouflage and boom call
Coast: Potreath First seaside memories Holidaying Facing the Atlantic Returning to the village after twenty years Eternal rhythm Zones of the tidal range Rock pools Oystercatchers peeping Ocean Tide Loading can lift Cornwall up?! Beachcombing in winter Oysters shells and growth rings Bladderwrack and kelp Seaweed as fertiliser Seashore diet of Mesolithic Britons Edibles list: cockles, limpet, mussel, razor clam, winkle, dulse, kelp, laver, sea lettuce Fox scavenging the seashore. Woah Gulls and peregrines and turnstones Cuttlefish: cephalopod, oval shell, three hearts, blue green blood, sees backwards, camouflage abilities, beaky jaws, can delay gratification such big brained creatures Rock samphire picking Sardine? fishing. Sardines = pilchards His friend's father's guillemot eggs from eighty years ago People collecting Night swimming with the tide pulling him in reassuringly Oak floating in the water reminding him of ancestors landing on oaken longships
This book as been beachcombing, sifting through life experiences
This entire review has been hidden because of spoilers.
What a beautiful, rambling, explorative book around the natural landscape of Britain - such a good one to read on a rainy day to make you APPRECIATE said rainy day. I picked this up on a whim when I was locked out of my flat and had a few hours to kill in a bookstore, and boy am I glad I did.
I've learned so much about the natural world from Lewis-Stempel - from the deep call of the bittern to the lifespan of an oak tree, to the bitter taste of sea hawthorn. It's made me love the place I live even more, and that's a great gift from a book!
At one stage in this book the author declares “Literariness in nature writing is a dangerous thing, too often rotting purple…”. Well, Mr Lewis-Stempel is the non-pareil of combining nature writing and literature and both to a very high degree. Again, the blurb on the front of the book suggests the author is “Britain’s finest living nature writer”; well, he is, for sure. This is a splendid book taking in the author’s experiences of, and knowledge about, the varying landscapes of England from moorland to coast and woodland to estuary. I defy anybody to read this book and not learn something interesting. The author’s depth of knowledge is outstanding and the insights he gives the reader are frequently provided with a gentle - English, of course - humour. Without exception, I recommend this volume and every other piece of writing by Mr. Lewis-Stempel.
A beautiful book, by a very erudite and lyrical author. John Lewis-Stempel takes 12 different areas, each a different habitat, in England, and writes about the natural life in that place. He draws on science, literature and music to evoke them, and mixes in personal experience. On the Isle of Purbeck, he is surprised by the local wildlife;
"And the sand at my feet fizzed.
"The adder, uncoiling from it's sun-spot snooze, hissed, sped. Although not as quickly as me: I sprinted, personal best, superseding my 200 yards, when, aged fifteen, I broke the school record of seventy-five years' standing, all age categories, thirteen to eighteen. Smashed. Shattered.
"On Hyde's Heath, luckily, there is no one to hear you scream."
This is an exquisite work of art. The author has a clear understanding of nature and a love of it. This shines through with the choice of language and the mini adventures the reader is taken on, such as the meeting with The Dartford warbler. I particularly enjoyed the pages which took the reader on a forensic tour of the Thames. This was educational. There were some surprising mentions, such as a recipe for making jam with the berries from rowan tree, something I have always wanted to do as I grew up watching my mother make jams from wild blackberries and marmalade from oranges. This is written by a farmer who clearly loves the natural world and has lived in some beautiful parts of our green and pleasant land.
I really enjoyed the historical depth and references cited throughout. It not only has provided at least one new title that has been added to my TBR list, but the writing also inspires exploration. There are now numerous places I want to visit after reading the book.
I did find the pace a little ponderous at times, and the writing veered into the pretentious on a couple of times. It felt like poetic nuance was being reached for a little too hard at times.
I didn’t like what seemed like obvious farmer and wildfowler bias which crept in, masquerading as balanced arguments against rewilding and reintroductions.
But I did love the walk down memory lane collecting plants like sticky billy, and making daisy chains.
Not the first of his books that I’ve read - this one does not disappoint. On the contrary it teaches us so much: what natural England is; what’s to be seen and found in nature once we open our eyes. This is no dry encyclopaedia : on the contrary it’s a living commentary expressed in the most engaging language. It can be read from cover to cover - each and every section draws you in. Or it can be referred to one section at a time, perhaps to inform a planned visit to a particular corner of the country. How satisfying to put a book down knowing that the author has shared his wisdom and observations - it’s like sitting in a bird-hide and being enthralled at the sights:):
I sometimes am wary when I see a writer pump out a zillion books on the same or closely connected subjects, and thought this latest book (and my first) by John Lewis-Stempel might be a lot of leftovers. I could not have been more wrong. This was a masterpiece. The writing consistently superb. The topics and places well-chosen. I cannot recommend this highly enough to anyone interested in the plants, animals, and landscape of England (and a bit of Wales).
I read the jacketed hardcover. I removed the jacket to read it and was surprised by the gorgeous foil stamp of a stag on the cover. A very nice touch, and this book deserved it.
This is a beautiful book. It may not be a natural history, as such, but as one man's observation and commentary of England's wild places, I found it unmatched and hard to put down.
Lewis-Stempel's use of the English language and knowledge of the English countryside make his book a joy to read and by choosing a dozen diverse areas to talk about, he kept me engaged throughout. He has certainly made me want to visit, or revisit, all the places mentioned in the book, and read, or re-read, the books, plays and poems he references.
I particularly liked the addition of a playlist for each chapter at the end of the book. A mixtape in the making...
Although a bit dry at points, it felt like a lovely wander through the English countryside and varying landscapes and environments with someone who can't wait to tell you everything they know. I loved the author's passion for nature and literature and it created a compelling read, as well as inspiring a bit more appreciation in me for what we have available to us in this country - something that tends to be forgotten.
A dreamlike, ethereal journey of England’s natural world. The second book I have read by John Lewis Stempel. I will absolutely read again. (Only thing that is a bit of a shame is there is no index or glossary to use as a reference to all the knowledge, terminology, and the species of animals/plants etc. mentioned in this book. I would have liked to look these up after reading rather than trawling back through to find the information in the chapters) however, it is still a stunning book to read nonetheless.
I found the marketing of this book highly misleading. From a work titled "England: A Natural History", I expected an overview of England’s ecosystems, landscapes, and wildlife. Instead, the book reads as a loose collection of personal anecdotes and opinions, presented from a traditionalist, pro-hunting and anti-rewilding perspective. Had I known this in advance, I would never have picked it up. This is the first and last time I give my money, time and energy to John Lewis-Stempel.
With its beautifully observed reflections on the various landscapes explored this is a book I know I will return to in order to savour its delights over again. The fact that it's divided into clearly delineated areas allows for 'dipping in and out' in an easy fashion. This is nature writing at its very best, reminiscent of the nature writings of Ronald Blythe, Richard Mabey and Roger Deakin.
It took me ages to read this, because I just like to prolong the time I spend taking in JLS words. They are beautiful and thought provoking. This book, like his others, does not disappoint. I cannot get enough of this author. His writing is unique. It is totally escapist and I can really feel part of the landscape he describes. A beautiful book. Like the others, I shall treasure it.
Delightful to encounter our landscape through an expert’s knowledge. I found it indulgent in places but captivating nonetheless. 4.5* from me. Fascinating.