The world that Revell ponders in these poems is replete with contrarieties, as he searches for the true nature of the self through language unfettered by narrative constraints and conventional conceptual identities.
The world that Donald Revell ponders in these poems replete with contrarieties. The same verbal playfulness and prophetic lyricism that made Revell a 1992 Guggenheim Fellow in Poetry and a winner of National Poetry Series, Pushcart, and PEN Center USA West awards are in full force in Beautiful Shirt. Here he traverses the rocky terrain of innocence, memory, disillusion, and salvation in a voice at once haunted and "This is the world as I have known it./ It has a soft outline and is easily victimized."
Juxtaposed within a trio of long, introspective poems are shorter lyrics that push the limits of poetic syntaxes and dictions. In all, Beautiful Shirt searches for the true nature of the self through language unfettered by narrative constraints and conventional conceptual identities.
Revell has won numerous honors and awards for his work, beginning with his first book, From the Abandoned Cities, which was a National Poetry Series winner. More recently, he won the 2004 Lenore Marshall Award and is a two-time winner of the PEN Center USA Award in poetry. He has also received the Gertrude Stein Award, two Shestack Prizes, two Pushcart Prizes and fellowships from the National Endowment for the Arts, as well as from the Ingram Merrill and Guggenheim Foundations. His most recent book is The Bitter Withy (Alice James Books, 2009).
Revell has taught at the Universities of Tennessee, Missouri, Iowa, Alabama, Colorado, and Utah. He currently teaches at the University of Nevada, Las Vegas. He lives in Las Vegas with his wife, poet Claudia Keelan, and their children. In addition to his writing, translating, and teaching, Revell was Editor of Denver Quarterly from 1988–94, and has been a poetry editor of Colorado Review since 1996.
Revell received his B.A. from Harpur College in 1975, his M.A. from SUNY Binghamton in 1977 and his Ph.D. from the University at Buffalo in 1980.
The description on the cover does pretty good justice to the book. Most of the conceptual work happens in the three longer poems, with the dense, lyrically charged shorter poems providing further exploration. I don't think the book would stand on the shorter poems alone. The best moment in the book, from "Plenitude": "Because they mean / to tell us our freedom is a machine. / It is not. It cannot be redesigned / nor can it carry us to a new place." Freedom a machine!