The poems in Fire & Flower are about the images that hold the world together in the mind of a child, a woman, and the mother she becomes. The metaphors used to describe their lives are mysterious and frightening, and they accumulate in this collection as a full expression of the awe that makes us all live.
Laura Kasischke is an American fiction writer and American poet with poetry awards and multiple well reviewed works of fiction. Her work has received the Juniper Prize, the Alice Fay di Castagnola Award from the Poetry Society of America, the Pushcart Prize, the Elmer Holmes Bobst Award for Emerging Writers, and the Beatrice Hawley Award. She is the recipient of two fellowships from the National Endowment for the Arts, as well as several Pushcart Prizes.
Her novel The Life Before Her Eyes is the basis for the film of the same name, directed by Vadim Perelman, and starring Uma Thurman and Evan Rachel Wood. Kasischke's work is particularly well-received in France, where she is widely read in translation. Her novel A moi pour toujours (Be Mine) was published by Christian Bourgois, and was a national best seller.
Kasischke attended the University of Michigan and Columbia University. She is also currently a Professor of English Language and of the Residential College at the University of Michigan in Ann Arbor, Michigan. She lives in Chelsea, Michigan, with her husband and son.
I’m very glad I read these poems. This is one of her first works. I actually found them delightful. They would have caused me to read her later stuff even if I hadn’t already. Her use of image, motion and emotion is wonderful woven throughout these pages.
This is one I'll go back to. I read it a bit too quickly. I especially like the opening poem, "Hostess" and "Faith is a Long Commute," which I've read somewhere before.
A Long Commute
Faith is a long commute. Lots of time to change the station on the radio, time to relieve the past, to consider
the future the way the boy in the bust station standing by the trashcan the afternoon the bomb went off must have had time to consider
his own hands carefully in his hand. The road
is narrow and it goes
straight through the gardens of Paradise. Lots
of soggy godhearts dripping blood on their bloody vines. Behind me
a beautiful blind girl carries a Bible home in a plastic bag, while
before me, an old woman and her old mother drive a Cadillac over the flowers slowly.
I love the way Kasischke repeats images in new and different ways. Her long poems continue turning on themselves and the collection remains surprising.