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Playing Death Games to Put Food on the Table Light Novel #1
Playing Death Games to Put Food on the Table, Vol. 1
I woke up in an unfamiliar western-style house, wearing a maid uniform and lying on a luxurious bed. I soon found five more girls, all dressed the same as me. This was the Ghost House, and the only way to survive was to make it through all the traps waiting for us--deadly games full of blowguns, buzz saws, locked rooms, and weapons. It was a hopeless, terrifying situation for all of us...well, except me. After all, this is my career at seventeen. Do you think that's odd? I agree. But that’s how some people are--and some of us make our living playing death games.
- GenresLight NovelMangaHorror
192 pages, Kindle Edition
First published November 25, 2022
30 people are currently reading
86 people want to read
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Displaying 1 - 8 of 8 reviews
October 23, 2024
The challenge with books in which the author holds a deliberately hostile view of character development is how blatantly obvious and darkly prismatic the consequences typically are: unclear or nonexistent character goals; nebulous and vain archetypes; and alas, if the author doesn't really care about their characters, then why should readers?
PLAYING DEATH GAMES TO PUT FOOD ON THE TABLE v1 is a curious but unsatisfying read in much the same way one might shrug one's shoulders at a large-scale fantasy series in which popular characters are regularly written out of the story, or in much the same way one might roll one's eyes at a narrative point of view that leans too heavily into the male gaze. PLAYING DEATH GAMES v1 is dull, overwritten, and melodramatic.
The book's appeal is somewhat laughable on its face: a "horror fiction" novel with zero blood, gore, or appropriate violence; a muddled, low sci-fi exploit with comically inexplicable science; a tale of greed and perversion without much conversation of money and zero nudity. What readers who might enjoy this novel will find most pleasing is how the author strips away anything legitimately offensive and leaves it to the reader to conjure the details. Whether such an approach constitutes good storytelling is debatable.
Yuki is a teenager who makes a living surviving death games: exacerbated escape-room-styled adventures in which young women are dressed up in ludicrous costumes and forced to navigate a maze of traps, tricks, and snares meant to kill the competitors. Some games feature only a handful of contestants; some games feature hundreds. Some games are short, with only a few, seriously deadly puzzles to solve; some games are extended, spanning days or weeks, and are more endurance- or survival-based. All in all, Yuki is somewhat of an expert at these death games. She is, by all accounts, lazy and unsympathetic. Perhaps getting one's kicks out of enduring circumstances in which one is repeatedly maimed is appropriate for a weirdo like her.
PLAYING DEATH GAMES v1 is a solid example of explanatory narrative fiction. In this context, the preference for third-person omniscient yields to nothing and no one, often to the detriment of not giving readers room to breathe and frame the story's events at their own pace. The good news is that readers will never lack for knowledge. The bad news is that the narrator painstakingly details every side character, their personality, their quirks, their aimless desires, their backstories, and so forth. At best, these details serve as red herrings to throw one off the scent of which characters will or won't survive the death game. At worst, it's clutter. Why spend half a page describing an otherwise unrecognizable side character? Why waste six pages on the backstory of a character whose name readers can't place? More isn't always better.
The cleverer angle might posit that convincing readers to invest their energy in characters who will inevitably die is a mark of unique and preferential storytelling. But what's the point of having characters who don't possess actionable aims? Where is the value in drafting character conflicts that are easily rationalized? Sometimes, the author has a tell: When a character other than the protagonist receives a disproportionate amount of page time, they're probably going to die.
Yuki, the main character, is rather worthless. This book emerges from the void of light novels that wield listless teenagers who live alone, don't go to school, have no job, and yet possess an otherworldly motivation to engage one simple task (which the novel documents). Yuki, doubtlessly, is a high-functioning psychopath, but her recklessness is quickly normalized because, apparently, the teenager simply isn't good at anything else.
The girl's quickness and assertiveness ensures she survives the myriad puzzles in each game, and her sociability ensures she makes friends when said friendships can improve her rate of survival. But beyond the setting of kill-or-be-killed; Yuki is worthless, both in literal and figurative, narrative terms. The narrator helps readers see what Yuki sees when a newbie is "responsible to a fault" or behaves in a way "suggesting a lack of mental fortitude." But to one's dismay, Yuki never actually does anything with this critical information.
PLAYING DEATH GAMES v1 reads like the type of novel that succeeds because it was deliberately written around its most objectionable content. Such a supposition may not be true, and co-authored afterwards indicate as much. But the book doesn't have much body horror, violence, or blood, despite the promise of death-game dismemberment. For example, characters don't bleed because they've been somehow injected with a serum that manifests as cute, fluffy cotton when they're cut open. And characters who survive a death game, but have lost a body part or an organ can simply go to a specialized hospital and have their limbs sewn back together. Easy as that. Some horror book. If the consequences of violence are null, then what's the point?
And so, beset with childish flights of aggression, over-engineered conflict, and puzzle games whose savagery is wildly inconsistent, PLAYING DEATH GAMES v1 probably isn't the type of novel any strident student of literature would enjoy. A great book for a somnolent preteen, sure. A comfy read for an antisocial misanthrope, perhaps. But the book's unnecessarily awkward chapter structure, lack of commanding characters, and overbearing narrative style, combined, are exhausting.
PLAYING DEATH GAMES TO PUT FOOD ON THE TABLE v1 is a curious but unsatisfying read in much the same way one might shrug one's shoulders at a large-scale fantasy series in which popular characters are regularly written out of the story, or in much the same way one might roll one's eyes at a narrative point of view that leans too heavily into the male gaze. PLAYING DEATH GAMES v1 is dull, overwritten, and melodramatic.
The book's appeal is somewhat laughable on its face: a "horror fiction" novel with zero blood, gore, or appropriate violence; a muddled, low sci-fi exploit with comically inexplicable science; a tale of greed and perversion without much conversation of money and zero nudity. What readers who might enjoy this novel will find most pleasing is how the author strips away anything legitimately offensive and leaves it to the reader to conjure the details. Whether such an approach constitutes good storytelling is debatable.
Yuki is a teenager who makes a living surviving death games: exacerbated escape-room-styled adventures in which young women are dressed up in ludicrous costumes and forced to navigate a maze of traps, tricks, and snares meant to kill the competitors. Some games feature only a handful of contestants; some games feature hundreds. Some games are short, with only a few, seriously deadly puzzles to solve; some games are extended, spanning days or weeks, and are more endurance- or survival-based. All in all, Yuki is somewhat of an expert at these death games. She is, by all accounts, lazy and unsympathetic. Perhaps getting one's kicks out of enduring circumstances in which one is repeatedly maimed is appropriate for a weirdo like her.
PLAYING DEATH GAMES v1 is a solid example of explanatory narrative fiction. In this context, the preference for third-person omniscient yields to nothing and no one, often to the detriment of not giving readers room to breathe and frame the story's events at their own pace. The good news is that readers will never lack for knowledge. The bad news is that the narrator painstakingly details every side character, their personality, their quirks, their aimless desires, their backstories, and so forth. At best, these details serve as red herrings to throw one off the scent of which characters will or won't survive the death game. At worst, it's clutter. Why spend half a page describing an otherwise unrecognizable side character? Why waste six pages on the backstory of a character whose name readers can't place? More isn't always better.
The cleverer angle might posit that convincing readers to invest their energy in characters who will inevitably die is a mark of unique and preferential storytelling. But what's the point of having characters who don't possess actionable aims? Where is the value in drafting character conflicts that are easily rationalized? Sometimes, the author has a tell: When a character other than the protagonist receives a disproportionate amount of page time, they're probably going to die.
Yuki, the main character, is rather worthless. This book emerges from the void of light novels that wield listless teenagers who live alone, don't go to school, have no job, and yet possess an otherworldly motivation to engage one simple task (which the novel documents). Yuki, doubtlessly, is a high-functioning psychopath, but her recklessness is quickly normalized because, apparently, the teenager simply isn't good at anything else.
The girl's quickness and assertiveness ensures she survives the myriad puzzles in each game, and her sociability ensures she makes friends when said friendships can improve her rate of survival. But beyond the setting of kill-or-be-killed; Yuki is worthless, both in literal and figurative, narrative terms. The narrator helps readers see what Yuki sees when a newbie is "responsible to a fault" or behaves in a way "suggesting a lack of mental fortitude." But to one's dismay, Yuki never actually does anything with this critical information.
PLAYING DEATH GAMES v1 reads like the type of novel that succeeds because it was deliberately written around its most objectionable content. Such a supposition may not be true, and co-authored afterwards indicate as much. But the book doesn't have much body horror, violence, or blood, despite the promise of death-game dismemberment. For example, characters don't bleed because they've been somehow injected with a serum that manifests as cute, fluffy cotton when they're cut open. And characters who survive a death game, but have lost a body part or an organ can simply go to a specialized hospital and have their limbs sewn back together. Easy as that. Some horror book. If the consequences of violence are null, then what's the point?
And so, beset with childish flights of aggression, over-engineered conflict, and puzzle games whose savagery is wildly inconsistent, PLAYING DEATH GAMES v1 probably isn't the type of novel any strident student of literature would enjoy. A great book for a somnolent preteen, sure. A comfy read for an antisocial misanthrope, perhaps. But the book's unnecessarily awkward chapter structure, lack of commanding characters, and overbearing narrative style, combined, are exhausting.
December 16, 2025
An easy to read, genuinely enjoyable entry into the death game genre. Could've been a lot more descriptive of gore but didn't suffer for it.
January 21, 2026
⚠️ Die Rezension bezieht sich auf den Manga! ⚠️
Na, das ist doch mal wieder ein Titel, der ganz nach meinem Geschmack ist, haha. Bei Death Games bzw Battle Royales bin ich immer dabei. Hier entpuppt es sich nochmal etwas anders. Die meisten wissen, worum es dabei geht und können frei darüber entscheiden, ob sie daran teilnehmen oder nicht. Und es scheint unterschiedliche Arten der Spiele zu geben. Man wird zwar direkt ins Geschehen reingeworfen, bekommt aber wie die Teilnehmer auch gleich eine Erklärung. Die Protagonistin heißt Yuuki und hat schon an etlichen teilgenommen - im Grunde besteht ihr Lebensunterhalt darin, bei den Spielen mitzumachen. Zum Ende hin bekommt man dann auch eine ungefähre Ahnung, wieso sie unbedingt 99 Spiele (in Folge) gewinnen möchte.
Klar, die Grundidee ist jetzt nicht unbedingt etwas Neues, aber trotzdem verspricht es schon beim ersten Band interessant zu werden. Die Zeichnungen sind detailliert und schön ausgearbeitet. Die Mimiken und Emotionen kommen gut rüber, auch eine gewisse Charaktertiefe ist erkennbar. Bereits in den ersten Kapiteln passiert relativ viel, sodass man einen guten Einblick in den Plot bekommt. Ich nehme an, dass man noch einigen Charakteren begegnen wird - also mal sehen, wie gut das gehandhabt wird, damit man nicht zu verwirrt ist.
Werd jedenfalls dranbleiben und freu mich auf den nächsten Band! 🔥
Na, das ist doch mal wieder ein Titel, der ganz nach meinem Geschmack ist, haha. Bei Death Games bzw Battle Royales bin ich immer dabei. Hier entpuppt es sich nochmal etwas anders. Die meisten wissen, worum es dabei geht und können frei darüber entscheiden, ob sie daran teilnehmen oder nicht. Und es scheint unterschiedliche Arten der Spiele zu geben. Man wird zwar direkt ins Geschehen reingeworfen, bekommt aber wie die Teilnehmer auch gleich eine Erklärung. Die Protagonistin heißt Yuuki und hat schon an etlichen teilgenommen - im Grunde besteht ihr Lebensunterhalt darin, bei den Spielen mitzumachen. Zum Ende hin bekommt man dann auch eine ungefähre Ahnung, wieso sie unbedingt 99 Spiele (in Folge) gewinnen möchte.
Klar, die Grundidee ist jetzt nicht unbedingt etwas Neues, aber trotzdem verspricht es schon beim ersten Band interessant zu werden. Die Zeichnungen sind detailliert und schön ausgearbeitet. Die Mimiken und Emotionen kommen gut rüber, auch eine gewisse Charaktertiefe ist erkennbar. Bereits in den ersten Kapiteln passiert relativ viel, sodass man einen guten Einblick in den Plot bekommt. Ich nehme an, dass man noch einigen Charakteren begegnen wird - also mal sehen, wie gut das gehandhabt wird, damit man nicht zu verwirrt ist.
Werd jedenfalls dranbleiben und freu mich auf den nächsten Band! 🔥
June 26, 2024
Not what I expected, but…
With a title like “Playing Death Games to Put Food on the Table”, I don’t entirely know why I was kind of thinking it was going to be cozy in any way, but I was. And it very much wasn’t.
That said, despite how dark and unsettling it ended up being, the writing was good and I had to keep reading it.
Would I buy it now, knowing what it ended up being? I’m not sure. Would I buy the second volume, knowing that the two main characters will likely go at it harder and more viciously to make it through the games? Again, I’m… not sure. I do want to know if Yuki can surpass her mentor and make it through 100 games. That said, I think part of why I made it through was the fact that although the death games are televised, there was an extremely minimal touch on this, and I think that the next volume(s) are going to reference it more. It’s easier to think of it as a video-game style book when all the wounds have the blood turn to fluff (it does), the injuries are completely fixed after the games (they are) and you don’t see the bookers and the screaming crowds behind the scenes…
As I said, I thought it was well-written, but it’s a hard book to read and definitely NOT for everyone.
With a title like “Playing Death Games to Put Food on the Table”, I don’t entirely know why I was kind of thinking it was going to be cozy in any way, but I was. And it very much wasn’t.
That said, despite how dark and unsettling it ended up being, the writing was good and I had to keep reading it.
Would I buy it now, knowing what it ended up being? I’m not sure. Would I buy the second volume, knowing that the two main characters will likely go at it harder and more viciously to make it through the games? Again, I’m… not sure. I do want to know if Yuki can surpass her mentor and make it through 100 games. That said, I think part of why I made it through was the fact that although the death games are televised, there was an extremely minimal touch on this, and I think that the next volume(s) are going to reference it more. It’s easier to think of it as a video-game style book when all the wounds have the blood turn to fluff (it does), the injuries are completely fixed after the games (they are) and you don’t see the bookers and the screaming crowds behind the scenes…
As I said, I thought it was well-written, but it’s a hard book to read and definitely NOT for everyone.
December 19, 2025
Enjoyed quite a lot. Really wished the second game was more a different characters perspectives but we got what we got. I love the second ame setting but preferred how the first game was done.
Let's see where it goes in the second book.
Let's see where it goes in the second book.
January 23, 2026
I need to put food on my table too 😓
January 24, 2026
看了動畫實在太好奇後面的劇情所以買了書來看，結果看到女主角說別的女生大腿「很肥」、「很騷」、「很想摸」？只能說這句了：「我在猜作者性別遊戲中獲得0.0001秒的好成績，你也來試試吧！」
撇開性別不談，小說劇情和角色塑造都很薄弱，但動畫氣氛真的塑造得很好。
有點好奇後續發展買了第二集來看，但應該就會停在第二集了，看我有沒有打臉自己。
撇開性別不談，小說劇情和角色塑造都很薄弱，但動畫氣氛真的塑造得很好。
有點好奇後續發展買了第二集來看，但應該就會停在第二集了，看我有沒有打臉自己。
November 24, 2025
you read a death game story to see pieces in motion. the breakneck pacing of the prose and easy to understand character types make it appealing. theres a certain kind of inhumanity ascribed to all the characters via the preservation treatment that makes it seem like the author is keenly aware of this.
Displaying 1 - 8 of 8 reviews