Due is a master of the craft, and I can’t wait to get into the rest of her catalogue.
The Between is a story about Hilton James, a man who loves his family, his powerhouse of a wife, and his job as the director of a drug rehab center. The problem is that he isn’t supposed to be alive—he should have drowned when he was just a boy, but he was saved in the nick of time by his grandmother.
First come the threats against his wife and family, then come the dreams—the bad ones. Then it seems like his whole life is falling apart and he can’t pick up the pieces fast enough to keep himself together.
A thoroughly engaging novel that transcends genre, I now consider The Between one of the most original, thoughtful, and powerful books I’ve ever read.
The elements of horror and the supernatural come through strongest in the strange and compelling dream sequences that slowly begin to blend with reality as the novel progresses. But can we trust Hilton as a narrator to tell us the truth, or can he only see the truth of his own unraveling?
Due takes on a lot of baggage with this book. Besides the horror of the supernatural occurrences, there are the real-life issues that center and ground the novel.
Marriage—it’s hard! Throughout the novel, Hilton struggles with fidelity, warring schedules keeping him and his wife apart, uneven expectations of everyday duties, and the stress only increases as he fears for the safety of his family almost to their detriment.
Mental Illness—this is obviously a theme not just because of Hilton’s job, but as the story goes on, he begins to question his own sanity. What is he dreaming about? Could it be real? It would be insane to think that, but at the same time, all these little pieces of insanity start fitting together. Stress from his job, home life, and the threats begin to crumble Hilton’s defenses. Can he even trust his mind anymore?
Grief/Loss—this is an underlying thread throughout the whole novel: Hilton’s loss of his grandmother in a traumatic way in his youth has adversely affected him and continues to rebound through his life, more than he really knows. Loss hangs on to us.
Racism—the reason for the threats against Hilton’s family also comes up all throughout the book: Hilton worries about the mostly-white neighborhood they live in, remembering how they were treated poorly when they first moved in. He contemplates the experiences of his children in a matter-of-fact way, reasoning that they’ll have to learn sooner or later, and it’s better to be prepared for how someone might treat you than be shocked by it. Though this book was originally published in 1995, it still feels relevant, as this is, of course, still a conversation that we have today—just look at real-life horrors like white nationalist extremist groups and the reflection of current struggles in pop culture like the movie Get Out.
That is some heavy stuff. But a bright light that I saw in Due’s book was the universality of the issues about life and identity. I say this not to take away from the fact that this book is about black people and they will probably resonate more keenly with its themes and characters than any other audience, but just to note that Due takes the very human fear about death and creates a world of “what if.” What if near-death is really just escape through another door, another reality? What does that mean for who we are? We cling so tightly to our perception of ourselves—what does it mean if we aren’t who we thought all along?
Brilliant, brilliant. Highly recommended—and not just for fans of horror. This is just a damn fine novel.