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The Plays of J.B. Priestley: A BBC Radio Collection
13 plays and dramatisations of the works of the influential playwright, novelist and essayist J. B. Priestley - plus bonus programmes.
J. B. Priestley was one of Britain's most significant writers. His output was prodigious: in his lifetime, he penned 26 novels, 39 plays and hundreds of essays. He enjoyed great success on stage, notably with Dangerous Corner, Time and the Conways and An Inspector Calls, which experimented with narrative structure and unorthodox theories of time. Included here are some of his most esteemed works, adapted for radio and brought together in one statement collection.
We begin with Priestley's most famous play, An Inspector Calls, which sees Inspector Goole arriving unexpectedly at the prosperous Birling family home. Their celebratory dinner is shattered by his startling revelations about the death of a young woman. Next is Time and The Conways, telling the story of one family in several scenes set over 19 years, and When We Are Married, in which three couples receive a rude shock during their joint silver wedding party. In I Have Been Here Before, a group of strangers who meet at a remote Yorkshire inn discover that they are all interdependent - have they met before?
A happy gathering of friends discover that their relationships aren't what they seem in Dangerous Corner and, in Eden End, an elderly Yorkshire GP finds himself coming to the end of an era. The Linden Tree is set in England 1947, where rationing and austerity have fostered opportunism, escapism - and confrontation - within the Linden family.
The Good Companions, J. B. Priestley's classic story of a 1929 concert party tour, is followed by The Demon King, in which a Boxing Day panto is set to be a flop - until the Demon King comes on. In Lost Empires, Richard Hemcastle leaves his dead-end job to join his Uncle Nick in the glamour of the music halls, while in Bright Day, a chance encounter prompts a disillusioned scriptwriter to rediscover his past. Extraordinary and magical things happen on one elusive day in The Thirty-First of June, and in The Grey Ones, a patient fears evil is at work in the shape of a sinister conspiracy. Will his psychiatrist be able to help?
Among the array of stars in these stunning dramas are Toby Jones, Frances Barber, Harriet Walter, Alan Bennett, Brenda Blethyn, Lesley Nicol, Morvern Christie, Alun Armstrong, Roy Hudd, Tom Baker, Jack Shepherd, Geoffrey Palmer, Amaka Okafor, Martin Jarvis and Joan Plowright. Also included are two fascinating documentaries: Postscripts: J. B. Priestley, a five-part series of wartime observations originally broadcast in 1940 and read by Patrick Stewart, and Great Lives: J. B. Priestley, which sees Barry Cryer discussing his friend and fellow Yorkshireman with Martin Wainwright and Matthew Parris.
J. B. Priestley was one of Britain's most significant writers. His output was prodigious: in his lifetime, he penned 26 novels, 39 plays and hundreds of essays. He enjoyed great success on stage, notably with Dangerous Corner, Time and the Conways and An Inspector Calls, which experimented with narrative structure and unorthodox theories of time. Included here are some of his most esteemed works, adapted for radio and brought together in one statement collection.
We begin with Priestley's most famous play, An Inspector Calls, which sees Inspector Goole arriving unexpectedly at the prosperous Birling family home. Their celebratory dinner is shattered by his startling revelations about the death of a young woman. Next is Time and The Conways, telling the story of one family in several scenes set over 19 years, and When We Are Married, in which three couples receive a rude shock during their joint silver wedding party. In I Have Been Here Before, a group of strangers who meet at a remote Yorkshire inn discover that they are all interdependent - have they met before?
A happy gathering of friends discover that their relationships aren't what they seem in Dangerous Corner and, in Eden End, an elderly Yorkshire GP finds himself coming to the end of an era. The Linden Tree is set in England 1947, where rationing and austerity have fostered opportunism, escapism - and confrontation - within the Linden family.
The Good Companions, J. B. Priestley's classic story of a 1929 concert party tour, is followed by The Demon King, in which a Boxing Day panto is set to be a flop - until the Demon King comes on. In Lost Empires, Richard Hemcastle leaves his dead-end job to join his Uncle Nick in the glamour of the music halls, while in Bright Day, a chance encounter prompts a disillusioned scriptwriter to rediscover his past. Extraordinary and magical things happen on one elusive day in The Thirty-First of June, and in The Grey Ones, a patient fears evil is at work in the shape of a sinister conspiracy. Will his psychiatrist be able to help?
Among the array of stars in these stunning dramas are Toby Jones, Frances Barber, Harriet Walter, Alan Bennett, Brenda Blethyn, Lesley Nicol, Morvern Christie, Alun Armstrong, Roy Hudd, Tom Baker, Jack Shepherd, Geoffrey Palmer, Amaka Okafor, Martin Jarvis and Joan Plowright. Also included are two fascinating documentaries: Postscripts: J. B. Priestley, a five-part series of wartime observations originally broadcast in 1940 and read by Patrick Stewart, and Great Lives: J. B. Priestley, which sees Barry Cryer discussing his friend and fellow Yorkshireman with Martin Wainwright and Matthew Parris.
20 pages, Audible Audio
First published May 31, 2010
6 people want to read
About the author
J.B. Priestley
470 books288 followersJohn Boynton Priestley was an English writer. He was the son of a schoolmaster, and after schooling he worked for a time in the local wool trade. Following the outbreak of the Great War in 1914, Priestley joined the British Army, and was sent to France - in 1915 taking part in the Battle of Loos. After being wounded in 1917 Priestley returned to England for six months; then, after going back to the Western Front he suffered the consequences of a German gas attack, and, treated at Rouen, he was declared unfit for active service and was transferred to the Entertainers Section of the British Army.
When Priestley left the army he studied at Cambridge University, where he completed a degree in Modern History and Political Science. Subsequently he found work as theatre reviewer with the Daily News, and also contributed to the Spectator, the Challenge and Nineteenth Century. His earliest books included The English Comic Characters (1925), The English Novel (1927), and English Humour (1928). His breakthrough came with the immensely popular novel The Good Companions, published in 1929, and Angel Pavement followed in 1930. He emerged, too, as a successful dramatist with such plays as Dangerous Corner (1932), Time and the Conways (1937), When We Are Married (1938) and An Inspector Calls (1947).
The publication of English Journey in 1934 emphasised Priestley's concern for social problems and the welfare of ordinary people.
During the Second World War Priestley became a popular and influential broadcaster with his famous Postscripts that followed the nine o'clock news BBC Radio on Sunday evenings. Starting on 5th June 1940, Priestley built up such a following that after a few months it was estimated that around 40 per cent of the adult population in Britain was listening to the programme.
Some members of the Conservative Party, including Winston Churchill, expressed concern that Priestley might be expressing left-wing views on the programme, and, to his dismay, Priestley was dropped after his talk on 20th October 1940.
After the war Priestley continued his writing, and his work invariably provoked thought, and his views were always expressed in his blunt Yorkshire style.
His prolific output continued right up to his final years, and to the end he remained the great literary all-rounder. His favourite among his books was for many years the novel Bright Day, though he later said he had come to prefer The Image Men.
It should not be overlooked that Priestley was an outstanding essayist, and many of his short pieces best capture his passions and his great talent and his mastery of the English language. He set a fine example for any would-be author.
When Priestley left the army he studied at Cambridge University, where he completed a degree in Modern History and Political Science. Subsequently he found work as theatre reviewer with the Daily News, and also contributed to the Spectator, the Challenge and Nineteenth Century. His earliest books included The English Comic Characters (1925), The English Novel (1927), and English Humour (1928). His breakthrough came with the immensely popular novel The Good Companions, published in 1929, and Angel Pavement followed in 1930. He emerged, too, as a successful dramatist with such plays as Dangerous Corner (1932), Time and the Conways (1937), When We Are Married (1938) and An Inspector Calls (1947).
The publication of English Journey in 1934 emphasised Priestley's concern for social problems and the welfare of ordinary people.
During the Second World War Priestley became a popular and influential broadcaster with his famous Postscripts that followed the nine o'clock news BBC Radio on Sunday evenings. Starting on 5th June 1940, Priestley built up such a following that after a few months it was estimated that around 40 per cent of the adult population in Britain was listening to the programme.
Some members of the Conservative Party, including Winston Churchill, expressed concern that Priestley might be expressing left-wing views on the programme, and, to his dismay, Priestley was dropped after his talk on 20th October 1940.
After the war Priestley continued his writing, and his work invariably provoked thought, and his views were always expressed in his blunt Yorkshire style.
His prolific output continued right up to his final years, and to the end he remained the great literary all-rounder. His favourite among his books was for many years the novel Bright Day, though he later said he had come to prefer The Image Men.
It should not be overlooked that Priestley was an outstanding essayist, and many of his short pieces best capture his passions and his great talent and his mastery of the English language. He set a fine example for any would-be author.
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Displaying 1 - 3 of 3 reviews
August 25, 2024
I enjoyed this collection thoroughly. As you might expect with JB, the collection sends you all over the place; time and place, reality and near-fantasy. Some were written as plays, while there are also the adaptations of novels (Bright Day is a particularly enjoyable example, but The Good Companions, although very abridged, also feels very true to the original source). I found the readings to be consistently well delivered and engaging.
JB Priestley is one of my very favourite authors, and I feel that this collection does serve his brilliance well. As there are so many JB play and books, I'm hoping for a second volume at some point. I can and do go back to his work, again and again, because his love of humanity and hope for us to be redeemed from ourselves always shines through.
JB Priestley is one of my very favourite authors, and I feel that this collection does serve his brilliance well. As there are so many JB play and books, I'm hoping for a second volume at some point. I can and do go back to his work, again and again, because his love of humanity and hope for us to be redeemed from ourselves always shines through.
July 22, 2011
Initial fears that this book may be dated by the scene descriptions and the references to topical characters such as H.G. Well or G.Shaw are quickly dispelled as the clear easy writing carries us into an apparent 'who-done-it'. It is best read almost aloud as it was clearly written to be performed but it still works well as a novella. While it remains as easy to read as pulp fiction it is an effective morality tale. All the deadly sins are here and the importance of these and personal responsibility are deftly displayed.
February 19, 2012
This parable definitely makes you think about the social responsibility bestowed on each of us; the main theme being "great power comes great responsibility". Priestly successfully conveys his socialist views using the Inspector as his mouth-piece. The lesson is taught in such a bone chilling manner that it will undoubtedly stay in your mind for a sufficient period of time.
Displaying 1 - 3 of 3 reviews