Il guerriero dell'anello

Kane #2

by Karl Edward Wagner

In una palude che esala miasmi terrificanti, un uomo in cerca di avventure trova un anello con una pietra che subito lo affascina: e anche se un'aura sinistra aleggia intorno all'acquitrino, prende l'anello e parte per un'ignota destinazione. Ma la pietra color del sangue ha proprietà magiche che l'avventuriero non sospetta nemmeno, e di cui si accorgerà Kane, il tenebroso spadaccino inventato da Wagner qui alla sua seconda, incredibile avventura. Kane l'ossesso, Kane che non dà tregua né quartiere, vedrà a sue spese di che cosa è capace il gioiello pescato ai margini di una palude.
Ancora una volta una storia intrisa di fatalismo e magia con un eroe che non ha niente da invidiare ai massimi campioni della fantasy e che ci conduce in un regno al di là del tempo, ma terribilmente reale

Genres: Fantasy, Sword and Sorcery, Fiction, Horror, Dark Fantasy, Pulp, Science Fiction

216 pages, Mass Market Paperback

First published January 1, 1975

About the author

Karl Edward Wagner (12 December 1945 – 13 October 1994) was an American writer, editor and publisher of horror, science fiction, and heroic fantasy, who was born in Knoxville, Tennessee and originally trained as a psychiatrist. His disillusionment with the medical profession can be seen in the stories "The Fourth Seal" and "Into Whose Hands". He described his world view as nihilistic, anarchistic and absurdist, and claimed, not entirely seriously, to be related to "an opera composer named Richard". Wagner also admired the cinema of Sam Peckinpah, stating "I worship the film The Wild Bunch".

Reviews

[Algernon · Rating 4 out of 5]

- What are you, Kane ... man or demon?
- I've been called both, though both races have damned me often enough. And I claim neither - although once men called me brother.



Note: this is my first try to insert an image into a review. I hope it works, because Frank Frazetta did a great job in capturing the essence of Kane - the immortal hero cursed to leave destruction in his wake for all eternity.

This is my third Kane book by Karl Edward Wagner. I've been trying to read them in order, but any one of these first three can be a starting point for new readers. They are consistently good, in their pulpy adventure way. This time the adventure is spiced up with slithering giant snakes, batrachian swamp warriors, chimaeras made of ectoplasm, virgins maidens tied naked on altars of sacrifice, bloody battles against supernatural enemies and evil entities coming out of slumber to conquer the world. It doesn't sound very original or very enticing in synopsis, but Wagner is a real master at infusing the story with a brooding atmosphere, creating a mythical world rich in history and races, as dangerous and filled with adventure as The Hyborian Age chronicled by Robert E Howard or the world of Newhon by Fritz Leiber.

The epic journey of the bloodstone starts with a ring adorned with a precious gemstone of dark green veined with blood-red streaks ( I have one of these in my gem collection, I hope it will not start controlling my mind any night soon). Kane follows the trail of the stone through ancient manuscripts to a ruined city lost in the swamps : Arelarty - a colossal mausoleum to an ancient race destroyed in a war forgotten by history books. The theme gives the novel a post apocalyptic vibe, unearthing the mysteries and technologies of what appears to be an alien people who have regressed back into savagery. Kane contemplates from this the possible future of human civilization:

"I wonder how mankind would fare, should some cosmic disaster blast our civilization into forgotten rubble. Perhaps we would return to the trees and caves of our bestial ancestors - skulking apemen that a mad creator's folly transformed into men - and not even legend would remember the dead majesty of our race."

While the chapter dealing with the re-discovery of the ancient city and its dark secret is one of the best I've read so far by Wagner, a lot of the book is told from the perspective of Teres - a valkyrie maiden born and bred to the sword who is caught up in Kane's machinations of fomenting war between two neighboring kingdoms. I liked the way her story arc developed, how she is not the passive scantily clad eye candy that looks good on the book cover and easily swoons into the arms of the brawny hero. She is more like Red Sonja than a damsel in distress. Her interaction with Kane offers an opportunity for one of his best speeches when she mentions that immortality is not considered a curse:

"What do mortals know? Flesh can heal, but the soul can be scarred! To be doomed to wander through eternity ... branded an outcast, no land to call home, no man to name friend! Whatever he seeks to love - to grasp - slips through his embrace inevitably. Age consumes the bones of his hope. The loneliness! Only memories, cold phantoms to torture his dreams. And the hideous, smothering boredom that creeps more stifling with each decade, as the taste of life's frantic delights and transient interests grows stale and dry upon his spirit!"

When she is shocked by Kane's amoral attitude and bloodthirsty temper, he replies with one of the most revealing quotes regarding why Kane is the focus of the epic: he is meant to challenge us to think for ourselves and not accept blindly archaic notions about good and evil.

"And by what sanctity do your cherished values stand pristine from the tide of challenging ideas"

Even more than Conan the Barbarian, Kane is a Force of Nature, beyond good or evil, right or wrong. He is not driven by an intrinsic sense of justice, but by the need for survival in a cruel world, and by the call of adventure and new experiments to relieve the boredom of immortality.

Karl Edward Wagner may occassionaly go overboard in saturating his text with lurid adjectives (bufanoid and rubrous had me diving for a dictionary) but I am looking forward to my next sword and sorcery offering from him.

[edit 2020 for some spelling]

[Stephen · Rating 5 out of 5]

5.0 to 5.5 stars. This is the first time I have read a "Kane" novel by Karl Edward Wagner and I am kicking myself for not having read him sooner. This is sword and sorcery action at its best and Kane has instantly become one of my favorite characers.

Best way I can describe Kane is to call him Robert E. Howard's Conan if Conan were immortal and completely amoral. This lack of morals (okay let's just call him a bad guy) is largely the result of Kane immortality. Kane is VERY, VERY OLD and his extended life has left him unable to form lasting attachments to people. Plus, having long experienced all that life has to offer, many times over, has left him bored and jaded. Thus, he spends his time trying to keep himself entertained, which usually involves fighting, starting wars, hatching evil schemes and generally causing a lot of death and dismemberment to those around him.

I found it very cool to be able to follow around the bad guy as the main character and finding yourself both cheering for and against him. In addition to Kane himself, the world he inhabits is rich with history and peopled with diverse races both human and non-human. This world building is superb and could be the source of endless tales. I am certainly going to read the rest of the Kane stories and HIGHLY RECOMMEND this one!!

[Jamie · Rating 5 out of 5]

I loved every bit of this. Wagner's crisp, vivid style is immensely compelling. Thematically he hits a sweet spot, deftly weaving together elements of fantasy, sci-fi and cosmic horror in the best tradition of such greats as Robert E Howard and Clark Ashton Smith.

Highlights for me include the multiple epic battles pitting man against man, man against beast, and man against elder alien forces and cosmic horrors as waves of human armies battle Kane and his sinister ally, an ancient sentient alien space crystal that draws immense power directly from the cosmic fabric. Kane's richly imagined world is fascinating, filled with ancient lore of the mighty pre-human elder civilizations that populated the Earth before mankind. Much of Bloodstone is set in and around the eerie and long forgotten pre-human ruins of the city of Arellarti, buried deep in the desolate marshes of Kranor-Rill.

The amoral, ruthless, immortal warrior wizard Kane makes for a riveting character. Although much of the story is told from outside Kane's POV, there are a number of other compelling characters that play major roles. Most intriguing among them is the "she-wolf" Teres, a feral barbarian warrior princess whose sharp tongue always spices things up nicely.

I recently enjoyed Night Winds, one of Wagner's excellent collections of shorter Kane stories, but this full length story really took it up a notch for me.

[Dirk Grobbelaar · Rating 5 out of 5]

What Manner of Man…

How does one go about reviewing a book such as this?

Karl Edward Wagner was not a contemporary of Robert E. Howard and H.P. Lovecraft, but you would be forgiven if you thought that. He was, however, a contemporary of Michael Moorcock.

Comparisons with Conan and Elric are inevitable. These stories are all cut from the same cloth: being somber and heavily atmospheric, with a larger than life anti-hero as protagonist. Arguably none more so than Kane. In fact, author John Jakes describes Kane as “part savage, part savant – with a dash of Satanic seasoning”, which seems about as apt as anything.

Who lived? Who lay dead? The living were anonymous writhing shapes in the darkness nearby, bestial curses and yells beyond the close perimeter of vision. The dead – they were the limp and slippery debris that rolled beneath your boot.

I daresay these books aren’t for everyone. Kane doesn’t have much of a conscience or moral code, which can be disconcerting if you’re only used to the lighter side of fantasy fiction. Kane is all about Kane, and he’s damn good at it too. For everyone who likes Dark Fantasy, the Kane books should be mandatory reading. It’s true that the prose can get a bit melodramatic, but it’s all in keeping with the best tradition of old school sword and sorcery. Wagner knows exactly what he’s doing, and as a tribute to the pulps, you couldn’t ask for better.

Then struck gibbering horror – inconceivable term that drove sanity from the frightened souls of men. Phantom shapes were emerging from the mist, streaming along the sullen stones of the causeway – an army of maggots vomited over the dead tongue of some impossible serpent.

This book has a lot going on. The ruins of a lost city deep within impenetrable and unnatural swampland? Check. Near-invincible toadmen, or as they’re called here, “bestial anthropoid slime-dwellers” with attitude problems? Check. Human sacrifice, of virgin maidens no less? Check. Warring human factions? Check. Incomprehensible Alien technology? Check. Severed limbs galore and rivers of blood? Check. Horror and madness? Check. Sorcery so dark Old Scratch will catch his breath? Check. Well, I’m sure you get the picture…

Kane laughed in demonic exultation – a macabre figure bespattered in filth and gore, eyes ablaze like blue coals, red hair disordered with static, face transfigured in the chaotic blaze of light.

Speaking of pictures. Even though the novel clearly describes Kane attired in leather and chain for most of the story (and regularly covered with a cloak), Frank Frazetta opted to draw him in semi-naked full-barbarian mode for the cover of the paperback edition I own. Interesting choice, but it actually goes a long way in capturing the essence of the character once again. Often described as a force of nature, Kane is as savage as he is enigmatic.

So now, if you are in the mood for reading some old school, atmospheric as hell, horror-fantasy, lay your snobberies and preconceptions at the door and go find a Kane book. They are out of print and good copies are hard to find at reasonable prices (some booksellers charge upward of $100 on some sites). However, they are now available in e-book format! Although I do tend to agree with other reviewers: perhaps Bloodstone isn’t the best place to start. I, myself, read Dark Crusade first. Fantastic stuff!

The very stones seemed to scream in death agony, descant to the threnody of thundering explosion, crackling energy, terror-stricken howls.

[Bill Kerwin · Rating 4 out of 5]

Bloodstone is the first novel featuring Wagner’s barbarian hero Kane, and—although I had some initial reservations about it, I have to admit that I ended up enjoying it immensely. I would recommend it not only to anybody who enjoys swords and sorcery and barbarian fantasy, but to anyone who appreciates fantasy centering on a powerful hero.

Why did I have reservations at first? For two reasons, I think, one of which has to do with Kane as a hero and the other with Wagner as a writer.

Kane is the darkest of fantasy heroes--darker than the doomed, Byronic Elric; darker than the lordly and amoral aristocrats of E.R. Eddison’s world. Kane is a near-demonic force, a cursed “wandering jew” of murder, perhaps the first-murderer “Cain” himself. He is brilliant and devious, and—although not wantonly cruel--couldn’t give a fig for morality. He switches sides at will, betrays any ally when to do so achieves his objectives. His heart is as dark as anything spawned by “Monk” Lewis; though he is armed like Conan, he is more like Melmoth the Wanderer. Such a character, I would argue, although he succeeds in novellas, is difficult to sustain in a novel. Evil, however intelligent and inventive, gets a little old after awhile.

As far as Wagner’s style is concerned, it is filled with bravura passages, and is often overwrought. That is one reason why I love his horror stories, for short stories are a lot like snacks: they may be too spicy, too sweet, but that’s okay, it’s not like they make up a meal. But a novel is more like a meal. A purple passage here and there I can take, but purple prose becomes wearisome, after a time.

Neither of these concerns of mine, though, turned out to be a problem. Wagner pulls out all the stops in his accounts of battle, and in his description of Arelartti, the Lovecraftian city inhabited by the Rillyti, degenerate toad-race, but these uses are completely appropriate. The rest of his prose is disciplined and spare, adapted for its particular purposes.

And Kane’s chaotic nature never becomes a problem for the narrative either. I won’t spoil things by telling you how the story develops, but let’s just say that Kane’s self-interest eventual coincides with that of other characters with whom the reader has begun to sympathize, allowing him to revel in the destruction and carnage which brings the novel to a stunning end.

Oh, and that Lovecraftian city and its toad men? Wonderful, just wonderful! I’m a bit of a Lovecraft fan myself, and I found the ruins of Arellarti—and its terrible secrets—one of the best homages to the Dark Master of Providence, Rhode Island, that I have encountered!

[Dan · Rating 4 out of 5]

When a bloodstone ring winds up in Kane's possession, he launches a plan of conquest. But does Bloodstone serve Kane or does he serve it?

I last read this about fifteen years ago so it was a mostly new reading experience. This is the kind of fantasy novel I wish they still made. It's 200 pages and denser than one would think. Karl Edward Wagner had a gift with language, reminding me of both Robert E Howard and Raymond Chandler at times.

The story is some bad ass fantasy fare. An evil from beyond the world, the degenerate remnants of an ancient civilization, and the outcast warrior wizard Kane in the middle of everything. I once said Kane was like if Conan and Elric were able to mate successfully. I still feel that way. Kane's origins are only hinted at in this volume but he's a nigh immortal being that's lived for centuries after being cast out of paradise by mad god and doomed never to find a home for long.

Since this was my second read I had a good idea how thing ended but it was still a hell of a ride getting there. 4.5 out of 5 stars.

[Jim · Rating 5 out of 5]

I enjoy KEW's writing more each time I read it. He quickly sketches the world, diving right into the action & keeping it up throughout. It's amazing how well he describes the fantastic. I can easily envision the horrible swamps & almost feel the flies biting. The characters are really well drawn with impeccable motivations yet there is nothing simplistic about them, especially Kane. What a fantastic character. He's got a line on something new, a very big deal to the immortal. He's lived so long that the hope of anything new is a great draw as is power. I'd say his schemes are Machiavellian, but Kane is the elder & probably gave him lessons.

I'm reading this after the first 3 stories in the Centipede Press edition of Night Winds so I can read all the stories in chronological order. You can find them in my review here:
https://www.goodreads.com/review/show...
Centipede makes very fine books, sheer pleasure to read. Great illustrations.

If this is your first Kane book, go ahead & read it. Not a bad introduction, although I like the short stories the best. There's not a real need to read them in chronological order.

[Joseph · Rating 4 out of 5]

More classic 1970s acid gothic sword & sorcery (and maybe in some way the origin of grimdark?).

Spoilers for a book published in 1975: In this one, even more than in Darkness Weaves, Kane is a straight-up villain -- he begins by convincing the ruler of Scolari to sponsor an expedition into a nasty swamp to find a legendary, pre-human city; then, when after much travail (and attacks by bufanoid locals) he finds the city (and the thousand-foot domed building called Bloodstone), he murders the last surviving member of the expedition, before returning with a story of not finding anything interesting.

Shortly thereafter: Breimen and Scolari, two small countries, find themselves at war with each other; both countries' war efforts are being aided against each other by Kane who is, of course, playing them against each other so that he can use the ancient, pre-human powers of Bloodstone (and the army of frog-men inhabiting the aforementioned lost city) to swoop in and take over himself. Oh, and there's also Teres, daughter of Breimen's ruler (and who prefers armor and swordplay to all of that standard princess stuff) to complicate things.

Needless to say, nothing goes to plan for anybody, and Kane finds out that those ancient, pre-human forces may have some plans of their own ...

Not as good as Darkness Weaves -- I believe Bloodstone may have been written first, even though Darkness Weaves was published first -- but still pretty solidly entertaining.

UPDATE after my 2025 reading: Yep, this is definitely my favorite of the Kane novels, mostly because it leans more heavily than the others into the whole prehuman super-science thing. Despite Wagner's frequent use of the word "bufanoid" to describe the frog-men.

[Craig · Rating 5 out of 5]

Kane was the last great hero of what was known at the time as the Swords & Sorcery genre, before the field was overtaken by the Dungeons & Dragons gaming craze. Like his forerunner Conan, Kane faced horrific adversaries and evil beasts, and, like his current descendant The Witcher, had considerable powers and abilities himself. (His name is a broad hint!) Wagner's writing wasn't to everyone's taste, but I found it a thrilling mix of poetry and pulp and extremely literate. He had a great grasp of horror and high fantasy and used it to good effect on his complex character. Kane was occasionally amoral, sometimes he was on the side of the good guys and sometimes not so much, but his exploits were always the best of page-turners.

[Geoff Hyatt · Rating 4 out of 5]

I counted 13 exclamation points on a single page and innumerable uses of the words "ravening" and "batrachian" throughout the entire novel. So, basically, this book rules. Death rays! Giant snakes! Human sacrifice! All forms of bladed weaponry causing all manner of sloppy red mayhem! Ancient evils! Alien submarines! Ravening batrachians!

Bloodstone is the first Kane novel KEW wrote, but it was published after Darkness Weaves. Although Darkness Weaves is more accomplished, Bloodstone has a level of breathless pulp insanity that makes it well worth reading if you dig that sort of thing. As always, the immortal and amoral Kane is more a force of nature than a person--any character-based drama comes from those who unwisely make allegiances with him. ("Hey, let's hire a hyper-violent, psychopathic, superhuman genius and give him unchecked power. What could go wrong?") In this case, Teres, a warlord's daughter who can best any man in dueling or drinking (well, any man except for Kane) is a tough and cunning player in a surprisingly twisty plot for a hack 'n' slash actioner (and a refreshing female presence in, as one Goodreads reviewer put it, "The Kingdom of Badassia").

KEW's sword & sorcery novels have recurrent elements; they often revolve around two warring factions, a double-agent working both sides, and a magical wild card thrown in to add complications and compound conflicts. He manages to work these narrative elements into new and entertaining ideations in each novel. Bloodstone is a heavy metal fantasy that makes no apologies, likely to have fans of the genre reading with big, dopey grins. You know who you are.

[Jim Kuenzli · Rating 5 out of 5]

I’m not going to get into the plot lines of this book, but oh my, what a ride. This was Wagner’s first Kane book . Millions sold, Frazetta covers. I long for the days when these types of books dominated the shelves. A female warrior Teres, probably gets the most face time, as Kane directs a lot from the sidelines. Everything shows up here. Sword and Sorcery, major battles, historical tomes describing elder gods and lost civilizations, creepy creatures and animated undead controlled by Bloodstone- an artificial intelligence from across time and space that turned on it’s masters long ago. Published in 1975. Wagner actually penned a draft in 1960 as a freshman in high school. Highly recommend.

[Devyn Kennedy · Rating 2 out of 5]

I really wanted to like this book. I mean that. And, honestly, it came close many a time to reeling me into it, only to fall short and leave me wanting.

Allow me to start by telling you what this book did well. Wagner has a talent for setting a scene, one which I can easily relate. His descriptions of people and of the world that they inhabit is enchanting. He knows how to turn a phrase and really pull the reader into the story.

As a writer myself I can understand the love that Wagner has for setting a scene and really trying to make the world as lush and real as possible, even when it is fantastic. He and I, it would seem, both have taken a perverse pleasure in doing such, in feeling as they we have crafted a beautiful description.

In those instances where Wagner sets the stage for his characters he is a master. In those moments I am so fully immersed and impressed that I can't help but feel gleeful that I am reading this book.

However, the real damning problem comes when Wagner has his characters speak.

Speech is a tricky thing. You have to craft speech that is unique to each character, that reveals what is necessary for the reader so that they may understand what is happening, and the dialect must be fitting to whatever period in time you are trying to conjure. Naturally this is a rather tricky skill.

Now, I would not expressly say that Wagner fails out right. However, there are times when the speech feels too plain, too modern in the mouths of the speakers. That is not to say that our characters should speak with "thy's" and "thine's" or whatever other thing, but there must be some cleverness or some sort of alien quality to reel the reader in. At times Wagner falls very short of this, however, I would say that is only a small part of the problem

The other part of the issue, for me, is that when Kane explains something he goes on, droning so that there is little mystery left for the reader to puzzle out. Because of this we know what is going to happen and yet we lose a sense of danger and excitement.

Characters explain the motivations of everyone and comment on why they are doing this. They fill the reader in on detail after detail and, well, it sounds strange.

This, in other words, becomes and issue of telling instead of showing and as we all know, it is always the job of the writer to show rather than tell.

Another issue is that Kane, being an immortal, feels like he lacks motivation to do things. This is a small issue as he does do things and tries to accomplish things, it more so feels like we lack a why.

Wagner, though skilled in many ways, has the issue of not knowing what to explain and what not to explain. This is common enough when we are unsure of our voice as a writer, yet, though there are some rather powerful passages, there is nothing that pulls this tale through the rough for me.

thesmokingpenandpad.blogspot.com

[David · Rating 5 out of 5]

Wagner's first Kane novel is a magnificent, sword and sorcery landmark. A Grimdark grand-daddy that must be read by all Fantasy fans. As fresh and relevant today as it was when publish in 1975. A timeless classic that has withstood the test of time. This is a book you'll want to buy multiple copies of for yourself and for your friends.

Updated: After I've thought about this book for a few days I wanted to note that this is not the best book for Kane/Wagner virgins to begin reading. Though BLOODSTONE is a masterpiece of Fantasy, it is a flawed novel and not the best place to start reading the Kane stories. Flawed in that the story without a protagonist. Kane here is mostly the villain and works more as a supporting character/antagonist.

For Kane/Wagner noobies, please go to the short story collections or DARK CRUSADE or DARKNESS WEAVES first.

[Arun Divakar · Rating 4 out of 5]

The world of this book is one where forces of darkness lie just beyond the visible horizon. At those places where the light doesn’t reach, things stir in anticipation for the carnage to come. Monsters lurk there and the magic at play in those realms conjure up things that are best left unsaid. When this tale begins, these forces are known to all and like the legends are not much of a threat to anyone. The kind of tales to say around a fire at night or to scare children with. Just when the people of the world had forgotten all of this and gotten into their petty little squabbles and power struggles, a man appears in their midst. He is an enigma but in a time when brutality determined status in society, he was far more ruthless than those around him with any weapon that he chose to fight with. And so we are introduced to Kane who among other things is an immortal and is pretty good in anything that he does. Kane’s ambitions are beyond what the mere mortals think and he unleashes a force that the world had all but forgotten eons ago. Bloodstone is the story of a small but overwhelmed group of people fighting an alien evil and a man whose mind is far beyond their comprehensions.

While anti heroic characters are all the rage in fantasy now, Kane is not someone who will fit into the hero bracket even on such scales. He is well and truly the antagonist and the chief trouble maker of the tale. Being an immortal, Kane transcends good and bad of the normal human thought process and appears to be a totally nefarious entity when you consider his plans. There are occasional glimpses of love, tenderness and affection in him but they are all brushed away in the grander scheme of things. His is a wretched existence knowing that he would outlive everyone and everything and is doomed to an existence of watching humanity perish like mayflies against the ravages of time. It is precisely this attached detachment that makes Kane an interesting character study. Having been written in 1970’s the story is atmospherically heavier than its focus on character development. The places, the magic and the geography tends to get a preferential treatment when compared to the growth and development of the characters themselves. While Kane is an interesting enough character, Wagner keeps Kane mostly in the darkness under a cloak (literally and figuratively) and only gives us glimpses of him in this book.

Read it as a start to a series that defined heroic fantasy in the early days but if you read and judge it with an eye for fantasy of the present day then it might not be enjoyable. Recommended !

[Derek · Rating 5 out of 5]

Wagner layers his story extremely effectively, starting with some surprisingly concise and cogent world-building regarding the political situation in a small frontier section of the world, and the internal politics of the involved city states. From there, Kane plays a dangerous and intricate military/political game against both sides, to manipulate the situation according to his own plans.

By this point, a bare third into the book--which also included a harrowing journey into an infested swamp to a lost city that conceals ancient power--I remembered why I gave this book five stars originally. Even in its early parts, where Kane plays his game of Red Harvest between the two city states, it makes for top-notch adventure and skullduggery.

And then there's the Bloodstone, which injects Lovecraft by way of Jack Kirby in a way, and is absolutely delicious reading.

Wagner's worldbuilding falters in the handling of science and sorcery late in the novel: up to that point all indications were that this is a scientific or superscientific universe. Then Wagner grafts in the notion of sorcery as a separate concept and characters wind up making discussion on the topic to no real point. In a story that flows so naturally it was a strange misstep, and I think detracts from the images of cosmic races and civilizations that dominate the rest.

[Richard Stacey · Rating 3 out of 5]

Dark Crusade still the best Kane novel in my opinion. But- this was a guilty pleasure... Kane doing his thing- going to some kingdom and playing off factions against each other while he manuveurs for power and the chance to harness the powers of the alien "bloodstone". It´s all a bit hammy somehow but made for an enjoyable read. I don´t know why so many say Wagner doesn´t handle women well- I thought Teres was a pretty interesting character and didn´t see any sexism that would not be normal in the setting of the world of Kane which seems pre-medieval.

[John Mayer · Rating 5 out of 5]

I cannot claim to be objective in my rating of this book, but I think Wagner was the best author of heroic - or, in the case of Kane, villanous fantasy - of the 20th century. I and members of his family have begun a website (if such things are permitted here) in his honor: karledwardwagner.org

[Charles · Rating 4 out of 5]

As I understand it, this was the first Kane novel that Wagner wrote, although not the first published. The character seems to still be developing somewhat here and I didn't think the book was quite as good as some of the later novels. Still, it was very enjoyable.

[B.J. Swann · Rating 5 out of 5]

The first Kane the Wanderer book. Kane is a ruthless and amoral killer cursed with immortality. He spends his time seeking power, pleasure, and trying to soothe his relentless ennui. Bloodstone sees him on a quest to unearth terrifying eldritch might, which comes in the form of the titular Bloodstone, a seemingly magical ring that turns out to be much more. The book is very obviously inspired by Maturin's Melmoth the Wanderer. Kane is mostly a mysterious figure who impacts the lives of others, and has relatively few POV scenes. The main character is really Kane’s enemy-turned-lover-turned-enemy again, a woman called Teres. One of the coolest fantasy heroines I've encountered, Teres the ‘she-wolf’ is a kind of super tomboy who’s been raised to succeed her father, king of a violent patriarchal society. She falls for Kane, then stands against him when his demented quest for power becomes an obvious threat to all human life.

Verdict – this book is very good, almost great. Kane and Teres are awesome characters. Unfortunately a lot of the more minor characters are a bit beige and forgettable, except for Teres’ father. There are some really tense and exciting moments, mostly featuring Teres, who as a mere mortal is more vulnerable than Kane. The dialogue is more naturalistic than that in the Elric or Conan stories for example, but is still a bit too ornate and stylized, and often sounds exactly like the narrator’s prose. Some of the monsters are very cool, especially the undead creatures brought back by Bloodstone, which, after being chopped apart, re-form themselves into hybrid horrors. Unfortunately some of the battle scenes become boring due to an abundance of holistic descriptions. Which just goes to show that battle scenes are almost always better when told from a specific POV. There is a lot of stuff about political and military maneuvering which also gets a bit boring, mostly because one of the main characters is exceedingly bland. Can’t even remember his name. The baddy – Bloodstone – is basically an eldritch Lovecraft-type monster with a twist – he’s an alien supercomputer that has self-awareness and wants to team up with his buddies to take over the cosmos. The plot is grand and far-reaching, but the story is actually at its best and most compelling when it’s not being epic at all. The best moments deal with simpler, more intimate situations. Which just goes to show that a story, no matter how grand, always has to foreground the intimate lives of its heroes, down to all the gritty details.

[Lee Broderick · Rating 4 out of 5]

Fomenting war, seeking to conquer the entire human race as a way of staving off boredom (and hoping that the eventual and inevitable destruction of his projected empire would prove just as fun and distracting); it's hard to think of how one novel could more clearly demarcate Kane from Fritz Leiber's Fafhrd or Robert E. Howard's Conan. Kane is in no way generous, altruistic or noble.

The politics and depiction of a land at war made me wonder if this could have been an influence on the modern master of black fantasy Steven Erikson. Karl Edward Wagner's prose and scope are not quite in that league though. This remains a pulpy, overwritten work even if the quality of his writing has improved over his earliest effort ( Darkness Weaves ). How many times must a race be described as batrachian or bufanoid? True, there are only so many synonyms for toad-like but once we know what these creatures look like the adjectives are redundant and don't need repeating every time.

One other aspect of the book drew my attention as a notable departure from the earlier Kane novel - Wagner's depiction of women. Where once they were literally ornaments in his fiction, existing for nothing more than carnal excess, here they are full characters. Teres is one of the more interesting female characters in sword and sorcery fiction - female warriors are perhaps not new but Wagner strikes a different note from others. Neither a brawny man-subsitute nor a scantily clad fantasy, she instead is clever and acts in a believable way according to her motivations and pressures, wears practical clothing/armour and carries the scars of battle lightly. In fact, she's arguably the true heroine of the novel. Gerwein, too, although a much smaller character, is a strong woman who plays an utterly sexless role (even if it's as another traditional trope - the sorcerous priestess).

It's fun, fast-paced and not quite the self-parody that sword and sorcery so often threatens to be.

[Skallagrimsen]

Karl Edward Wagner insisted somewhere that Kane is not a "sword and sorcery" hero, but rather one in the Gothic tradition of Melmoth the Wanderer. However, the two concepts are far from exclusive. I'd call Kane a skillful blend of these literary archetypes: a "Gothic sword and sorcery" hero, if you will, who despite being a distinct and inspired creation in his own right, bears as much comparison with Conan or Elric as with Melmoth or the Wandering Jew. All the classical elements of sword and sorcery are present in Kane, confirmed by a series of striking cover paintings by the great Frank Frazetta.

In the decades since I read a Kane story, two things stand out in my memory:

(1) He is implied to actually be the Cain of Genesis, who committed the first murder and was marked and condemned by Yahweh to wander the Earth for eternity in punishment. (It's also implied that the familiar Bible story is but a distorted recollection of the "actual" events.)

(2) Whereas Conan and Elric--and sword and sorcery heroes generally-- are, in their own ways, amoral, Kane can only be described as flat-out evil. Which may disqualify him as a hero at all, to many; I'm using the term according to its original definition.

[Bryan457 · Rating 3 out of 5]

Kane is a true antihero. He is not just a guy doing good through questionable means; he is an evil villain, trying to take over the world, and he is the hero of the story. So, do I root for him to win, or hope he loses?

I like the character and the world in which it is set.

The writing style occasionally jarred me. I like an author to use a few synonyms rather than the same unknown word over and over and over (batrachian).

[Jim · Rating 5 out of 5]

I bought the Centipede Press editions of the Kane stories & am reading them in chronological order. To do so requires reading this book after the first 3 short stories in The Centipede Press edition of Night Winds which varies from the original paperback. See my review of this edition here:
https://www.goodreads.com/review/show...
for the full Kane chronology.

It's tough to break away from Night Winds, but it's worth it. KEW was a master at weaving together Kane's tangled web. If there is one thing Kane wants it is power. There is one thing he won't stand for & that is being subjugated to any will save for his own. He killed his own brother proving that point to the mad god that created mankind. He was cursed for that act to wander the Earth until the violence he brought to the race brought him down, but he thinks he finds a way around that.

It's sword & sorcery, but with a lot of SF, fantasy, & horror elements blended into a great adventure. KEW's vocabulary had me looking up a few words, not something one would expect in such a book. It wasn't overdone, though. He's quite descriptive & does a great job with the characters & their motivations.

I know KEW mostly as a short story author, but he does just as good a job on this novel. Fantastic as was the art work in this edition. Highly recommended.

[JM · Rating 3 out of 5]

I liked the Conan meets HP Lovecraft vibe of this novel, but Kane is too much of a "bad guy" just for the sake of it, instead of having a real reason for acting like he does.

It still was a fun and quick read and I'll probably get around to reading the other novels in the series.

The main character struck me as a middle ground between cunning-but-not-that-bright-muscle-bound Conan and intelligent-but-sickly Elric of Meliboné, so it was fun reading about his exploits.

Also, it's interesting to read a novel that for all intents and purposes has the bad guy as the main character, even if he's a bit of a cliché.

[Matthew · Rating 2 out of 5]

It's not terrible, but... Wagner seems to be enthusiastically imitating the styles of H. P. Lovecraft and Robert E. Howard, but without fully mastering the craft and synthesizing a style of his own. There is a lot of repetition of very salient terms like "bufanoid" and "batrachian." Scenes are over-described, as if a surfeit of moody and onomatopoeic words could intensify the imagery. The canvas gets muddy. What was needed was some restraint and timing.

[Ben Loory · Rating 4 out of 5]

well it's not the most original book in the world, being basically a conan / fritz leiber rip-off, but it moves fast and is a lot of fun and escalates moment by moment until the final battle sequences are just incredibly imaginative and intense. if i'd read this when i was twelve it would've been up there with the elric books. i'll probably read the others anyway...

[Brian Hastings · Rating 5 out of 5]

Kane is the best "fantasy" character created since Robert E. Howard. I'm not joking or flattering. This is one of the best authors to ride the line between fantasy and horror; using a far superior main character that cannot be classified villain or hero. Kane is strong, intelligent, skillful in both fighting and the dark arts, and an expert at manipulation.

[Sammy · Rating 3 out of 5]

This was ok, but failed to really grab me. I can't quite put my finger on it, but it just felt like something was missing...

Kane is a great character though. I like that he isn't your typical overly good and honourable fantasy hero. Instead he seems to inhabit a grey area, often crossing right to the dark side, and that anti-hero quality makes him all the more interesting, IMO.

[Karl]

This is copy 40 of 300 signed and numbered copies. Facsimile signed by Karl Edward Wagner and signed by Patrick J. Jones.

[Zare · Rating 5 out of 5]

Kane, immortal wanderer, man punished to never-ending servitude for crime he committed. Although he tries to remain human, although he longs for love, for chance to lead men [into whatever he desires] he is forbidden to enjoy fruits of his own efforts. He is an eternal wanderer, man without land or family, treated well by high-lords when he leads their mercenary bands and subjugates their enemies but more than feared when he tries to establish himself as a ruler and a leader (interestingly this almost always unites his enemies even those very unlike to ever fight side by side).[return]Wagner s Kane is a man seeking fortune and wealth (not unlike Conan or other barbarians of similar adventure tales & well, to be honest not unlike any man I ever knew) but he suffers from something that was depicted so many times as a main flaw in character of many a member of ancient Greek pantheon he is immortal and gets bored very soon he sees no joy in everyday things, he always seeks more, aspires to higher position, more adventures and more power. He is a terrifying force on a battlefield, fearsome warrior and general but also a scholar and possesses intimate knowledge of arcane lore and ancient knowledge (that came together with Elders from the stars when Earth was young). He doesn t feel much toward human race, since he was expelled from it and every man fears him and/or hates him so is it so strange that he treats them like a cannon fodder for his political and military machinations (as Wagner says so often in this book why is Kane so different from all dictators and warlords that destroy everything in front of them and bring nothing more than chaos and death to newly conquered lands; why is he so different from members of the cult that use human sacrifice for their own magic and spread their teaching in not so humane way). [return]In search for power Kane awakens an ancient self-aware weapon that has landed eons ago from the stars only to end up used as a pawn by that same alien intelligence he breaks from this bond (freed by the affection and love from the most unexpected source) and does the right thing by destroying this evil entity and again fades into legend just to come out on some other place where he is not known so well.[return][return]Excellent book, highly recommended. I am currently searching for other books in the series.