“Black lives matter” is a slogan that should not have to exist.
Because we should take for granted that everybody’s life matters—no matter their skin color, religion, ethnicity, hair color, age, health, abilities, addictions, mental status, or beliefs.
But every day, black people—especially black men—are told, implicitly or explicitly, that their lives don’t matter. That they’re expendable. That they can be shot, stifled, hung, stuffed in a gym mat, or die of a broken neck in the back of a police van—and the people who killed them will never face justice.
I don’t know this from personal experience. I’m white. No one has ever decided I was suspicious—and therefore should be shot—because I was wearing a hoodie. A lot of us white people take it for granted that we’re safe walking after dark, that the police will help us if we need it.
We’re so far removed from this reality that we forget it exists—and when it intrudes undeniably into our safe little worlds, many of us cover our eyes and ears. Some of us can’t empathize with the victims because such things have never happened to us—
—which is why books like How It Went Down and films like Fruitvale Station need to be read and watched by everyone.
Tariq Johnson, our protagonist, is one of many black kids in a poor neighborhood who is shot by a white man, at night, on his way out of the convenience store.
Accounts differ as to how and why this happened. Some say Tariq had a gun; others, that he was holding only a candy bar. Some say that he was in a gang; others, that he hated the violence around him and had vowed never to be a part of it. Some say he had dreams of college and success; others, that he was headed nowhere good. As the community grieves, the media descends like the vultures they are.
We hear the perspectives of everyone—Tariq’s family, friends, frenemies, distant acquaintances, media personalities, even friends of the shooter—except for Tariq himself, and his killer, Jack Franklin.
The question of Tariq’s guilt or innocence is never resolved. All that is known for sure is that Jack Franklin had a gun, and he killed this young man, and he did not face justice.
After a while all the voices start to blend together. There’s no real closure to the plot. But I think both are devices deliberately used by Kekla Magoon, to great effect. She places the reader inside this community, of people grieving and questioning and knowing that this terrible event, for all their pleading and praying and anger and sorrow, will happen again.
NOTE TO SCHOOL LIBRARIANS: This book contains a lot of harsh profanity, a few sexual/drug innuendoes (including the implication of an inappropriate relationship between a pastor/media personality and a young girl), and violence throughout. I didn’t think anything was gratuitous, but I still wouldn’t recommend it to middle school kids.
This is a quick, searing read that will linger with you long after you’re finished with it. It could not have appeared at a more appropriate time. Recommended for everyone mature enough for it.