This book contemplates a large problem: what is a traditional Chinese painting? Wu Hung answers this question through a comprehensive analysis of the screen, a major format and a popular pictorial motif in traditional China. The Double Screen offers a powerful non-Western perspective on diverse artistic and cultural genres, from portraiture and pictorial narratives to voyeurism and masquerade.
Nice overlook of screens in Chinese painting. Should definitely read to learn more about that. Romanticism being taken out of painting depicting theater I perhaps disagree with.