3.5 stars. I definitely liked this book a lot more than American Royals, but I still have some mixed feelings on it.
First of all, this is a historical novel about Queen Victoria’s grandson Prince Eddy and the three princesses who were all linked to him romantically before his (SPOILERS for anyone who doesn’t keep up with royal news from the 1890s) untimely death at age 28. Which is a banger of a premise, honestly. Could not have chosen better material. The whole Prince Eddy thing was literally a real-life soap opera; there was the girl he was supposed to marry, Alix of Hesse, the girl he wanted to marry, Helene of Orleans, and the girl he eventually got engaged to like 6 weeks before he died of pneumonia, Mary of Teck. Whereupon Mary of Teck coolly turned around and married his younger brother, the new heir to the throne, like a true boss bitch. Respect.
This book gives a POV to each of the three women, Alix, Helene, and Mary (aka May). I like that the author does her best to show each of these female perspectives as equally interesting, instead of just picking one to be “the best” or “the winner.” I thought Alix was especially well-done, with her mix of quietness and strength, as well as her mental health issues (apparently historically accurate! I did not know that about her!) Princess May was also a very compelling character, with her mix of ambition, pragmatism, and desperation to escape her bleak home life. Now, I did think at times that May’s plot got a little melodramatic—I don’t know that her parents were necessarily as awful as they are portrayed here, and the whole drama with her American friend Agnes was a Bit Much. Nevertheless, it was refreshing to see Mary of Teck portrayed with so much grit, and really, so much agency, for lack of a better term. Because in the historical biographies I’ve read, it’s usually a far more passive picture, “oh, she was surprised when Prince Eddy proposed to her, and she was surprised when Prince George fell in love with her after Eddy died.” Listen… a woman from a minor, impoverished, semi-disgraced branch of the royal family whose parents were deeply in debt, who nevertheless managed to get engaged to TWO heirs of the throne in rapid succession, was not SURPRISED by her own success. My girl knew what she was doing. She had a Strategy.
That leaves Helene of Orleans, whom, unfortunately, I couldn’t stand :-P I would say she is definitely the least-skillfully drawn female character here, in part because she falls into the tired stereotype of the Rebellious Princess (TM). Now, I love me a rebellious princess, but not when she scorns all other women on principle, totally ignores how her reckless behavior is making more work for her female servants, treats conventionally masculine pursuits as INHERENTLY superior to conventionally feminine ones, and insists that she’s the only woman in England who takes any interest in said “masculine” pursuits. I’m serious, Helene literally has a scene where she’s like, “ugh, all the other women at this horse race are just here to gossip, but not me, because I care about horse racing as a Sport. Because I Love Sports. Pick Me, Please.”
Ma’am, are you somehow unaware that it was so common for upper-class British women to take a serious interest in horses, horse racing, and yes, betting, that there were popular stereotypes about them, and even slang nicknames for them—“horsey women?” What on earth gave you the impression that you’re the only girl in Late Victorian England who’s ever cracked open a form-book?
(I could maayyyybe see this pick-me attitude as an intentional character flaw Helene needs to correct, but it’s never challenged or corrected, so like.)
Finally, I felt that Prince Eddy himself, the guy at the center of this royal quandrangle, was portrayed in far too sympathetic and uncomplicated a light. He and Helene are supposed to be The Star-Crossed Romance of this series, which means he needs to be The Ideal Book Boyfriend. This is a tall order because the historical Prince Eddy was a figure shrouded in sexual scandals, with a murky reputation towards women at best. This book makes the bold move of insisting that there was never anything really wrong about his many liaisons, that he was “just passionate,” and in fact had views on consent far ahead of his time, so it’s fine!!! And I’m just…
Look, when you openly tell the audience that Prince Eddy was keeping a secret lower-class mistress (which he was), but fail to mention that said mistress COMMITTED SUICIDE and his involvement in her death was hushed up/never investigated properly—yeah. This guy is not your book boyfriend, okay? Stop trying to make him your book boyfriend.
I feel the story dismisses the lower-class women Prince Eddy was more than likely exploiting because they’re not Helene… just as Helene herself dismisses all other women because they’re not Helene. Not very feminist of you, ma’am! Where is your intersectionality!
These problems aside, I did enjoy the book. I had a fanatical obsession with researching Queen Victoria’s descendants in my high school and college years, so this book reignited that fire a bit, which is always fun. “Oh look, another obscure name I haven’t thought about in years!” I was particularly obsessed with King George VI, who happens to be Mary of Teck’s son from her eventual marriage to Eddy’s younger brother, so it was fun of imagine what his parents’ road to romance could have looked like (well, if you add in some extra melodrama and blackmail just for spice). And I will definitely be reading Book 2 when it comes out, if only to find out HOW the author plans to handle Eddy’s SUDDEN DEATH FROM ACUTE PNEUMONIA—
Note: I would describe this book as New Adult, not YA. The characters are mainly in their 20s and there are a few vaguely open-door scenes.