An outstanding police procedural that I liked very much except for one misstep.
WHISPERS OF THE DEAD is the eighteenth novel in author Lin Anderson’s series of Glasgow police procedurals featuring forensic scientist Rhona MacLeon and her team. I haven’t read any of the earlier books in the series but I easily followed the twists and turns of this one. Although it contains a large cast of characters, including ongoing narratives about team members, important relevant facts about their situations and personalities were conveyed briskly without dwelling on the past. Only a few details were mentioned about prior cases in the series, and consequently I should be able to read them without fear of “spoiling” my pleasure.
Brief Synopsis
The beginning: an unknown man near the end of a horrible torture, pushed to his death. Three young boys—Ally, Dreep, and Kev—find his naked, distorted body soon after this occurs and, in their hurry to leave the scene, lose a cell phone. Switch to Rhona MacLeon, who is visiting the Lilias Centre, a custodial community unit for women, where she meets Marnie Aitken, who is about to be released after serving a six-year sentence for manslaughter—the drowning of her four-year-old daughter, Tizzy. Then Rhona is called to examine the body of the tortured man and the environs where he was found.
Next, the star of a Hollywood film goes missing, and the star turns out to be a former local man. DS Michael McNab investigates this case. It is later disclosed that McNab had been part of the Marnie Aiken case until turfed out because he didn’t believe that Marnie was guilty.
Four investigative threads, that slowly converge. Told mainly through the POVs of Rhona MacLeon and DS McNab, interspersed with short chapters featuring either Ally’s viewpoint or Marnie’s. MacLeon and McNab work with a close-knit team, one that knows each other’s strengths and frailties. Ally is liked throughout the community; consequently, his danger is a worry to many. Marnie’s thinking processes are distorted, verging on mental illness, although understandable given her traumatic background; she talks to Tizzy but, more disturbing, believes that Tizzy is talking to her.
My Perspective
I love fast moving police procedurals, and I loved this one—read it as fast as my aging eyes permitted. During the past thirty years, I have followed several U.S. police procedural series, but few non-American ones because not many were available. I hope to remedy my omission of the Rhona MacLeon series by reading some of the earlier books.
There are sections of the story that are brutal, more harsh than many U.S. police procedurals that I have read, and violence against women, sexual and otherwise, appears several times. So be forewarned if descriptions of ruthlessness dismays you. Glasgow gangsters are not romanticized, as American gangsters sometimes are.
What I Didn’t Like
(1) Fairly minor irritation, but I did feel that food was mentioned too many times, used as if it soothed any discomfort. I did like Rhona’s approach towards cooking, maybe because it mirrored mine—’…something she had no patience for…’. However, overall, food seems to be consumed whenever there is need to ease tension—with witnesses, members of the team, etc.—and it felt exaggerated.
(2) More serious irritation was Rhona’s refusal to listen to a voice message left by someone who was a romantic interest in the past, and might possibly reconnect romantically with her. Rhona is written as a woman with a strong character, one who doesn’t evade hard decisions, so her unwillingness to listen to this voice message seemed out of character. It was played like a running joke but it wasn’t amusing.
(1) and (2) are my own personal peccadilloes, and probably wouldn’t bother other readers. Number 3 is more glaring.
(3) What disturbed me most was the ending with regards to the Marnie/Tizzy storyline. It could have been resolved in several ways, but to leave it unsettled, verging on a supernatural dimension, was not in keeping with the spirit of the novel.
Thus, for me, this was primarily a five-star read, but I removed one star because the ending of the “Tizzy” strand felt like a cop-out. I would have given it 4.5 stars had that been available, but rounded down because of the Marnie/Tizzy ending. (Supernatural is fine, in my opinion, but author Lin Anderson did not establish an atmosphere that would allow it.)
Thanks to the Greater Victoria Public Library for providing the ebook that I read.