At its root, modernism is that fundamental. It is a question of having something to represent that is of the moment. In the most radical interpretation, modernism always comes too late. The modern is that which is always new, which is to say, always changing and already old by the time it has appeared. Modernism is always a retrospective act, one of documenting or trying to catch what has already appeared - an attempt to fix life as it is being lived. Modernity is just the very fact that we as human beings are continually remaking the world around us through our actions, and are doing so consciously. Modernism is a monument to or memory of that act, which in its own making tries to remake the world it is pretending to represent.
Aaron Betsky is an American critic on art, architecture and design. He was the director of Virginia Tech School of Architecture + Design until early 2022. Trained as an architect and in the humanities at Yale University, he is the author of over a dozen books, including Architecture Matters, Making It Modern, Landscrapers: Building With the Land, Scanning: The Aberrant Architectures of Diller + Scofidio, Queer Space, Revelatory Landscapes, and Architecture Must Burn. Internationally known as a lecturer, curator, reviewer and commentator, he writes the blog "Beyond Buildings" for Architect Magazine. Director of the 11th Venice Architecture Biennale, he has also been president and Dean of the School of Architecture at Taliesin (originally the Frank Lloyd Wright School of Architecture), director of the Netherlands Architecture Institute (2001-2006) the Cincinnati Art Museum (2006-2014), and was founding Curator of Architecture, Design and Digital Projects at the San Francisco Museum of Modern Art (1995-2001). As an unlicensed architect, he worked for Frank O. Gehry and Associates and Hodgetts + Fung. In 2003, he co-curated "Scanning: The Aberrant Architectures of Diller + Scofidio" at the Whitney Museum of American Art.