Para Slick as coisas não melhoram. Num mundo ideal, teria fugido com a mulher da sua vida, a bela mas imprevisível Caprice... mas ela está presa ao temível Rex por um segredo que a poderia arruinar- E desta vez, Slick terá de se haver com a máfia italiana. Sob ameaça de Rex, Slick terá de roubar uma obra de arte, um quadro que retrata a mãe de Don Zizzi, o chefe da máfia, e que foi pintado pelo próprio Picasso! E para um mafioso que se preze, só uma mulher conta, a própria mãe. E roubarem aquilo que lhe é mais estimável não é uma boa ideia, acabando por conduzir os acontecimentos a uma espiral de violência por entre mulheres fatais, assassinos desequilibrados, tiroteios sangrentos e ajustes de contas. Com muito chumbo…
Final de uma homenagem excepcional de Marini aos filmes noir americanos dos anos 1950, com a acção a desenrolar-se a um ritmo estonteante e sempre em crescendo até a um desenlace final que não deixa indiferente o leitor. Marini consegue reunir todos os estereótipos do género, criminosos, mulheres fatais, belas viaturas, através de um grafismo que cativa pela beleza do traço, a riqueza das cores e a sublime reconstituição de época. Uma obra-prima!
(Zero spoiler review) 3.75/5 Sadly not the knockout that volume one was, although a more than competent and commendable climax to a well told tale. The art continued to be sublime although the shift from set up to pay off led to a noticeable downturn in the frequency and quality of the writing, with too much action taking the place of what had been some well delivered dialogue wrapped around a clever (if not terribly original) plot. The addition of a new party into the fray towards the end added nothing of any real enjoyment, save for some fairly bland characterisation. The ending itself was fine, although the preceding 100 pages did slightly tarnish what could have been a rollercoaster from start to finish. This title is still an absolute must read, although if you are anything like me, the second half certainly doesn't live up to the first. 3.75/5
The plot is kind of stale with all tropes and worn out clichés- whether classic (la femme fatale) or modern (the incongruous Apache)- used and abused. There’s no real twist and it goes as planned with every marked for death character dying right on cue. Still, there’s some humour and Terry’s caustic remarks hit the spot most of the time and when all’s said and done it’s not an unpleasant read. It’s just that I’ve read the same story two dozen times already.
Then there’s the art. When I discovered his work in the early 90’s he already was a boy wonder and he never ceased to get better over time. So of course the art is gorgeous, all pencils and hand painted in grays and red. Storytelling and pacing are on par.
I read Noir Burlesque for the plot. The plot: a red head, "Jessica Rabbit" look-alike, named Caprice. Same as the first one, the second (and last) issue isn't something special or all that memorable, but it taps in our primary needs for sex and violence. At the same time it does that with stunning artwork which it might be the only reason that I recommend it. Other than that, it's a "take it or leave it" situation. (More like a 2,5 than a 3)
The second part of Noir Burlesque dives deeper into deception and betrayal, with Marini's impeccable artwork and the recurring motif of red. The tension escalates, delivering a surprising and satisfying resolution. Marini masterfully blends stunning visuals with intricate storytelling, making this graphic novel a must-read for fans of noir.
This is part two in the two part graphic novel series, Noir Burlesque. Much of what I stated in my part one review, stands for this book. The story is typical noir of the period, 1950's. Babes, brawn, booze, bullets, it's all here. The artwork however, is the star. Done in shadows of gray and black, it captures the grim feel that we read in noir books, and what we see in noir films.
Things aren't getting any easier for Slick. Until now, he had to deal with Irish mobsters. But this time, he’s confronted with the Italian mafia. After falling out of favor with local mob boss Rex, he finds himself thrust into a turf war with the Sicilian mafia. He's tasked with stealing a prized and priceless portrait belonging to the capo himself, and when things go south, he finds himself with a bigger target on his back than ever. If he's going to make it through in one piece, Slick will have to think fast and hit hard—and keep a close eye on Caprice, as well as mob daughter Pearl, two femmes fatales who prove to be just as dangerous as any of the other gun-toting gangsters. The gripping conclusion to Marini's noir opus.
I was doing a happy dance when I saw part 2 was out! Again, loved the artwork in black, white and red. It really works well in capturing the time period and the whole noir feel. A great (all be it a violent and bloody) conclusion to this 2-part series.
Marini – Noir Burlesque (2) – Dargaud – 126 pages - Sorti le 10 Novembre 2022 -
Non je n’ai pas commencé par le début.
Les images sont magnifiques et le blanc /noir se dispute au rouge dans une sorte de tri colométrie.
On est loin du côté « enfantin » ou « fou fou » que je lis ou écris d’habitude.
Ils ont l’intention de tuer Slick une fois son travail achevé, la rousse qui chante de belles chansons pour Lui le prévient et lui fait l’amour dans une scène sensuelle mais pas du tout vulgaire…
L’objet du délit est le vol d’un tableau sentimental. Il s’agit d’une vengeance entre deux riches qui fait pas mal de dommages collatéraux. Fusillades à gogo et thèmes de baston…
Une bonne petite BD !! Le rythme et le tempo sont nickels. Le suspense et les rebondissements aussi.
J’ai beaucoup aimé le côté gringe et vintage. Phoenix ++
Gangsterska opowieść z USA lat 50-tych, choć jest to bardzo prosta historia, która w ogóle nie stała blisko "Blacksada", to Marini bardzo umiejętnie się porusza w tej konwencji. Opowieść korzysta ze zgranych motywów: facet z mroczną przeszłością, zakazana miłość, porachunki gangsterskie, do tego duża szczypta erotyki. Natomiast to co naprawdę robi tu robotę to rysunki Mariniego. Bardzo ograniczona paleta barw: czerń, biel, szarości i wyraźna czerwień połączone z precyzyjną kreską Mariniego tworzą bardzo dobry klimat noir. Drugi tom zapewnia satysfakcjonujące zakończenie i trzy bardzo ciekawe dodatki: obraz, Szalonego Konia i córkę gangstera .
Noir Burlesque est une série que j’aurais adoré aimer. Malheureusement, ses qualités sont aussi ses défauts : un dessin à l’aquarelle qui vient créer une certaine ambiance manque parfois de détails, les personnages très typiques sont difficiles à aimer, la seule couleur, rouge, qui symbolise le désir et le danger, aurait dû être utilisé que pour Caprice … on se surprend même à trouver la fin très kitch, voire mièvre. Dommage
La segunda parte del tributo a la serie negra que firma Enrico Marini mantiene las líneas propuestas en el primer volumen. Algo más firme en el ritmo, consigue además despertar simpatía hacia secundarios que cumplen con el arquetipo que el lector aficionado al estilo disfruta. Eso - y su talento gráfico indiscutible - hacen que valga la pena sumarlo al librero.
Good sequel! Especially given the ending of the first volume! If you love Marini's art and stories then you will enjoy this one as well. The story itself in nothing new, but it is rather well paced and the style is amazing!
No cuenta nada de nada de nada no leído mil veces. Es un cliché permanente sin embargo es tan increíble visualmente que compensa todo. La historia es amena y fluye ágil pero te pide el cuerpo pararte en cada viñeta y aunque suene pedante, deleitarte.
Somptueux dessin recouvrant un dégoulis de clichés, nibards dialogues ringards et personnages aussi incompétents que sans saveurs. L'auteur n'a visiblement pas compris ce qui rend le genre intéressant Un dyptique inutile
Vraiment bien ! On est vraiment à fond dans l’histoire et on suit la fin de la mission de Slick. J’ai beaucoup aimé ! Je lirai d’autres romans graphiques de l’artiste !
Marino did it again. After Part 1 he was able to outdo himself and up the intensity in Part 2. This is the best graphic novel of the year. The artwork is second to none and the writing is solid. Perfect score!
Après un premier tome qui m’avait laissé sur ma faim, voici le second qui sonne la fin.
Et le dessin est toujours aussi parfait, le style « roman/film noir » accompagné de gros bras, maffieux, jolies poupées, scotch, coups de poings, révolvers et carabines est parfaitement respecté ! Il y a du sang !
Alors, certes, il ne faut pas s’attendre à autre chose, mais le dessin est sublimement adapté au genre et Marini signe ici deux tomes de très bonne facture !