Often described as Ravel's orchestral masterpiece, Daphnis and Chloe is a 20th-century classic, a rich musical setting of the Greek novel by Langus. Commissioned by Diaghilev for the Ballets Russes, it premiered in Paris in 1912, with Nijinsky in the role of Daphnis, and Anna Pablova and Tamara Karsavina alternating in the role of Chloe. Ravel's lush scoring for this Greek pastoral dramatically displays his genius for transmuting a traditional musical idiom into a fresh and stirring language of his own — now audacious and driving, now softly and hauntingly beautiful. It reveals, too, in the logic and sweep of its technical effects, Ravel's constant striving for perfection of form and style. (Stravinsky compared him to "the most perfect of Swiss watchmakers.") This definitive full-score edition, reprinted from the original French edition, duplicates the full ballet score, not merely the orchestral suites adapted from it.
French composer known especially for his melodies, masterful orchestration, richly evocative harmonies and inventive instrumental textures and effects. Along with Claude Debussy, he was one of the most prominent figures associated with Impressionist music. Much of his piano music, chamber music, vocal music and orchestral music is part of the standard concert repertoire.
Ravel's piano compositions, such as Jeux d'eau, Miroirs, Le tombeau de Couperin and Gaspard de la nuit, demand considerable virtuosity from the performer, and his mastery of orchestration is particularly evident in such works as Rapsodie espagnole, Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition. Ravel is best known for his orchestral work Boléro (1928), which he once described as "a piece for orchestra without music".
Had the pleasure of reading through the score while hearing Salonen conduct the Philadelphia Orchestra in the full ballet live. My appreciation for Ravel's orchestration went up exponentially, even though it's already in my top 3 favorite orchestral pieces.