Henry Rollins is nothing if not prolific and some of this books are better than others, but Bang! might be my least favorite of his books.
When Bang! was released in 1990 he’d published more than a dozen books. Some of the early books were zines and Bang! brings two of these together—Knife Street and 1000 Ways to Die, both published in 1989—along with some shorter pieces, including “Afterburn” and some Black Sabbath-inspired pieces.
Knife Street feels like it was written for the stage. He isn’t telling stories about his life per se but ranting about the dark side of the metaphorical street. You can really feel Hubert Selby Jr’s influence here with its running commentary on junkies and criminals. You won’t find the kind of laconic observations that make Get in the Van so entertaining. Rather, Rollins ramps up the energy to “I’m going to hell and you’re coming with me” mode, which he does so well:
The night rapes and confuses
We got the technology
No one gets out without getting a taste
Look at the survival rate
So far they are perfect
1000 Ways to Day is a very unusual book. It’s a long list of aphoristic outbursts that look like very short poems but aren’t. Although there are a thousand of them it’s not a catalog of literal ways to die either. They’re more like angry koans. Not only is the form repetitive but so is the content. Rollins returns to certain subjects over and over again: anger, heroin, isolation, loneliness, napalm, and rape. Man, there’s a lot of rape.
Here's five (#611-615):
Child
Abuse
From Hell
That bird
That sings
At 3:00 am
Sings to me
He approaches
The electric chair
The priest
Coughs
Don’t worry pal
We are
Right behind
You
She is amazing
No one
Can make me feel
Worse
Grim isn’t it? In 2010 1000 Ways to Die was made available as an e-book and Rollins had this to say about it:
“Many years ago, I embarked on a project to write one thousand extremely short stories. The idea was if one was to watch a train pass by at great speed, one would see a lot of people and possible stories. I filled up quite a few steno pads with these very short glimpses.”
As art I don’t think these glimpses are all that compelling, but as an intellectual exercise it’s interesting to see all the themes of Rollins’s early work mapped out in one place.