(I received an ARC from GenZ Publishing, via NetGalley, in exchange for an honest review! Thanks to both for trusting me with 'Rise of Knight and Sword')
'Rise of Knight and Sword' follows Guinevere, a young lady who works as a librarian in the city of Avalon and, one day, comes across a mysterious map while unboxing some ancient books recently found at an archaeological site. As soon as she and her two colleagues see the mysterious symbols scribbled all over the map, they realise that they're looking at a miracle: the long-lost map to Excalibur, a sword that is as much myth as it is a weapon. A sword that is meant to make history... But many are planning to seize the throne at any prize once the current king, Uther, dies. In her quest to retrieve Excalibur, Guinevere meets Mordred and Arthur, two bounty hunters on the very edge of the law who will tag along as she follows the map and tries to save Avalon from the hands of those who want to corrupt it.
Which sounds quite decent! Anyone who knows me beyond a superficial acquaintance can tell you that I'm a sucker for myths and legends, as well as for anything related to the Middle Ages. So, as you may (correctly) suspect, I absolutely *love* anything related to the legend of King Arthur and the Knights of the Round Table. That is the reason why, as soon as I read this book's blurb, I clicked on 'Request without stopping for nearly a literal minute. King Arthur, BUT with DINOSAURS, as well as GUINEVERE as the MAIN CHARACTER? Instead of holier-than-thou Arthur? PLUS STEAMPUNK!? Gimme that! The premise itself isn't bad. We get a tattooed, air pirate Arthur, as well as dinosaur smugglers, a bunch of Clone-ish army deserters itching for a good ole' battle against evil, and a fortune teller with more chill than anyone I've ever met. But...
But that's not enough to save the book. Although I did like (as I already explained) the premise, what I found was that it was poorly executed. The first chapter is a literal description of Guinevere's morning, from her waking up to the sunlight entering through the window to her riding the train to her workplace. It took me over 50% of the book to vaguely know what was going on, because the first chunk of the book was SO confusing. She has the map, but then we never hear of it again because she's measuring her bravado with Mordred, then there's this extremely random job at a party where a dinosaur smuggler nearly abuses Guinevere... I knew even less than Jon Snow. Several times, I thought of just not finishing the book and moving on to something else, because I couldn't make sense of it. When I finally did (kinda) sense the ghost of a plot, I had read over half of the story already. It was a literal act of blind faith.
The writing itself didn't help, either. Most of the sentences were short, simple ones, often sharing the very same grammar and structure, and it came to a point that I wanted to cry. And rewrite almost every paragraph. So much description could've been cut, and at the same time, so many things that were told could've been shown. Despite being a highly sensitive person with an excess of empathy, I didn't feel for any of the characters except for, maybe, Guinevere when she was left alone with Hueil. That was it, though. Everyone else was simply too... Awkwardly developed. I didn't feel like they were real characters, because there was no consistence whatsoever. Their personality, their speech, their actions... Nothing was solid. Just like the plot, the characters were foggy, blurry, and undefined.
So was the pacing. At the end of the book, barely a month has passed since Guinevere fled the library. And yet the character dynamics are supposed to be ones that would've taken several months, if not years, to develop! Just who the hell swears loyalty to some random guy they just met in the middle of a forest squirmish? The meet-and-greet ft. the Knights of the Round Table felt really forced, and... Stiff. Bonds just aren't forged that way, nor that easily or that quickly. Maybe it's a downside to being a major in Psychology, but I know enough about interpersonal relationships, social skills, and affective processes (ie. emotions, feelings, and the likes) to tell you that this is NOT how this stuff works. Obviously not everyone has studied Psychology, so not everyone knows the science behind human behaviour. But we're all people, we all know people, we all interact with others, and we all can tell what is, and what isn't, realistic representation of that. This wasn't. Just... Wasn't.
Bonus: I wanted to rip Mordred and Arthur's eyes off, like, several times. There is a scene in which, after Guinevere gets physically and sexually assaulted, Mordred gets angry at her because she DARES yell at Arthur for suggesting she had been 'asking for it'.. And yet, a few pages after, they act as if nothing had happened!? Plus, at the beginning of the book Guinevere acts extremely skittish around all men. It implies that she might've had some kind of traumatic experience. But she still agrees to go to that party and seduce Hueil so he gives up his secrets??? That was really NOT okay. Exactly the same as Arthur's mood swings, which more often than not ended up getting Guinevere yelled at. There was a scene in which he had to be physically pulled away from her, because she was, like everyone else in the room, afraid that he'd get violent with her to the point of hitting her. Yet they ended up sleeping together that same night??? No. Just... No.
As for the worldbuilding, I still don't have a clue about where this all happens. There's a city named Avalon, with a library, and then there's Arthur and Mordred's airship. And then there's... A forest... With a thatched hut somewhere, as well as a lake... Somewhere I think there was a castle? But we don't get to learn about the world Wade has created.
All in all, I'm giving this two stars because the premise itself isn't bad, nor are some of the twists on the original Arthuric legend. The cover absolutely rocks. Débutante Wade has clearly worked hard on creating this story. But... The efforts didn't pay off as much as they should, or could, have. With heavy editing and more character development, this could be something far more enjoyable. And I do hope that, in future books, the author will learn from the mistakes in RoKaS and create something as original, but with a better execution.
(Still: DINOSAURS! RAWWWR!)