A witty and inventive treat for lovers of all things Christie, Downton Abbey, and Knives Out, set in London and the English countryside and starring Phyllida Bright, fictional housekeeper to the great dame of detective fiction herself. “Dame Agatha would be proud” (Publishers Weekly).
Housekeeper Phyllida Bright is quite in her element at Mallowan Hall, the charming English manor that she keeps in tip-top shape. By contrast, the bustling metropolis of London, where her famed employer Agatha Christie has temporarily relocated, leaves Phyllida a bit out of her depth. Not only must she grapple with a limited staff, but Phyllida also has to rein in a temperamental French cook who has the looks of Hercule Poirot, but none of the charm.
When a man named Archibald Allston is found dead in an armchair onstage at the Adelphia Theater, first impressions are that he died of natural causes. But the very next day, the unlucky actor playing Benvolio at the Belmont Theater is found with his head bashed in. And when a third victim turns up, this time with double-C initials, the fatal pattern is impossible to ignore.
With panic erupting among theater folk—a superstitious bunch at the best of times—Phyllida steps up to help with the investigation. The murderer’s M.O. may be easy to read, but can Phyllida uncover the killer’s identity before the final curtain falls on another victim?
Colleen Cambridge is the pen name of Colleen Gleason, an award-winning USA Today and New York Times bestselling author.
Colleen Cambridge writes mostly historical-set mysteries with famous people as the sidekick or friend of her protagonists and has a blast doing so. She's written about Agatha Christie's (fictional) housekeeper, Abe Lincoln's (fictional) aide, and Julia Child's (fictional) best friend in Paris.
Colleen lives in the midwest United States with her family and two dogs, and is always plotting her next murder—er, book.
Housekeeper Phyllida Bright is quite in her element at Mallowan Hall, the charming English manor that she keeps in tip-top shape. By contrast, the bustling metropolis of London, where her famed employer Agatha Christie has temporarily relocated, leaves Phyllida a bit out of her depth. Not only must she grapple with a limited staff, but Phyllida also has to rein in a temperamental French cook who has the looks of Hercule Poirot, but none of the charm.
When a man named Archibald Allston is found dead in an armchair onstage at the Adelphia Theatre, first impressions are that he died of natural causes. But the very next day, the unlucky actor playing Benvolio at the Belmont Theatre is found with his head bashed in. And when a third victim turns up, this time with double-C initials, the fatal pattern is impossible to ignore.
With panic erupting among theatre folk—a superstitious bunch at the best of times—Phyllida steps up to help with the investigation. The murderer's M.O. may be easy to read, but can Phyllida uncover the killer's identity before the final curtain falls on another victim?
My Thoughts /
Another murder, is it, then, Mrs. Bright? They do seem to follow you about.
First and foremost, a huge THANK YOU to NetGalley, Kensington Publishing Corporation, and author Colleen Cambridge, for providing me with a copy of this publication, which allows me to provide you with an unbiased review. Publication date is currently set for October 22, 2024.
In this instalment, the author has (temporarily??) relocated British archaeologist Sir Max Mallowan and his famous wife, Agatha Christie from their homebase at Mallowan House in Listleigh to the hustle and bustle of inner city London. The couple, who have rented Gantry House for the duration of their stay, have also brought with them several key members of their household staff in an effort to make their lives run a little more smoothly. Housekeeper, Phyllida Bright and maids, Molly and Opal; the butler, Mr Dobble and Mr Max’s valet, Elton. Joshua Bradford and his dog, Myrtle complete the set. However, the move to London is overshadowed by a series of gruesome murders, and, on the face of it, the only connecting thread appears to be the theatre.
As is evident from the title, Murder Takes the Stage, the primary narrative for this instalment is theatre based. This theatrical trope is becoming widely popular of late, especially in the cosy mystery genre, and dare I say....it’s at risk of becoming over-used?
Bookish Theatre Critic Yays
🅰️ In this case, I did enjoy the use of alliteration. Because alliteration is memorable and catchy, writers often use alliteration to emphasis those words, phrases or ideas that they want to linger in their readers’ minds, and in this setting, I think it worked well.
🔤 Archibald Allston, asleep in armchair at the Adelphi; Benvolio bashed on the balcony at the Belmont; Claudia Carmichael catapulted from the catwalk at the Clapham.
🅿️ Perfectly set scenes, 💣 explosive dramatics, refined performances and 😮 shocking surprises.
🧑🍳 a fake-French chef.
😘 and, a flirtation with Bradford (this reader’s eyes goggled with surprise when this happened!).
Bookish Theatre Critic Whines
🤕 All was well - until the final curtain call. The concluding scene where our FMC renders (or should I say, ‘performs’) her soliloquy was way too long, and was on the verge of becoming tedious.
🤕 Even though this reader thought the case was indeed ingeniously plotted, she also thought it was the least original of the series (hello overwritten theatrical trope).
Theatre Critic’s Last Word
😍 Marry an archaeologist, because the older you get, the more he will appreciate you.
With thanks to NetGalley and especially to Kensington Publishing Corporation for the much appreciated arc in return for an honest review.
Colleen Cambridge has become a must-read author for me. I'm caught up on two of her series and eager to sample some of the others. Historical murder mystery with a twist, where famous writers or chefs or folks like us (readers who love good gems) can appreciate the time it takes an author to create authentic replicas without ever having known the originals. Phyllida is lovely, and I want her to succeed in each and every investigation. Tho Agatha Christie appears in a few scenes, she's not the star, and the love interest with Bradford is becoming quite spectacular. Just who is he besides the Christies' new chauffer. In this installment, the West End plays are the setting, and someone's killing off players a la Christie's future (and the inspiration) for the ABC Murders. Great setting. Tons of drama. Strong plot. Must keep up with this series!
MURDER TAKES THE STAGE (Phyllida Bright Mystery Book #4) by Colleen Cambridge is another wonderful addition to this addictive historical mystery series featuring Agatha Christie’s housekeeper, Phyllida Bright. I look forward to reading each new murder mystery and catching up with this memorable cast of characters. Each book can be read as a standalone mystery, but the characters continue to evolve so I have enjoyed and recommend reading them in order.
Phyllida Bright is the housekeeper of Mallowan Hall for her friend Agatha Christie, but Agatha and her husband are in London at the moment to see about a proposed production for one of her plays and she has asked Phyllida to follow to take care of their rented home in the city. Phyllida is anxious about being in London due to her past, which is still a mystery to everyone but Agatha and Phyllida.
Phyllida gets a call to come to the theater and discovers a dead actor on the stage. While it appears to be a death by natural causes, she can’t help being struck by the circumstances. The actor was Archie Allston asleep in an armchair at the Adelphia theater. The very next day, Trent Orkney who is playing Benvolio is found on a stage balcony with his head bashed in at the Belmont theater. When a third victim, Claudia Carmichael is catapulted from the catwalk at the Clapham theater, Phyllida is determined to uncover and stop the killer before they can murder their way through any more of the alphabet.
This is my favorite so far in the series. Besides the fun alliteration and the perfectly paced murder plot, this book finally reveals Phyllida’s secret and the reason she never likes to travel far from Mallowan Hall or be around law enforcement. This book also advances the budding attraction between Phyllida and Bradford, the Mallowan’s chauffeur, but we are still waiting for more of Bradford’s backstory which is only hinted at. Phyllida’s denouement was dramatically given on a theater stage and walked the cast of characters and the reader through all the possibilities, twists, and red herrings which led to the grand reveal of the killer. It was a surprise to me, and I love it when that is the case.
I highly recommend this historical crime mystery series! It is always a must-read for me.
The latest Phyllida Bright mystery novel—Murder Takes the Stage—takes us to the world of actors and the bright lights of the theater stage. When a confusing case involving a seemingly alliterative killer greets Phyllida and the Mallowan/Christie household as they arrive in London while Agatha works with a much-acclaimed theater producers turning one of her mysteries (Wasp’s Nest) into a play, it is up to our intrepid sleuth—Phyllida, not Agatha (she couldn’t solve a murder if her life depended on it by her own admission)—to solve the case. Secrets are revealed—and not just those of the suspects; motives uncovered; and certain attractions of the heart exposed. And perhaps, there might even be an inspiration for a certain novel entitled The ABC Murders! But what truly makes these novels so fun is Phyllida’s little asides mentioned between the numerous parentheses and em dashes as she deals with various characters and we see her deepest thoughts, most if them a bit snide and condescending). I laughed out loud so many times. Well done! Phyllida is simply our clever and much-loved little Belgian detective minus the mustache… and wearing a dress.
Off to London goes the Agatha Christie household for town living and a staging of one of Agatha’s plays if a fiendish murderer doesn’t kill the play before it even gets started. Colleen Cambridge has built a sparkling keen historical cozy mystery series with a fascinating amateur sleuth in the skilled and clever housekeeper, Phyllida Bright, set against the Agatha Christie world.
Murder Takes the Stage is the fourth book in the connected series of standalone murder mysteries that can be read out of order though are so much better to get all the build of background and character relationships as it happens.
For readers like me who have been dying to know what is the big mystery of Phyllida’s past and will she and the chauffeur Joshua Bradford progress beyond their needling each other in their unofficial collaborations on Phyllida’s investigations, yes, we move forward significantly on both counts.
Some series, I just like from the beginning. While other series, need to grow on me first. Phyllida has grown on me as have the books in this series so I can say this was the best yet. The mystery part was intriguing and harked back to Christie’s stellar The ABC Murders, but I have to say that finally getting the reveal on Phyllida’s mysterious past was even more satisfying as was Phyllida and Bradford finally acknowledging that the sparks they kick off aren’t dislike, but attraction.
I thought I had this mystery figured out, but I got that one wrong all around. I was practically biting my nails as Phyllida engaged with this killer in the final pages. I can now appreciate the humor of Phyllida’s personality and quirks and her serious capability and confidence especially since she was feeling vulnerable and off her game a little with her personal life intruding.
I can’t wait to get the next installment and see Phyllida, Bradford, Agatha, Max and the whole cast sleuthing once again. Historical cozy mystery fans are the target audience and should put this series on the reading list.
I rec'd an eARC via NetGalley to read in exchange for an honest review. My full review will post at Books of My Heart on 12.4.24
Agatha Christy's friend and housekeeper, Phyllida Bright, is a sleuthing delight. When Agatha moves part of the household to London temporarily, Phyllida goes along. Agatha's friends, Mr & Mrs Satterwait, (high rollers in the West End theater district, who could possibly produce one of Agatha's books) have a sticky situation on their theater hands. They ask for Agatha's assistance. Agatha in turn asks Phyllida do her sleuthing magic to solve the mysterious death of the actor, and keep it all hush hush so as not to upset the theater world. First it's Archibald Allston dead in an Armchair at the Adelphi Theater (AAA). Then it's the character Benvolio at the Belmont Theater with a bashed in head (BBB). Followed by Claudia Carmichael dead at Clapham Theater pushed from the catwalk (CCC). Will Daphine at the Dunsary Theater be next with a dagger (DDD)?
The characters are all fun and well developed in this well written gem of a mystery. I have only recently discovered the brilliant works of Colleen Cambridge and throughly enjoyed each of the three I've read. This book is a lighter, historical fiction mystery with Agatha Christy overtones you will recognize especially when all the suspects are gathered together for the summation and accusation. Agatha is by no means a main character, but merely the vehicle which allows Phyllida to do her sleuthing. And since Phyllida is technically the housekeeper you have the household staff involved in observing as well as aiding in Phyllida's antics.
This was an ARC I received at an author event. It won't go on sale until 10.22.2024. When it does it's well worth grabbing a copy to sit down with your favorite cupa' and settle in for the fun.
4.25 stars - I've only read one other book in this series and I loved it! I need to go back and read the first two in the series, but am so glad I got to read this one. The book takes place in 1930s England and the main character, Phyllida Bright, is the friend and housekeeper of Agatha Christie. Agatha is the queen of writing mysteries, but Phyllida has a knack for solving them. When there is a suspicious death at a London theater, Phyllida starts an investigation at Agatha's request.
The investigation is fun and Phyllida meets several interesting people from the theater world. She also fights to keep a secret from her past and also fights an attraction to Agatha's chauffeur Bradford. (This may be a mystery, but some of their scenes are definitely swoon-worthy!) Parts of the book move a little slowly, but things get very suspenseful as the killer claims more victims and Phyllida gets closer to figuring out the connection. Phyllida's dramatic reveal of the killer at the end would have made Hercule Poirot himself proud. This is a fun book for historical mystery fans as well as fans of Agatha Christie
Thank you to NetGalley and Kensington Books for the review copy of this ebook. My review is voluntary and unbiased.
This series just gets better and better. I was completely immersed in this book and all the drama that ensued. I LOVE Phyllida Bright's character and how much she has developed and become more and more endearing. She is a product of her time, but also as we learn more about her past, is breaking many molds. She will not let the men talk down to her just for being a woman and gets to SHINE at the end as she dramatically unravels the many mysteries that became entangled in this book. Also it is SO FUN to see these fictional events and how they fictionally inspired Agatha Christie's own mystery books. I was SHOCKED by the ending, so happy about the budding romance, and enjoyed everything about this book.
I already cannot wait for more!
Thanks to the publishers for a free ARC; my review and thoughts are my own.
Oh how I love these books!! This was, quite simply, a real joy to read from beginning to end.
Phyllida is at the top of her game here, ad the twists and turns take the reader on a crazy journey to a deeply satisfying end that I never saw coming [YAY!]. Every time I was sure I knew what was going on, I was proven wrong and had to start all over with my "killer" list and it was just such a fantastic time and it IS so fun to be proven wrong [probably the ONLY time LOL].
With an excellent cast of characters [including the indomitable Agatha Christie], this is one of the best historical mystery series out there and I am so glad I get the chance to read it and I recommend it to anyone who likes very good mysteries.
Read this series and then dive into The A.B.C. Murders featuring the inscrutable Hercule Poirot as it is one of [IMO] Ms. Christie's best.
Very well done!!
Thank you to NetGalley, Colleen Cambridge, and Kensington Publishing for providing this ARC in exchange for an honest review.
Book 4 of the Phyllida Bright series but this is the first one I have read. It read well as a standalone but I wish I had read the others first simply for the character building I missed out on. A fun, cozy, yet gripping mystery! I couldn't turn the pages fast enough in the 2nd half. Truly Agatha Christie style - lighthearted but well-built storyline. Would love to read more by this author.
Thanks to Net Galley, Colleen Cambridge, and Kensington Publishing for the ARC and chance to give my honest feedback!
Another delightful entry in the Phyllida Bright mystery series, featuring Agatha Christie's fictional housekeeper Phyllida. This time the book is set in London, as Agatha and her husband are there to check out plans for a play based on one of her books.
Phyllida is soon called in to help investigate what turns out to be a series of msyterious deaths amongst the London theatre group, all related to one of Agatha's future books based on letters of the alphabet.
I liked the movement in Phyllida and Bradford's relationship, as well as finding out a lot more about Phyllida's backstory. But I especially liked the mystery. Since I'd read the original book by Ms. Christie, I figured there was going to be something unexpected going on, but I definitely didn't guess what it was.
This book had me on the edge of my seat – every single one! The murders (yes, plural!) were brilliantly plotted, and I was completely stumped trying to figure out the killer. I love a mystery that keeps me guessing, and this one definitely delivered. I also couldn't help but notice the similarities to Agatha Christie's "The ABC Murders," which added another layer of intrigue for me.
And let's talk about the romance! I'm so invested in these characters and thrilled with the way their relationship is developing. It's a perfect complement to the suspenseful plot.
If you're a fan of Agatha Christie and haven't started this series yet, do yourself a favor and pick up book one immediately! You absolutely won't be disappointed.
The fourth book in this “Agatha Christie vibe” book series is the best yet.
This time the author treats us to her version of the ABC Murders by Agatha Christie. The author always has interesting characters in her stories, and it’s always fun watching Phyllida and Mr. Dobble squabble. The plot was entertaining and we learn a bit more about Phyllida and her past as well as watch her and Bradford move closer together. I can’t recommend this series enough, it’s fabulous.
My review is voluntary and all comments and opinions expressed are my own.
This might be my favorite of the series so far! The reason for the murder was kind of stupid, but I love this series so much. I'm always totally transported into the world of Phyllida Bright anytime I'm reading one of these books.
In this installment, Phyllida,the ever intrepid housekeeper to Agatha Christie finds herself in London. When there are a couple murders at different theaters, Phyllida is on the case. There seems to be a pattern to the murder. How will Phyllida solve this crime?
This was a very cleverly plotted storyline that kept me guessing and entertained throughout the book. I can't wait until the next book!
I received a complimentary copy of this book. Opinions expressed in this review are my own.
I found that the motivation behind the murders was not enough of a justification, and hence the disappointment with the book. It was set up well, but like Agatha Christie’s books end in a reveal which is all too chilling and revealing of the dark side of human nature, this climax felt weak and unconvincing.
It’s written well, prose is good enough. The little love story is a cute detour. But the plot fails the author.
There’s only one Agatha Christie i guess.
This entire review has been hidden because of spoilers.
I’ve really grown to love this series of historical mysteries so much! Book 4 found us out of the country and in London, which changed up the dynamics of the mystery and the staff of Agatha Christie and her husband.
Probably my favorite part of this book was finally finding out about Mrs. Bright’s past, as well as the connection between her and a certain chauffeur hitting a climax. I can’t wait to see where Book 5 takes us!
Dame Agatha would be flattered and approve. Told from the perspective of her fictional housekeeper, this will keep you guessing until the very last pages. The 4th in the series even a newcomer will enjoy without having read the preceding volumes. I look forward to the future adventures of Phyllida Bright.
4,5 stars rounded up to 5. I am enjoying the characters so much that this series became a guilty pleasure for me 🥰 The mystery in this one is decent and I admired that it took a different path from the Agatha Christie book that it was inspired from 🙂
This is such a fun series. I did get a lot of the characters mixed up, and I did guess the killer, and I also thought there could have been more Agatha — but it was such a nicely paced story that I’m willing to overlook those things.
This book was exactly what I needed in my current mental health state. It’s just a lovely book, the characters become more endearing as the series progresses.
Murder Takes The Stage by Colleen Cambridge (Phyllida Bright mystery #4) Length: 304 pages Genre: Mystery/Historical Fiction Pub Date: Oct. 22, 2024 - now available! My rating: ⭐️⭐️⭐️⭐️⭐️
Thanks to @netgalley and Kensington Publishing for the e-ARC of this book. The opinions stated here are solely my own.
Synopsis: Phyllida Bright, esteemed housekeeper of Agatha Christie, and part-time sleuth, has yet another case to solve. She has traveled to London with Agatha and her husband Max Mallowan as they are there for the theater scene. An actor is found dead on stage at the Adelphi Theater and Phyllida's detecting skills are called upon by theater guru couple, the Satterwights. Unfortunately, she comes upon many roadblocks, including Scotland Yard, and more bodies, all related to various theaters in London. Can Phyllida solve what appears to be an alphabetic killer's crimes, or will this be her own final performance...?
Opinion: I ADORED this 4th installment of the Phyllida Bright mysteries. The tie-in with Agatha Christie makes this even more enjoyable and reminiscent of good old-fashioned murder mysteries. Mrs. Bright is a strong female character and has a huge amount of fortitude and gumption for solving murders while attending to her regular job as a housekeeper. I love all of the recurring characters from the previous novels, such as Bradford, the driver, and the fun cast of Agatha's household staff. I did not guess the killer until the big 'Poirot-inspired' reveal at the end, and look forward to seeing Phyllida's future adventures in sleuthing! Excellent book!
Murder Takes the Stage is the fourth book n the Phyllida Bright series of historical mysteries, and boy am I enjoying them.
This story takes place in London rather than at Mallowan Hall as Agatha Christie has traveled to town to work on producing her Poirot mystery “Wasp’s Nest” for the stage. Murder on the West End inevitably follows, and it falls to housekeeper/Christie confidant/talented sleuth Phyllida to investigate.
I enjoyed the mystery (the clues all add up at the end but there wasn’t a neon sign pointing to the murderer) but the story of Phyllida herself expands. We learn more about her past that was only hinted at previously, and relationships grow and deepen below stairs as well.
Murder Takes the Stage is easy to read with a very likable and surprisingly vulnerable protagonist. I had fun following Phyllida through the story.
I received an advance review copy from the author as a prize through the Romancing the Vote 2024 auction. My thanks to Colleen Cambridge. All opinions are my own.
The latest entry in the historical cozy series featuring Agatha Christie's close friend and sort of household manager Phyllida Bright. Christie isn't a main character here, just a means to introduce Bright who is a strong figure with an aptitude for crime solving.
The Christie household has temporarily moved to London due to a theater production so the locale is slightly different. Christie calls Bright in when a couple of suspicious deaths almost certainly appear to be murders. Bright is great at nosing her way in and is a very skilled interviewer. The police don't like her, but they need her. They have something from her past to hold over her head but she is not cowed.
In this outing we see the usual interplay among the staff which is nicely entertaining and a burgeoning relationship between Bright and chauffeur Bradford which is adeptly handled. I received an advance review copy for free, and I am leaving this review voluntarily.
Colleen Cambridge's "Murder Takes the Stage" whisks readers away to the world of 1930s London theater. The mystery unfolds as Phyllida Bright, Agatha Christie's housekeeper, delves into a series of murders in the vibrant West End. The victims are connected by a pattern that forms an alphabet of death, pulling Phyllida into a game where the lines between illusion and reality blur.
Phyllida emerges as a strong protagonist. The novel sees her transformation from a bystander to a determined sleuth. As Christie's housekeeper, she has unique insights, but her intelligence and skills set her apart. Despite being underestimated, Phyllida proves herself capable and resourceful.
The writing balances suspense with humor, particularly in Phyllida's interactions with Inspector Wellbourne. The dialogue feels natural and develops character dynamics without slowing the pace. This balance keeps readers engaged, even during methodical investigation scenes.
The pacing is solid for the most part. Cambridge maintains tension as the murders increase and the stakes rise. The final reveal is satisfying and surprising, avoiding obvious or convoluted solutions.
Cambridge’s experience shows in the plotting and period details. The novel distinguishes itself through its setting, characters, and themes. The theater world provides a rich backdrop for the classical mystery elements. Cambridge's attention to historical detail immerses readers in the period. The theater scene creates a backdrop that enhances suspense, portraying the glamour and competitiveness of the entertainment world.
The story explores the perils of ambition and fame. The killer's motive reflects the ruthless side of show business. Cambridge uses the setting to examine the pressures of relevance and success, a theme that resonates throughout the narrative.
Cambridge addresses media influence and public perception, adding depth to the plot. The killer's manipulation of attention reflects the power of sensationalism in the 1930s and resonates today. This approach elevates the story beyond a standard whodunit, offering commentary on fame and public opinion.
This novel offers an engaging read that maintains suspense until the end. I recommend it to fans of Agatha Christie, traditional mysteries, and historical fiction. Cambridge has crafted a story that entertains and prompts reflection on ambition, fame, and the line between performance and reality. Overall, it is a solid addition to Cambridge’s body of work.
This review is of an advance reader copy provided by NetGalley and Kensington Publishing. It is currently scheduled for release on October 22, 2024.
Phyllida Bright is to historical mystery books what Columbo is to TV detective series. The story follows the fictional housekeeper, Phyllida Bright, of the very real Agatha Christie, as the household decamp to London. Agatha is to supervise the staging of one of her books, but stopped dead when an actor, Archibald Allston, is found dead in an armchair on stage at the Adelphi Theatre. And so the mischief begins. Phyllida has a track record as a discrete sleuth and called upon to give an opinion as to whether foul play was involved or not (it wasn’t – not a spoiler). However, the proverbial plots thickens when two most definite murders follow: Benvolio bludgeoned at the Belgrave Theatre and Claudia Carmichael at the Clapham Theatre. What devilry is afoot? Phyllida dons her sleuthing hat and gloves to solve the riddle before Daphne Dewberry meets a sticky end at the first night of Dracula. Murder Takes the Stage is a satisfying romp of a tale. There is a full supporting cast of engaging characters from an actor infiltrating the Christie household, posing as a French chef as an elaborate audition to play Poirot, to a darkly handsome chauffeur who provides a subtle love interest. Phyllida herself is a steel bar of a woman dressed in satins and silks, and with an eye-catching hair do – I liked her very much. Along with the clever plot, the author hints that Phyllida’s adventures were the inspiration for some of Ms Christie’s novel. In this case – “The ABC Murders”…except, true to character, Phyllida much preferred the moniker “The Alliterative Murders.” This is book 3 in the series and I haven’t read 1 or 2, but it is easily read as a standalone story. Without spoilers a significant event from Phyllida’s past was hinted at early on and left me feeling a bit of a dither…but this was explained later in the book, so no martini spilt there. So, if you want to relax on a rainy day with a coffee, and escape into an Art Deco world with a stylish sleuth and gentle humour…look no further than “Murder Takes the Stage.” 4.5 stars.