An indefatigable and nearly indestructible hero, lots of straight-forward and instinctual action, attractive members of the opposite sex, and the guy trying to take over the world. “Dead Out” by Jon McGoran – the second in the Doyle Carrick series – has all of these, plus a science-based mystery wrapped inside.
Doyle, a Philly cop with PSTD issues, finds himself on Martha’s Vineyard, lending a hand to a buddy with a bee monitoring program and helping whip-smart scientist Annalisa figure out why the island’s honeybee population is crashing. Doyle’s chemically sensitive horticulturist girlfriend, Nola, joins the island’s organic farmers. Island-rich-kid-cum-eco-terrorist Teddy Renfrew’s pissing match over bees imported by reality-TV-star-cum-farmer Johnny Blue turns violent. Doyle gets pulled into it, attracting the attention of Jimmy (the island’s only competent and honest cop) and Renfrew Senior (who hires Doyle as Teddy’s new minder). The closer Doyle and company get to the “what” of the bee crisis, the more black-ops thugs show up, the more shots are fired Doyle’s direction, and the more people associated with the bees start disappearing. The “what” leads to the “who” behind the genetically altered import bees, and a race to stop the threat before it spreads. Conspiracy theorists and revenge junkies alike will be satisfied with the ending.
Beyond an enhanced plot, other pluses are little gems of scenes like Doyle’s anguished flashback to observing a captive bee to death as a kid, and acknowledging Nola’s illness to be as much mental/emotional as physical. Another plus – a few delightfully gray personalities (Teddy, and a wisecracking sniper) who stand out against the black-and-white stock footage of minor characters. There’s also an implied promise of future Jimmy and Annalisa pairings, which would be welcome.
On the minus side, Nola appears here only as object (of desire, frustration, or pity) or plot device (her chemical sensitivities drive the setting). And there are some troubling repetitions early on, like Doyle’s exact thoughts spoken aloud by another character mere paragraphs later, or the multiple, similar explanations of Nola’s illness.
Overall, though, this is a ripped-from-recent-headlines story by an author with a lot of promise.