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Nerabdatorii

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Aflat la granita dintre roman social si roman psihologic, Nerabdatorii scriitoarei algeriene Assia Djebar face o radiografie exacta a mentalitatii musulmane si a schimbarilor ce se petrec in structura ei la impactul cu civilizatia europeana, avand drept punct de reper o familie araba mic-burgheza din Alger. Tanara Dalila, o nonconformista atat prin fire cat si prin educatia europeana primita in scoala, se razvrateste impotriva conditiei de inferioritate a femeii arabe si incearca "cu nerabdare" sa-si caute propriul drum in dragoste si in viata.

225 pages, Paperback

First published January 1, 1958

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About the author

Assia Djebar

38 books388 followers
Assia Djebar was born in Algeria to parents from the Berkani tribe of Dahra. She adopted the pen name Assia Djebar when her first novel, La Soif (Hunger) was published in 1957, in France where she was studying at the Sorbonne.

In 1958, she travelled to Tunis, where she worked as a reporter alongside Frantz Fanon, travelling to Algerian refugee camps on the Tunisian border with the Red Cross and Crescent. In 1962, she returned to Algeria to report on the first days of the country's independence.

She settled in Algeria in 1974, and began teaching at the University of Algiers. In 1978, she made a feature film with an Algerian TV company, The Nouba of the Women on Mont Chenoua, which won the critics' prize at Venice. Her second feature, La Zerda, won a prize at Berlin in 1983. In 1995, she took up an academic post at the University of Louisiana, Baton Rouge, and in 2002 was named a Silver Chair at New York University. She is a member of the Belgian Royal Academy and of the Academie Française.

She published her first four novels in France, between 1957 and 1967. These were followed by her Algerian quartet, of which three titles are complete to date, and by her three "novels of exile." Djebar has also published short stories, essay collections and two libretti. All of her writing is in French.

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Profile Image for Gerhard.
364 reviews30 followers
November 5, 2024
Der Roman erschien 1958 und hat den Feminismus, Selbständigkeit moslemischer Frauen zum Thema. Damit passt er auch in die heutige Zeit. Dalila setzt sich in der Familie durch, geht allein aus dem Haus, wählt selbst einen Mann, sagt zu einem Heiratsangebot ja. Den Standpunkt, dass sie selbst entscheidet und ihr Leben wählen will, setzt sie in Ihrer algerischen Familie durch. Dem Geliebten Salim folgt sie nach Paris. Ihr Verhalten passt jedoch nicht zu den patriarchischen Vorstellungen von Salim. Der Roman endet mit einem Verbrechen und der Rückkehr Dalilas zur Familie. Die Geschichte lässt sich aufgrund ihrer Sogwirkung in einem Zug lesen.
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