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Maggie tries to unravel an art theft that began during the Vietnam WarDuring the chaotic last act of the Vietnam War, three people tried to preserve the art from the French colonial museum in Da Nang. As Viet Cong forces overwhelmed the South Vietnamese, Bao Ngo, Khanh Nguyen, and Minh Tam sped south, in trucks laden with all the treasures of eighteen hundred years of Vietnamese history. Although one truck disappeared, those three made it to Saigon just as the Americans pulled out. Minh and Khanh escaped on the last helicopter, Minh waving goodbye to Bao, the cousin he expected he would never see again. Decades later, Khanh is at home in Los Angeles when Bao reappears, gun in hand. He ransacks her house and disappears. Maggie MacGowen, documentary filmmaker, looks into the incident, interviewing Khanh and Minh, who disappear just after she turns off her camera. She presses on, determined to understand this decades-old mystery, no matter how dangerous the past might be.

272 pages, Mass Market Paperback

First published January 1, 1997

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About the author

Wendy Hornsby

55 books25 followers
I can’t remember ever not knowing that I was a writer. When I was in the second grade, because I was forever writing little stories, my teacher, a lovely woman named Barbara Heath, gave me her own copy of Little Women, to keep. Hardcover, illustrated, no less. The story wasn’t so much magic for me as was the character of Jo March. Somehow I knew Jo, I pretended I was her sometimes, and knew I was going to grow up to be, as she was, a writer.

When I was in fourth grade, I turned pro. My essay, “Why I love Camp Nawakwa,” won a community contest, earning me a camp scholarship, and my future was set. Sort of. Loving Camp Nawakwa was my writing pinnacle for quite a while.

When it was time for college, I headed off to UCLA, where I tried on a large number of majors before I decided on History. History, well told, has more romance, adventure, intrigue, courage, provocative mystery than any fiction that can be imagined. Besides, the process of historical research and writing mysteries have a great deal in common. One snoops through the remnants of people’s lives – real or fictional – asking the important who, what, where, and when questions and implying insight with the hope of making sense of things. The study of History is great preparation for a writer, especially a writer of mysteries.

The afternoon that I learned I had passed my comprehensive exams for the Masters degree in History at CSULB, I was hired to teach History as an adjunct at Long Beach City College. Over the next decades I taught, went to school some more, raised two beautiful babies to adulthood, acquired a full-time tenured position at LBCC, and, somehow, between school and soccer and baseball and school plays, managed to get seven mystery novels and many, many short stories published. Amazing how that happened.

When my kids, Alyson and Christopher, were of a certain age, I took them to visit The Orchard House in Concord, Massachusetts, where Louisa May Alcott grew up and where she wrote Little Women. I stood in her upstairs bedroom, beside the little half-moon desk where she created Jo March, and thanked her for giving a little girl a bit of courage to believe that she, too, could be a writer.

Wendy Hornsby is the Edgar Award winning author of the Maggie MacGowen mysteries.

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Profile Image for LJ.
3,159 reviews305 followers
November 4, 2008
HARD LIGHT - Ex
Hornsby, Wendy - 5th Maggie MacGowen

Filmmaker and amateur sleuth Maggie MacGowen is approached by a beautiful Vietnamese expatriate to find a scholar who escaped from Vietnam after the war, and abruptly disappeared. Maggie takes the case. Her only link with the Vietnamese community is her ex-husband, who conducted business in Vietnam. Now the web of intrigues, lies, and betrayals is about to trap everyone it touches, Maggie, her ex-husband, and even her daughter.

Well done! I love Hornsby's books and this one is a real return to form for her.
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