Finally, after all the delays, the final volume of Ms. Tree. Round of applause, everyone! It’s been a wicked, wicked long 6 years.
In this volume’s foreword writer Max Allan Collins takes the blame for the god-awful, messed up mapping of this entire series as collected by Titan Comics and Hard Case Crime in these tiny, little paperbacks. SLAP!
SLAP! SLAP! SLAP!
More SLAPS!!!
MAC’s (criminally misguided) intention was to lead the series with the most mature stuff. Which came later. Okay. But that wasn’t the only dicking around he did. The first two volumes of the allegedly maturer material ping pong the issues out of sequence, for no good reason. Some issues are mis-collected to the point where they contain literal spoilers, for absolutely no good reason. Some volumes contain issues not even listed in the indica, and there’s no excuse for that.
I guess all this mucking about does excuse the lack of volume numbers. There aren’t any on the spines or the front or back covers. But how would they even have numbered them? (I guess they could have released v5 and v6, then backtracked to the early stuff, similar to but not exactly like how Fantagraphics released The Complete Carl Barks Disney Library: the last of which, v1 of 28, finally comes out in 2025. And, hey, they mucked about with publication order, too. Not to mention all the censorship…. So it goes.)
I won’t harp on this too much. If Ms. Tree desired to escape the notice of new and casual readers, then Collins did a fine job aiding and abetting her. Just take a look at the table below to see how. It’s madness, it’s haphazard. MAC, what the hell were you smoking? Tree is already a hidden gem, stop hiding her. Casual readers don’t want to do a lot of legwork to figure out where a story starts and finishes. One thing that set Tree apart from convoluted mainstream American superhero comics was its (relative) simplicity. Not anymore!
As near as I can tell, because keeping track of all this is so silly my brain is feeling extra Play-Dohy today, this final volume collects Ms. Tree #35-50 and Ms. Tree - Rock & Roll Summer Special. Not including #36, which is a story about Ms. Tree and Mike Mist meeting another private detective named Johnny Dynamite. (I wish it was included but there is a continuity error that’s solved by skipping it. Another solution could have been simply adding an extra narrative caption that read “Not long ago…” under the issue’s title.)
In brief: Johnny Dynamite is a comic book PI from the 1950s, and at one point—for economical reasons—Ms. Tree split the page count of her own book with old Dynamite strips, freeing artist Terry Beatty to pursue other work that paid better. (See the letters in the original issues to see how this was received by contemporary Michael Tree fans.) But Collins and Beatty deserve credit for trying to keep the book afloat. Same as they were doing with the experiments in color.
Overall, this is a great volume but not the best. The bulk of the stories: we learn more about the Tree family as Michael flies to LA to investigate the murder of her father (Dragnet!), the book returns to its main plot as we find teenage Mike Jr. necking with the enemy, and Tree and friends try for a little R&R on a Caribbean cruise but get a fun whodunnit instead. The stories are solid if not Tree-defining and the art is top notch. I’m not sure if the transferral process changed but it looks beautiful here for whatever reason.
For the last time, I’ll say: I wish the books were oversized instead of undersized and I wish the Mike Mist minute mysteries were included. (Mike Mist does at least appear here plenty, in any case.) I hope this series of books manages to spread Tree’s fame. I’m skeptical but maybe MAC’s schizo sequence has already paid dividends. Regardless, the creators of this series often were doing pragmatic things on the business end to the displeasure of the fans but for the good of the book. And I’m a fan, so….
I especially hope we get all of these issues published sequentially in a couple omnis at some point. Also, I wonder if the orphaned Tree material (PIs Michael Mauser and Ms. Tree, most notably) will ever see the light of day.
Thank you Mr. Max Allan Collins, Mr. Terry Beatty, and also Mr. Gary Kato. You did incredible work with Ms. Tree and now the character is more accessible than ever. Though she can stand to be a hell of a lot more accessible, so next time don’t over think it. SWAK!
New readers! If you’re new to Ms. Tree don’t start with this volume. It’s the last. Or the fourth. Depending on how you count. If you want to read the story as it was originally published, as it makes the most sense, and doesn’t spoil itself, I recommend you read v3-v6, then v1-v2. Just keep in mind there will be a few instances you’ll have to pause and read a few issues of another volume. Pay attention now because nowhere in the book does it tell you which issue you’re reading! Oh, and for the last two issues (aka v1-v2) you’ll want to use the table below to get the order right. Gee, that’s easy!
THE AMAZING MS. TREE’S INCREDIBLE BUT UNCANNILY CONFUSINGLY COLLECTED SAGA:
v1 Ms. Tree: One Mean Mother: Ms. Tree Quarterly/Special #1, 4, 7, 8, 9.
v2 Ms. Tree: Skeleton in the Closet: Ms. Tree Quarterly Special #2, 3, 5, 6, 10, and Ms. Tree #28.
v3 Ms. Tree: The Cold Dish: Ms. Tree black-and-white shorts from Eclipse Magazine (previously collected as The Files of Ms. Tree v1), and Ms. Tree #1-9.
v4 Ms. Tree: Deadline: Ms. Tree #10-17, #32-34, and Ms. Tree 3D.
v5 Ms. Tree: Heroine Withdrawal: Ms. Tree #18-31 (not counting #28 which appears in v2.)
v6 Ms. Tree: Fallen Tree: Ms. Tree #35-50 (not counting #36, which doesn’t appear anywhere), Ms. Tree - Rock & Roll Summer Special.
ADDITIONAL, BELATED THOUGHT:
I’ve been thinking about Ms. Tree all day. I think MAC has fallen in the same exact trap as Marvel and DC. In their quest to cast as wide a net as possible to entice new readers, they lose what attracts readers old and new. I think that phenomenon is self-explanatory at this point. But I think it’s true regarding the prose novel, too. I remember being so disappointed in that. I think Collins, to appeal to as wide a readership as possible, essentially neutered (spayed) his character. The Tree from the book was like a Tree from a boring parallel universe completely disconnected from what some might call baggage and others might call her entire world, her cast of characters, and her history. As we know, these kinds of lessons are very, very hard to learn. Just look how much crap Marvel keeps putting out to appeal to people who don’t even go to comic shops and only know the characters from the shitty movies. More weirdos read and react to comic book news than actual comic books, I bet.