3.55 average between all my little individual thoughts, rounded up because the stories that I loved actually left me breathless. This collection was really fantastic; Hugh Howey chose well—and opened with a very thoughtful introduction that deserves a round of applause in its own right. Lots of queer stories in this anthology, which is admittedly one of my favorite things about contemporary science fiction and fantasy. The most memorable for me (not necessarily all of the ones I gave my—admittedly liberally given—five stars to lol) include “How It Unfolds”, “The Blade and the Bloodwright”, and “If Someone You Love Has Become a Vurdalak”. I will be thinking about these three pieces for longer than I have a right to.
- “How It Unfolds” by James S. A. Corey - Admittedly, one of those things that I know is not a unique trait but which I feel I uniquely carry the burden of, is the need to read Deeper into everything presented to me. Especially a short story. For this one I’ve chosen to read into it the idea that things will change and you can’t stop them from changing but despite this change you’re still you and your past will always be with you. You will always love and loathe your past but you will love your future even more, and all the possibilities that come with it. On another note: really tasty sci-fi with this one. The idea of light as a medium for (re)production is ingenious imo and I fw the almost Groundhog Day effect of the group eternally colonizing planets without ever (truly) reaping the rewards. It’s lonely, but I think it’s also a bit hopeful? There’s something fixed and tautological about it, to be sure, but the ending (ultimately about a return and a change and a new possibility (that’s also already written? tautology man)) was slay nonetheless. Anyway! 5/5 from me as I’m a sentimental bastard.
- “Eye & Tooth” by Rebecca Roanhorse - A predictable monster hunting romp complete with enough smarmy narrative to remind me of (hit TV show) Supernatural. Sure it was enjoyable (had a certain cinematic vibe to it) but I didn’t find it necessarily memorable or moving in any way. Compact, neat horror story (I’ll admit, I’m more of an epic fantasy lover myself) nonetheless! Like a hardy plot of land missing some of the nutrients to grow a nice garden. 3/5 from me, I have been meaning to read more Roanhorse!
- “Zeta-Epsilon” by Isabel J. Kim - If my unhealthy attachment to Ann Leckie is anything to go by, I’m quite fond of weird AI-human mindmeld stories, of which this is one. Super rad sci-fi bullshit abound here, which sucks me in right away—I don’t even need an impetus for why the Zeta-Epsilon human-AI pair left the government, I’m too charmed by the fact that they can’t separate themselves from the other to a point where it’s impossible to think of themselves as a discrete being. Like, that’s gas. 4/5 (because I actually do long for impetus).
- “Bari and the Resurrection Flower” by Hana Lee - Enjoyable and compact! I don’t know what more to say about it other than I had a good ride while reading and could see the author pulling it out into a larger work if they so chose. But it’s just as satisfying as is. Killer premise; the language itself feels unfulfilling—something a bit YA-ish about it that makes me reticent while reading (could just be the first person). 3.5/5, I have Lee’s book on hold at the library.
- “Window Boy” by Thomas Ha - Downright eerie omfg. The implicit world-building (for lack of a better description, seeping out of the story instead of laid at your feet which I appreciated) was so well done. A story that still leaves you with a lot to chew on once you’re done. That ending scene is soooo haunting, man. You can’t help but sympathize with everyone in the story, even when they’re doing/planning to do something “wrong” you know WHY these choices are being made. 4/5 because I still had a few questions nagging at me when I put it down.
- “Disassembling Light” by Kel Coleman - I was not the biggest fan of this as a whole, but there were moments of undeniable whimsy (to steal a word used in this story, because I forgot about this word!! I forgot about whimsy!!!) that made the whole thing more enjoyable. Sunflower light, braided entrails, a frog with wooden legs, the word ‘spark’. It just didn’t thrill me, you know? AnywAY; 2/5 for me.
- “The Long Game” by Ann Leckie - Another Ann Leckie slay for the books! Love a story from the view of some(one/thing) non-human; it’s so fun to parse through. Defamiliarization has me in a chokehold when it comes to SF genre, shout out Shklovsky. 4/5, although I’m admittedly giving a nepotism adjacent boost because I love Leckie.
- “John Hollowback and the Witch” by Amal El-Mohtar - Another Amal El-Mohtar banger, but are we really surprised? You don’t necessarily have to forgive someone or want them back in your life in order to wish them a better life. In only a few pages you’re able to see all the contradictory aspects of John, just the crazy amount of cognitive dissonance that he (and men like him) go through—and then of course his ‘rehabilitation’ and acknowledgment of all the shit he’s done. IDK, it felt like a hopeful ending to me! Another 4/5; some of the dialogue felt cheesy but I loved the witch kicking him out at the end.
- “Calypso’s Guest” by Andrew Sean Greer - Queer retelling of Odysseus’ stay in Ogygia, but this time Ogygia is in space. I said oooh I love this the people said oh of course. Two parts bitter one part sweet, but that’s sort of the best type of story to read. 4/5! I really liked it but it didn’t make me go totally crazayy yk.
- “The Blade and the Bloodwright” by Sloane Leong - And if I say this was epic? If I say this got an actual physical reaction from me? If I say this had me on the floor staring listlessly up at the ceiling? What then? Will I be put on the cross Jesus style? It’s gory, it’s visceral, it’s gross, but Leong absolutely killed the worldbuilding in such a short period. Admittedly, there was a good bit still left unanswered (less about the magic system and more about the socio-political landscape; sue me, that’s my reading experience) but that’s WHATEVA!!! 5/5!!!
- “8774-D” by Alex Irvine - SUPERHERO BUREAUCRATIC BULLSHIT LETS GOOOO! 5/5!!! NO NOTES!!
- “Resurrection Highway” by A. R. Capetta - There’s this board game called Battlecars and this story feels like that on crack. I’ll admit, I’m generally pretty iffy on post-apocalyptic stories as a whole. And also I think Mad Max is lame. So this? Was never going to be something that I would enjoy. That smarmy Mad Max-esque prose always makes my eye twitch (once again: just not for me). So, with a heavy heart, I bequeath thee with 1.5/5. Extra half because it was written in second person and I fuck with an unexpected POV.
- “The Four Last Things” by Christopher Rowe - I’m a big enough person to admit that I didn’t Get this one…the sort of thing that plays on the outskirts of understanding. Inspired by Christian eschatology and, you know, ultimately about death, so of course it’s going to get Strange. Difficult but sort of pleasurable for being so? Idk. Some bits did just feel like science fiction for science fiction’s sake, though (although, once again, I definitely do not have the chops on the first read to bite into the heart of the matter, so maybe the bits I found superfluous are actually central). 3/5 — it was engaging even with the barrier between reader and meaning lol.
- “Ankle Snatcher” by Grady Hendrix - Childhood fears become adulthood realities; easy reading more than anything that made me go ape shit. It was fine? But not really memorable? I don’t know, it felt like a nothing story to me lol. 2/5!
- “Emotional Resonance” by V. M. Ayala - The giant space mechs are trans and gay ♡ and also late stage capitalism is going to kill us all, even in the beautiful expanse of deep space. Unless we are gay and trans together… (it’s an offer). Anyway! I loved the impetus, I loved the set up, the story didn’t knock my socks off, though. I’m sorry robots! 3/5.
- “Bruised-Eye Dusk” by Jonathan Louis Duckworth - So atmospheric, even the language is steeped in swampiness. Very much a predictable arc in the storytelling, but the displacement of the actual content (bayou/deep south inspired setting and magic system, queer storytelling, a HUGEEEE alligator that doubles as a horse) is enough to leave me absolutely enchanted. 3/5!!
- “Once Upon a Time at The Oakmont” by P. A. Cornell - I’ve read old diaries from the 1800s, the early 1900s, and found myself falling in love with whoever wrote it. This is a similar story, but instead of falling (nominally) in love over writing, it’s literal love between time. It was very sweet and such a neat (albeit sad) concept—and it made my brain itch when I tried to think about it past a certain point. It was very creative! The ending was sort of giving me smirk and stare at the camera at the end of a movie, though lmao. 3/5 from meeee!
- “How to Raise a Kraken in Your Bathtub” by P. Djèlí Clark - So, you’ve unleashed an eldritch horror onto your 1800s English city. Really fun and funny, but I’m not a big fan of the setting (in general; it’s a mixture of not liking pirate stories and not liking historical fiction set in English cities from this exact time period—I don’t know why). Literally, this fell into the exact niche of stuff that I avoid in fantasy. I do love Clark’s work (me and If the Martians Have Magic against the world) but this unfortunately was not for me. 2/5.
- “Fallen Bodies” by Rebecca Roanhorse - I feel like I need to be physically restrained; this story was everything I never knew I needed. This could just as well be a non-sci fi story (which usually I’m sort of meh about, but here the addition of these elements didn’t feel like superfluous blah blah blah—just extra flavor yk? idk if that makes sense) and Roanhorse sells it sooo well. 5/5, I’m on the floor kicking and screaming.
- “If Someone You Love Has Become a Vurdalak” by Sam J. Miller - So good I want to go back and demote everything else I gave five stars to. And also so sad. It’s been a while since a story made me actually sob. So. Yeah. Loving and living with someone with an addiction and all that good stuff. 5/5. Six, even.