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120 pages, Hardcover

First published January 1, 1996

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About the author

Suehiro Maruo

54 books359 followers
Suehiro Maruo ( 丸尾 末広) is a Japanese manga author and illustrator.
Maruo graduated from junior high school in March 1972 but dropped out of senior high school. At the age of 15 he moved to Tokyo and began working for a bookbinder. At 17, he made his first manga submission to Weekly Shōnen Jump, but it was considered by the editors to be too graphic for the magazine's format and was subsequently rejected. Maruo temporarily removed himself from manga until November 1980 when he made his official debut as a manga artist in Ribon no Kishi (リボンの騎士) at the age of 24. It was at this stage that the young artist was finally able to pursue his artistic vision without such stringent restrictions over the visual content of his work. Two years later, his first stand-alone anthology, Barairo no Kaibutsu (薔薇色の怪物; Rose Colored Monster) was published.

Maruo was a frequent contributor to the legendary underground manga magazine Garo (ガロ).

Like many manga artists, Maruo sometimes makes cameo appearances in his own stories. When photographed, he seldom appears without his trademark sunglasses.
Though most prominently known for his work as a manga artist, Maruo has also produced illustrations for concert posters, CD Jackets, magazines, novels, and various other media. Some of his characters have been made into figures as well.

Though relatively few of Maruo's manga have been published outside of Japan, his work enjoys a cult following abroad.
His book Shōjo Tsubaki (aka Mr. Arashi's Amazing Freak Show) has been adapted into an animated film (Midori) by Hiroshi Harada with a soundtrack by J.A. Seazer, but it has received very little release.

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Profile Image for Berna Labourdette.
Author 18 books588 followers
September 29, 2020
Este artbook es la muestra perfecta del eroguro de Maruo, especialmente con los dibujos de posters de películas que han influenciado su trabajo como "El gabinete del Dr. Caligari", "Freaks" y "Nosferatu", entre otros. Creo que hay más cuidado en la selección de trabajos de este tomo que en el primero, aunque los dos son una excelente muestra de las obsesiones de Maruo. 
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