As a writer, I have so much respect for authors who can pen believable romance—which is just what NOT IN THE SCRIPT, Amy Finnegan’s debut novel, is. But it’s also so much more. Think real romance—the kind that’s messy, overwhelming, hilarious, and not about to be stopped—and then think of hiding that kind of a romance from your friends, coworkers, and a whole lot of nosy paparazzi, and you’ve got a fingertip on the fast-moving and completely enjoyable story that is NOT IN THE SCRIPT.
Emma Taylor is a successful young actress, but she has been less than successful in dating. Since she has only ever dated her costars, it’s a no-brainer for her to vow, after her last disastrous break-up, never to fall for another actor again. Cue model-turned-television actor, Jake Elliot. Jake is everything Emma’s past boyfriends have never been: kind, devoted, and determined to get out of the film industry and into college as soon as possible. Emma already completed two years of college before graduating from high school, but she, too, has goals she’d like to reach, including starting a charitable foundation and getting out from under the thumb of her mother, who also happens to be her manager. Emma and Jake are a perfect match, but Emma is determined never to have her heart broken again. Nor does she want to hurt her best friend, Rachel, who has always been on the sidelines and who has nurtured a longtime crush on Jake—at least, on the glossy-magazine-supermodel version of Jake (which, in Emma’s opinion, pales to the real deal). Throw in some overblown celebrity tabloid “scoops” that have Emma and Jake doubting each other’s feelings for the other, and you have a romance that also managed to have me biting my nails with suspense.
NOT IN THE SCRIPT moves back and forth between Emma’s point of view and Jake’s, and Finnegan does a perfect job with her characters’ voices. They—and all of the other characters in the books, whether major or minor—are all distinct and easily identifiable, simply by the manner in which they talk, banter with other characters, or gush. The story clips along (definitely a stay-up-all-night-reading kind of book), and the wit is laugh-out-loud funny. But the emotions are deep, too. And the wit! Have I mentioned the wit? Finnegan writes some absolutely hilarious stuff, from her one-liners to the awkward and totally funny situations in which her characters often find themselves. Here are a few examples of my favorite witty lines:
*Please note that some readers may consider these lines to be slight spoilers.
Emma to her friend Rachel, in regards to Jake, whom neither Emma nor Rachel has met, but whom Rachel has crushed on for a long time: “If a boy looks like he belongs in a museum, there’s a pretty good chance his head is solid marble.”
Jake, when he’s hinting to his super cool mom that she should take off so he and Emma can have some alone time, together: “Isn’t Star Trek on tonight?” I ask Mom. She loves watching reruns of old TV favorites, and I need to take advantage of that. I check the time. “Yep, liftoff is any minute now.” “Jake, dear,” Mom says, “please don’t confuse a space shuttle with a starship.”
Oh, yes, the wit is there. But there’s other great stuff, too! There are a lot of “hooks” presented right away in the story that, if you aren’t totally absorbed by the wit or the heart-thumping romance (you will be), are sure to keep the reader reading. These hooks foreshadow conflicts in the characters’ lives that must be resolved in order for the characters to grow. The best part is that the foreshadowing is never heavy-handed. Even the minor characters are thoroughly fleshed-out. They could each have their own book, in my opinion! Ooo...I’d love to see that... Anyway, each character has his or her own “back story”—even if it’s only hinted at on the page—and each has his or her own “future story” somewhere just beyond that last page. I love a quote by the award-winning author Richard Peck, who said (in a nutshell) that quality books for young people end up leaving the reader with the belief that the characters have lives full of possibilities yet to live. Finnegan’s characters fairly leap off the page with possibility—even Emma and Jake, whose “story” is told through NOT IN THE SCRIPT.
Finally, a word about research: It’s obvious that Finnegan has done a lot of it in order to get the film industry facts right in NOT IN THE SCRIPT; and yet, there is no “info-dumping.” I finished reading the book feeling like I understood how television series were created and filmed, and I ended up having a lot more sympathy for those actors whose faces we frequently see plastered on the tabloids accompanied by headlines such as, “Two-Timer,” “Heart Breaker,” and “Raging Diva.” Certainly there are actors whose real-life characters fit the aforementioned descriptions, just as there are non-celebrities who fit the same bill...but it was nice to finish reading a book feeling like I understood that celebrities’ lives were as real as mine—they just get more publicity.
I recommend this book to lovers of love, fast-paced plot enthusiasts, and people who want to cry. Did I mention that I cried the third time that I read this book? And the first and second times, too? Maybe I’m just a sob-fest...but this story touched my heart. Over and over again. It’s going on my “Favorite Books” shelf, for sure. And if you want to borrow a copy, I might let you: I have two.
Market: YA contemporary fiction/romance
Violence: Mild (allusions to a violent experience in Emma’s past in which she was a victim; a fistfight)
Language: Mild (a little bit of slangy-type name-calling, but no actual curse words)
Sensuality: Mild + (lots of physical attraction between characters, but it never goes beyond kissing; some allusions to a few characters’ promiscuous behavior)
Adult Themes: harassment, abuse, lies, romance, physical disability, betrayal, the yearning for independence, being misunderstood, forgiveness, bravery