Kind of, Sort of, Maybe … But Probably Not (Penguin Random House 2024) by Imbi Neeme is a mouthful of a title for a big-hearted book that explores the intimate lives and relationship dynamics of a quirky cast of characters. A book about friendship, love, diversity and aging, it also contains a mystery which keeps up a steady pace until the last pages.
Phoebe Cotton is a librarian with a problem. She has misophonia and cannot stand the sound of people chewing or slurping or any other noises related to eating. She feels she has a ‘Not Quite Right’ brain and is too embarrassed to admit her problem to anyone but her parents, who treat her with sensitivity and help her navigate awkward social situations. Movie popcorn is definitely out. Cups of tea are out. The sound of someone snapping gum is out. Because of her phobia, Phoebe’s life has shrunk, down to her work at the library (and even then, lunchtime is a minefield) and her home life; when she visits her parents, they play music to block out intrusive sounds and generally allow her to have some peace. Not only does Phoebe think she is possibly the only person on the planet to have this problem, she also thinks that she is unlikeable and unlovable, and could never be in a relationship or even have a close friend, because of her foibles. These sounds are not merely annoying to her but rather fill her with a frustrated rage that makes her want to shout at people for doing perfectly ordinary things (like drinking tea). And it’s a big problem.
She lives in the former family home belonging to her formidable grandmother, Dorothy, who has moved herself into a more exciting life in a retirement village. Dorothy is enjoying her golden years, but Phoebe is worried that she is not looking after the house – or more particularly the garden – that Dorothy loves.
The mystery begins soon into the novel when Phoebe receives curious postcards, addressed to the house where she lives in Salmon Street, although she doesn’t recognise the sender or the recipient. It’s definitely not her grandmother. Steeling herself to solve the mysterious postcard saga involves leaving the house more, changing her routine and navigating difficult situations. In the process, she also meets the sweet postal clerk Monty, who at least doesn’t slurp his tea.
Alongside this storyline is the narrative of Suze, a university student living in a share house with friends (including the marvellously well-crafted character of Charlie). Suze is hopeful that her friendship with J might become a girlfriend/boyfriend situation, but J is stubbornly neglectful, self-obsessed and fickle. He is obsessed with Ky, another fabulously drawn character, who is into (un)art and regularly produces performative art that is like no other.
When Suze discovers more postcards in an op-shop suitcase, the two women’s worlds collide, and Phoebe and Suze tentatively begin to test the waters of friendship, while they put their heads together to solve the case of the mysterious correspondence decades old.
Neeme has given us a gentle, compassionate and highly readable novel about courage, intimacy, acceptance and love. As the layers of each character are peeled back, we discover that nobody is as secure as they appear to be, and that everyone has secrets, fears, phobias or disagreeable habits. It slowly becomes apparent to Phoebe that her ‘Not Quite Right’ brain is perhaps just the same as every other person, in that we all have quirks that make us not quite right in some way.
As their investigation deepens, Phoebe discovers old family secrets that have been hidden for too long in the dark. Will she have the courage to reveal them? Can she ever date or be friends with someone who might crunch a chip? Is her desire to make friends and do something with her life greater than her fear of disappointment, failure and the inevitable noises that people make just going about their days? Kind of, sort of, maybe … but probably not.
This is a charming and nostalgic novel that explores what it means to finally find your tribe, your people. It is about taking chances, getting hurt, forgiveness and compromise. An uplifting and optimistic novel that demonstrates that our anxieties about our own deficiencies are rarely as bad as we think they are, and that other people are too busy worrying about their own particular foibles to be paying attention to what goes on in the heads of others.
A highlight of this novel is the humour displayed through the actions and dialogue of the characters. Set in Melbourne in the 90’s, most readers will experience pangs of recognition with certain trends or signposts of the times, and will engage with the quirky characters and their (often) first world problems. There are larger themes at play here too: art – what it means, who gets to make it, who owns it and who decides what it even is; the intricacies of families and friendships, and how ingrained habits might be challenged; and the courage required by us all to reach out in order to fit in.