This is a beautifully constructed book by Ghislaine Kenyon. She has very successfully organised the book around themes in Quentin Blake's life and work. Other than the font and the density of the text on the page, she has made a very readable work, as well as one to gaze upon and appreciate all over again the genius of Blake's art. It is also a tribute. I suspect it is hard not to be gushy, but she tries - these days his reluctance to travel long distance and particularly not fly is laudable when previously it may have frustrated potential audiences. He's not keen on swimming ("just wallowing") despite his especially glorious 'swimming' works. He is not, or was not, in old fashioned parlance, 'right-on' but it is clear that he listens carefully and makes changes implicitly so that his work beautifully embraces diversity.
The chapter on 'Healing', his work for health care settings, suggests this single childless man, an artist, has insights professionals lack (although he stimulates those insights in others with his work)