Peter is a masterful writer who displays a wonderful ability to make every word count. Carefully researched this is a historical romance similar to Robyn Lee Burrow's work, however, Peter presents a broader picture on this base.
The brutal dispersal of native Australians is graphically told. The conflict between the Duffy and the McIntosh families is born in murder. The hatred and deception it breeds are bitter and tangible to the reader who eagerly devours each page. The strong affinity developed by the reader for the characters helps sow the seed of intrigue.
Enid McIntosh is like stone, or is she? Her strength as a businesswoman is one to be reckoned with. Douglas, her husband, belongs in the bush on his beloved property ‘Glen View’ and not in their grand Sydney mansion. Angus their eldest son is being toughened to the land to take over the sheep station in his father’s stead. Fiona, their daughter, is a naïve and protected young lady. Her brother David would rather be in England than be groomed to run the family business. Granville White is their nephew and Fiona’s cousin, and a ruthless businessman who wants all the power he can obtain from the McIntosh name.
Patrick Duffy, the Irish immigrant who fights against the British establishment in the Police at Eureka Stockade in the Victorian town of Ballarat on the Gold Fields. He meets an untimely end years later in Queensland at the hands of an insane Police officer. Michael, his son, is a lovable Irish rogue who is an artist and street fighter. Kate, his sister, is a young girl in trouble and yet she is also a strong-willed Duffy ready to take on the world. Tom, the young bullocky who accompanies his father and aboriginal friend Billy on long journeys delivering their bullock wagon hauls, is transformed by the tragedy of his father’s death to become a feared and murdering bushranger.
All of Peter's characters, and I’ve mentioned only some that make up the tapestry of this book, are strong and believable because of the weaknesses they each possess. The very frailty brings that element of humanity to each one that the reader can easily identify with. Greed, lust, and hunger for power, are the motivations for the continuing tale.
Although ‘Cry of the Curlew’ is a solid 704-page novel, it is temptingly incomplete. Each of the characters is presented at a stage in their lives that must go on. Peter's next work ‘Shadow of the Osprey’ will add to the gripping saga as will ‘Flight of the Eagle’ the volume to follow.
I have been fortunate enough to meet Peter on a few occasions and have been impressed by his forward planning. He takes great care over the cover design and marketing and has been rewarded with International sales for his efforts. I wonder what those overseas readers think of Australia with such a depiction of our brutal past. For that matter, what do we think when faced with the knowledge that genocide was practiced in our land?