I think the Ryan Wilkins novels by Simon Mason are rather special. Yes, they’re crime fiction. Yes, they’re knotty mysteries. But what always blows me away are the characters, and I always find myself caring about them ridiculously … even the villains sometimes. The first Ryan Wilkins novel (A Killing in November) was published in 2022 and since then, there’s been a Ryan Wilkins novel every year: The Broken Afternoon in 2023, Lost and Never Found in 2024, and now this – A Voice in the Night - which I absolutely loved.
Rebecca Wainwright is the new Detective Chief Superintendent at the Thames Valley Police. Cambridge-educated, ex-army and with multiple decorations, she starts her first morning in the job reviewing the files of DI Ryan Wilkins and DI Raymond Wilkins, which have been left for her by her predecessor. Wainwright, who has been tasked with reforming Thames Valley Police, quickly sees that both men could be considered ‘problem personnel’.
Thames Valley’s latest high-profile case is to investigate the killing of a security guard during an attempted armed robbery. Most of her detectives are tied up with this, so later that morning, when news comes in that a body has been discovered on a lawn outside a hotel near Oxford, she sends the Wilkinses. The dead man is identified as Professor Joe Emmett and, even though his body was found some distance from the river, he had drowned. Working out how the elderly and disabled Professor Emmett ended up dead on a lawn some miles away from his home, dressed only in his pyjamas and a dressing gown, is just one of the puzzles in what proves to be a complicated and interesting mystery.
My verdict
I mentioned before that, for me, it’s the characters in these books that make them sing. Ryan and Ray are, of course, centre stage. One a troubled, gobby man who has a serious problem with authority; the other, suave, sophisticated and driven by his professional and personal ambitions. They are beautifully drawn and believable. Oil and water maybe, but a compelling (and successful) duo.
In this book, Rebecca Wainwright starts as a bit of a cipher but by the end she, too, is someone you care for and want to know more about. Also in the mix are Oxford academics, the professor’s widow and various local criminals, all of whom you come to know quite well and find yourself empathising with. And threaded through the novel are Ryan and Ray’s families, who either add insights or charm to the story.
In places the plotting is a bit jerky, moving in unexpected directions, but I never found that distracting because I was completely absorbed in it all. Simon Mason really does have a knack for drawing people and places so everything comes to life. I’m not being very articulate about the joys of these books but it’s because it’s hard to explain. In many ways, A Voice in the Night is a straightforward murder mystery, and it’s a good one, which will keep you guessing. But, for me, it’s the people who make it come alive. This series has an appeal all of its own, so do give them a try.
Review by: Cornish Eskimo, Oundle Crime