I had quite high hopes for this one – the premise was interesting, set in a place which I have a log of interest in, and covering themes (like the hostess trade) that I’m not very familiar with – but unfortunately the book itself came short of that. While Quinn did well in maintaining an interesting overarching theme, with the use of both Mama’s and Steph’s points of view to show the distinction and similarities between the different eras, I thought both narrators were completely unlikeable and that really diminished how invested I was in either of the storylines. The unlikeable-ness of both narrators has nothing to do with the industry in which they are in, they both just seemed to have an incredible air of selfishness and entitlement. As for the use of a third narrator, Chastity, I really did not get her function in the story as a whole. The parts narrated by her (only taking the form of letters to a friend) were so brief that there was no way to get to know the girl she was, nor did she really add a third perspective as most of what she was saying was gossip anyway that was revealed through one of the two other narrators anyway.
The story starts off relatively well, with Steph making the trip to Tokyo in hopes of reuniting there with her friend Annabel who works as a hostess, only to find on arrival that things aren’t anywhere close to what she was expecting. That is fine, but she first gets on the nerves of pretty much every other local character that has been introduced thus far, with her obsession with finding her friend. There is no sense of responsibility (if you are looking to rent a room, the landlord cares primarily about renting out his room, not about helping you find your friend – especially when at this stage there was no concrete proof of anything potentially suspicious), and, like rightly pointed out by other characters in the book, soon enough Annabel was the last thing on Steph’s mind. We then go through a whole series of chapters which, frankly, seemed like Steph swinging back and forth between “finding Annabel is the most important thing in the world” to “I couldn’t care less, since my own survival is the priority”. The latter position I wouldn’t necessarily disagree with, as of course there is no way she could be of any help to Annabel had Steph found herself in trouble, but the way in which she flitted back and forth between the positions got annoying at one point. And when the Annabel reveal finally came… let’s just say that someone who was (at least in some parts) so obsessed with finding her friend should never have fallen for that. For me, the best part of the story were the bits involving Madam Kimono – I loved how she was training the maikos and explaining to Steph the rationale behind many of the practices which are traditional to Japan, and only in these scenes did I start to warm up a little to Steph, as I did feel like she was making an effort to understand all of what Madam Kimono was trying to teach.
After all this, the ending was disappointing to say the least. There were so many minor plotlines started throughout the book, and I thought was just crammed into the most minimal of endings possible. The Annabel reveal came and went in the space of about half a paragraph, after quite literally taking the reader around in circles around Roppongi. I’d sort of guessed the part about Mama, but again it was brushed under the carpet as “unforgivable”, without really elaborating as to why she was unable to let things go after so long, or even how she felt about things at the present time. As for my favourite character Madam Kimono, here the abrupt ending was even sadder for me, although I did anticipate a change in the mood of the story, somehow I had expected (or maybe hoped) for a better resolution – closure at least if not the ability to reconcile. For the insight into the Roppongi culture (though I know close to nothing on this topic to be a judge on accuracy) I give this one 3 stars, could have been at least a 4 had the ending been thought out a bit better.