I didn’t used to like Russell Brand.
There was no real, solid reason behind my unfavourable feelings towards the poor man. In fact, to be honest, I was barely aware of his presence on TV, but the little I did know of him caused me to dislike him, immensely. Occasionally I stumbled across him thrusting a wand-like microphone into the face of some z-list celebrity on Big Brother’s Big Mouth and immediately reached for the channel changer. I witnessed him dancing over pages of tabloid newspapers, hanging out of copies of Heat and making a spectacle of himself on whatever TV show would have him. I found him obscene, and not in a funny, intriguing way, but vilely, pitifully.
One day, my feelings changed.
I couldn’t tell you how or why I began to like and appreciate Russell Brand any more than I could tell you why I didn’t like him in the first place, although it coincided with his appearance on Friday Night with Jonathon Ross. His turn of phrase, whilst no less flamboyantly theatrical than it had always been, suddenly become far easier to respect and admire. I realised, to my amazement, that this was not another boring, stupid TV presenter who clutched at the tails of fame and begged to be allowed along for the ride. This man was surprisingly intelligent. More than that, he was charming with it. He rattled off tales of drinking, drugs, loveless sex, and yet drew the audience in, asking for love, and receiving it in abundance. He was witty and bright, smooth and unique. He was fascinating. I admitted that I had been wrong.
Brand was on the show to promote his new book, an autobiography which promised to spill the beans on his eventful, destructive, rollercoaster of a life. At the tender age of 32, he has done more in his young life than most of us would ever experience in our wildest nightmares, and he has bounced back, and people love him for it. My Booky Wook is an eye-opening tale of abuse, cruelty, and fear; and that’s just the way Russell treats his own body and mind. The treatment he has received from other people in his life – and, indeed, the treatment he has in turn meted out – makes for pretty shocking reading. The casual way in which he describes physical, sexual and mental abuse is often hard to stomach and he does not make it easier for the reader to appreciate the severity; but this is almost certainly deliberate. Brand’s style of story-telling is a bizarre twist on the quintessentially British sense of stiff-upper-lip; despite being unashamedly free with details of sexual exploits and the exact sensations caused by various drugs, he is seemingly incapable of dwelling on emotional difficulties, preferring instead an “onwards and upwards” (or possibly downwards) attitude instead. This can make for difficult reading, and I would imagine his seemingly careless attitude would result in many readers finding it increasingly difficult to empathise with his arguably self-imposed troubles. But I found that, despite his openness and willingness to describe everything (and in sometimes unpleasantly intricate detail), it was more what he didn’t say than what he did which made the book truly intriguing.
Brand’s oxymoronic self-effacing vanity shines through the pages of the book and makes it the worthwhile read that it is. Others may well have experienced similar journeys, fought similar battles, and travelled similar paths, but it’s unlikely that any of them could produce a book as simultaneously hilarious and heart-wrenchingly sad as this. His intelligence is notable throughout and the fact that the reader knows he has successfully navigated the murky waters of his past to emerge, triumphant, on the other side is what makes it worth reading. 99% of the book is concerned with his downward spiral, only emerging as the success he is now at the very end, and yet he remains extraordinarily upbeat throughout, and the reader is carried along with him.
He is not a natural writer, but this doesn’t really matter; Brand’s personality shines through his words, making his account believable, encouraging the reader to follow him through his mucky anecdotes and upsetting memories. He will never be able to write a genuine novel, since I doubt very much that he would be able to separate himself enough, or indeed be prepared to make himself as invisible as a good author necessarily needs to be. But the point of Brand’s memoirs is that he is unfailingly present, that he has seen, done, witnessed and performed all of the offensive and shameful activities he describes. He has come through them and emerged a surprisingly likeable, unfairly intelligent, worryingly normal man. At the end of the book, the reader, despite being armed with the knowledge of some of his more unforgivable deeds, can’t help but wish him endless encouragement and wave after him like his proud mum (who, incidentally, deserves a medal) as he steers a course through the rest of his life. One can only hope that the second half is considerably less rocky than the first.