. I wish I was rich. I wish I could buy this book as a Christmas present for everyone I know .
It is humongously exciting.
It’s book written by one of Britain top designers – and it maps the progress of him and his studio from 1990 to 2011. It details not only the projects, but the creative thinking behind the projects too. The scope of the projects is extensive, from unique Christmas cards, to buildings, to chairs….and even a vulture aviary in India. He strides the world with his innovative ideas.
This man has a colossal imagination. I don’t like all of his work, but a lot of it is wonderfully thrilling, and some of it I adore. He works a lot with industry, using cutting edge materials or materials from unexpected quarters, and he searches the world for the latest equipment - equipment that will help him realise his extraordinary ideas. His work is a wonderful example of fine art meeting technology, and the results are often exquisitely beautiful, or playful - or both.
Herewith a few examples of his work. I don't know how things work here, but I am hoping you can click on one or two of the images and get to see them better....
The Seed Cathedral at the Shanghai World Expo. This consisted of an installation of 60,000 acrylic rods, piercing a structure from outside to inside. Inside, the end of each rod carried seeds from the Kew Gardens seed bank - 250,000 seeds in total. Daylight would travel down each rod to light up the seeds:
And here is part of the wall of seeds from inside the Seed Cathedral:
Close up of the Material House Sculpture, in the Science Museum in London, comprising 213 layers of different materials, fused together, then sculpted to create what looks like a serpentine geological formation, running from floor to ceiling:
“Spun” chairs, at the V&A Museum in London, which can rotate and rock in three dimensions when people sit on them:
Tower in Colindale, London:
Design for a London cable car:
Teeside power station:
Christmas card. All Heatherwick's intricate cards are sent through the post - with the help of his local sorting office in London:
Christmas cards – the pattern on the “snowflake” consists of card folded several times, and stamped with the name and address of the recipient; then all the negative space has been cut out. The card unfolds to make the snowflake, with just a repeating pattern of the name and address:
---------------------------------------------
His latest venture is a work in progress - a garden bridge across the River Thames in London. To get a 360 degree view of a mock-up of this bridge, just click one of the pointers on the top left of the video.
*Tower in Colindale, London. *Design for a London cable car. *Both Christmas card pictures Photo taken by me from book “Thomas Heatherwick - Making” Published by Thames & Hudson.
The book is based in a reversed chromology narrative so it is actually more of a cv/portfolio that you buy. The language is simple and unfortunately the concepts not really deep but its ok. Heatherwick's work seems to be really unexpected, contextless to be precise and this is why is seems to stand out. The book is rich and really deserves to be read though someone will realize that there are lots of repetitions and recyclings of concepts.
This entire review has been hidden because of spoilers.
I have read every word from cover. This man has done a mountains of projects! And this is just design enterprises during 2 decades of his life. What a force of energy and inspiration. I enjoyed it all. But have to say the Christmas card was the best ever!! Favourite project? Mm maybe I shall read it again so I can choose.
Deceptively not just a coffee book. As someone midway through a civil engineering book I turn back to it every time I need reminding of why I am doing it. I’m inspired to not just sit in a box but design from Christmas cards to whole towns. A true balance of beauty and function, and a holistic view on design from concepts to understanding manufacturing procedures.
If you want to know more about how Heatherwick thinks and get a close look at all his work, this is the book. You will find his projects ordered chronologically, including bridges, buses, islands and incredible buildings. They go from a simple concept executed with minimal resources to $200-million multiyear projects. But when you see all of them together, you start to see patterns, a special type of taste, a way of facing challenges.
Some projects take up to ten pages to show all their details, with Heatherwick’s description of the creation process, while others are just one page long. My favorites are Pier55 (later known as Little Island), Nanyang Technological University Learning Hub, Baku Tea House, UK Pavilion and Spun chair. Special mention goes to the studio’s annual Christmas cards, in which they try to find each year a cleverer way of surprising their customers. The level of creativity is insane.
I also like very much that he mentions each project-maker at the end (the same happens on the studio’s website). It changes a little the idea of Heatherwick as the single genius behind everything. I found out that Stuart Wood is usually present in the works that I like the most.
When I saw the movie Rocky with my brothers as a kid, we went outside and started to box. This book provokes the same feeling: I want to design, create objects and use my hands to build something from scratch. Probably because this book is not just about a genius like Heatherwick; it’s about creation that any of us can do and how it makes us uniquely human.
¿Se puede hacer diseño contestando preguntas? Pues precisamente para Thomas Heatherwhick de eso se trata el diseño y este maravilloso monográfico lo demuestra con gran acierto. Presentando más de 120 proyectos, sí ¡más de 120! este prolífico diseñador Inglés hace alarde de su metodología de diseño. Presentados en orden cronológico los proyectos permiten ver la evolución de uno de los pilares del diseño Inglés contemporáneo y demuestran su indiscutible capacidad para innovar de una manera poco común en el mundo del diseño industrial contemporáneo. Hoy en día el estudio de Thomas es un gran equipo interdisciplinario y los encargos que recibe vienen de todas partes del mundo y muchos de ellos son de gran envergadura, pero es fácil suponer que no siempre fue así. Lo que este arquitecto/diseñador logra plasmar en su monográfico es la tremenda coherencia entre lo que hizo como estudiante universitario y lo que presentó al mundo en la feria mundial en Shanghái, durante las olimpiadas y ahora que el nuevo autobús de dos pisos que circula por Londres. Pensar que este talentoso diseñador nació sólo en 1970 y ha recorrido un brillante camino deja ver como ha sido productivo. Algo es seguro, Heatherwhick ha contestado muchas preguntas; y vaya que ha dado las respuestas ¡correctas!
Was so inspired by the V & A exhibition that I bought this massive tome. Have been dreaming about rolling bridges and extruded bench seats. Stunning and beautiful and useful.