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Poets Teaching Poets: Self and the World

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The Warren Wilson College MFA Program for Writers has emerged as one of the most well-respected writing programs in the country, producing a generation of first-rate poets who are also deeply dedicated teachers of their art. Poets Teaching Poets collects essays by current and former lecturers at Warren Wilson, including acclaimed poets Joan Aleshire, Marianne Boruch, Carl Dennis, Stephen Dobyns, Reginald Gibbons, Louise Glück, Allen Grossman, Robert Haas, Tony Hoagland, Heather McHugh, Gregory Orr, Michael Ryan, Ellen Bryant Voigt, Alan Williamson, Eleanor Wilner, and Renate Wood.




This passionate and provocative anthology presents an extended, insightful dialogue on an astonishing range of writers from Homer, Dickinson, and Akhmatova to Bishop, O'Hara, Milosz, and Plath; meditations on the nature of the image and the discovery of the self in Greek verse; a passionate defense of lyric poetry; and other engaging themes. Whatever their subject, these essays are, at the core, passionate and thoughtful meditations on the place of poetry in contemporary culture.


Poets Teaching Poets will be an invaluable tool for teachers and students of poetry and poetics at every level. It is essential reading for anyone interested in the connections between craft and the larger issues of art, and in the continuing and exciting relevance of poetry today.




Gregory Orr is author of six books of poetry, most recently City of Salt, and of two books of criticism, Richer Essays and Notes on Poetry and Poems and Stanley An Introduction to the Poetry. He is Professor of English, University of Virginia.




Ellen Bryant Voigt is founder and former director of the low-residency MFA Writing Program at Goddard College and teaches in its relocated incarnation at Warren Wilson College. She has published four volumes of poetry and has received numerous awards, including two Pushcart Prizes and fellowships from the Guggenheim Foundation and the National Endowment for the Arts.

288 pages, Paperback

First published April 1, 1996

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About the author

Gregory Orr

37 books104 followers
Gregory Orr was born in Albany, New York in 1947, and grew up in the rural Hudson Valley. He received a BA degree from Antioch College in 1969 and an MFA from Columbia University in 1972.

He is the author of more than ten collections of poetry, including River Inside the River: Poems (W. W. Norton, 2013); How Beautiful the Beloved (Copper Canyon Press, 2009); Concerning the Book that is the Body of the Beloved (2005); The Caged Owl: New and Selected Poems (2002); Orpheus and Eurydice (2001); City of Salt (1995), which was a finalist for the L.A. Times Poetry Prize; Gathering the Bones Together (1975) and Burning the Empty Nests (1973).

He is also the author of a memoir, The Blessing (Council Oak Books, 2002), which was chosen by Publisher's Weekly as one of the fifty best non-fiction books the year, and three books of essays, including Poetry As Survival (2002) and Stanley Kunitz: An Introduction to the Poetry (1985).
- See more at: http://www.poets.org/poet.php/prmPID/...

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Displaying 1 - 6 of 6 reviews
Profile Image for Ellen.
1,594 reviews466 followers
March 25, 2017
Wonderful collection of essays about poetry by poets such as Ellen Bryant Voigt, Robert Haas, Stephen Bobyns, and many more. There are essays about other poets (my favorite being a close examination of Baltics (by Tomas Transtromer) by Haas and an essay on imagery in poetry by Voigt.

The essays are a great way of gaining insight into poetry, especially for someone without much technical background.
Profile Image for Bob.
101 reviews11 followers
July 30, 2008
A book by MFA types for other MFA types. Books like this reinforce my idea that MFA stands for "More Fussy Anality". I should confess that I haven't finished this book, and I may never finish it. My recollection is that points were raised that were kinda "so what?" or "of course!" for me. Several times it seemed the author of one essay would praise the work of the author of another essay. So it all seemed a bit incestuous. The experience of reading it was more like overhearing people writing than feeling that one was really being written to.
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