I don't think I've ever read a sweeter hero, that's a good place to start. I don't think I'd recommend Cathy Maxwell to most HR readers, just because there's a lot less smut (still present, but significantly further down the line), and more perfunctory language; many events/character traits have to be read rather than full on seen (Tara's time in London, for example... or perhaps I'd have to read book 1?).
Let me just say, I felt bad for our leads; we knew they'd fall in love, and while Breccan had a better support system with his Scottish clan 'round him/good relationship with his mother before her passing away, he still suffered emotional trauma due to his looks/ size (poor guy is known as the Beast, embarrassed about the size/girth of his... manliness, and is told by many a cobbler that he's the hardest to make shoes for because it takes twice the material to make each shoe). In fact, the main factor in marrying Tara (despite surface level lust), is he wants to have children, not just any children, but those that can have society doors open that remain closed to him given his looks. Tara is beautiful to a fault (more on that later), which will give his children a fighting societal chance. I love that he takes time to love Tara, gentle to a swoon-worthy degree (the man literally tells her bedtime stories rather than fuck her brains out, as was a man's marital right at the time, in order to get her acclimated to him/his adoration for her.... every story is about couples learning to love one another beyond their shortcomings).
Meanwhile, Tara was the kind of heroine I think doesn't get enough shine; the one with all the faults. In the beginning, we meet an isolated girl interacting with the person most responsible for her isolation: her father. He literally barters his daughter to Breccan to save him debtor's prison. We see that he's a father, rather than a dad, preferring to spend hi time in London, away from both his daughters (both from different mothers), and that Tara is loyal to a fault towards him at first. She's angry at anyone claiming her father to be a dead-beat/gambling swine. Tara has the hardest time overcoming this loneliness, feeling it best to not let anyone too close or drop them before they drop her. It broke my heart hearing her talk about how she grew up with pity company from people closer to others in her life (even her governess only stuck by her for Tara's half-sister's sake). To be uncertain/wishy washy was expected. Her story line of giving Breccan two children, and in exchange, he'll take care of them in Scotland while funding her London life was like history repeating itself; she thought to isolate herself from her future children because it's all her father's ever done. And I'm not a baby person myself, but I loved that she asks Breccan if he'll be a good father, showing that she does in fact want better than she had growing up. Later, once she warms up the idea of being a mother, she worries what kind of mother she'll be, seeing as her own died in childbirth. And when Breccan reassures her "some things are instinct"... the sweetness...
Their love story gets a frustrating start, but there are so many moments that stem from what's gonna be:
*He tells her a story of a selkie and fisherman who fall in love, likening her to the selkie.
*Once they've started falling in love, Tara fesses up, revealing to Breccan that the biggest reason she's avoiding sex is because many women gossip about his size, laughing at the idea of him "slitting her in two" (Good grief!), to which he is openly offended, claiming "I would never hurt you with any part of me!"
*Tara sets out to learn to bake bannock cakes, despite not knowing how to cook, simply because they are Breccan's favorite food/were a major part of a bedtime story he gave her the night before.
*The shaving scene... before he bolted.
*Them finally doing-the-do, but not without another story as they set about undressing each other. Just the absolute sweetness that radiates off both of them, both of them worrying about the other/if their nakedness will please the other person.
*The ending line/moment... though confusing... we'll get there.
*Breccan listening to Tara's expert advice concerning an injured horse. Remember when I said "beautiful to a fault"? Surprise, surprise, no one of this time period believes in beauty and brains, so Tara is often ogled at, rather than listened to. Love that she feels pride in talking to someone who wants to listen/converse back.
*She defends Breccan's appearance many times over before they even do-the-do. Breccan metaphorically puffing out his chest each time was just *chef's kiss*.
Cons
-The whole bit about the horse race. Felt tacked on/pointless in the end.
-While the ending was cute, the ambiguity was not. On the carriage ride home, Tara tells Breccan that if they knock out a wall between their bedroom and the sitting room, they'd have a nice nursery, and Breccan is overjoyed. So... is she pregnant? Or just more open to the idea? I choose the former, half-full and all.