Magda Eklund is a 70 year old practicing psychiatrist whose closest friend, Sara, has unexpectedly died despite having been consumed with extending her own longevity with reams of kale and chalky protein shakes. Magda is in such despair — going to the movies alone, going to dinner alone, going on vacation alone — that she unspools an elaborate fiction for her sister, Hedda, omitting that Sara had passed away and, when Sara’s husband, Fred, introduces his new girlfriend, Gloria, at a dinner party, a mere six months after Sara’s death, Magda faints.
Fred gives Magda Sara’s correspondence and the urn containing Sara’s ashes explaining, “I need you to watch the urn. Just while Gloria settles in.” In Sara’s effects, Magda learns that Sara had planned a road trip for the two of them. “Places that mattered to us, places we wanted the other to see.” Magda did not believe that the road trip would have occurred if Sara survived “given how things had been between them toward the end.” The easy rapport of their friendship had given way — after Sara remained with Fred despite his infidelity — to something more polite and distanced, with Sara often distracted and forgetful. Nonetheless, with the encouragement of her colleagues, Boomer and Theo, Magda jettisons her structured life and embarks on the road trip that Sara had imagined to navigate their relationship and to explore her own past.
Magda’s travels take her to Virginia, Tennessee, New Orleans, Texas and New Mexico, where she interacts with a succession of engaging characters, but the real power of the journey is Magda coming to accept and find comfort and happiness in her sexual identity. Magda wanders into a women’s retreat, where the director’s words prove prophetic: “The real trips happen here, in our heads. In our hearts.” Montague’s debut artfully and sensitively explores universal themes such as friendship, loss, regret, aging and self-discovery. This debut novel gave me Sigrid Nunez vibes. Thank you Ecco and Net Galley for this advanced copy of a novel that delivers both humor and pathos.