Title: The House of Fever
Author: Polly Crosby
Genres: Historical Fiction | Women's Fiction
Pub Date: 15 Aug 2024
Pages: 336
ISBN: 9780008550714
Format Read: EPUB
Rating: ⭐️⭐️ (2 stars)
The year is 1935 (though at times things feel a bit closer to the Roaring 20s). Agnes has been living in poverty while caring for her mother, who is slowly dying of tuberculosis, a disease that already claimed her father's life. A chance meeting with (& shockingly speedy marriage to) a dashing widowed doctor - who just happens to specialise in treating TB at his luxury sanatorium - seems to signal a lucky turn. Agnes and her mother are swept off to Hedoné House, deep in the (apparently) very coniferous heart of Norfolk, where Agnes is to be stepmother to the doctor's daughter and mother to the doctor's future children, which he seems exceptionally keen to bring into being as soon as possible.
Agnes's primarily concern is getting top-notch care for her mother, but she can't quite help falling in lust with the doctor.
Of course, this is a mystery, so things are not at all as they seem...
I was keen to get reading based on the description, as this book seemed to tick all the boxes of a light-yet-engrossing summer read. I wasn't expecting the next great classic, but based on reviews, I was expecting a page-turner of a mystery.
Immediately I found myself wondering whether Agnes had grown up in a complete bubble. From the description of her earlier life, her family had been getting by until her father's death and her mother falling ill; as the debts started to pile up, Agnes sold what very few valuables they had left and absconded abroad with her mother to dodge rent arrears. She even apparently considered turning to prostitution as she couldn't find work that'd come close to paying for her mother's medical care, and briefly contemplated [TW] giving her mother an overdose of heroin to end her suffering. These are quite adult things, and Agnes is very much an adult, but these life experiences are at stark odds with her apparent naïveté.
At no point does Agnes question why a wealthy young widowed doctor, purportedly at the forefront of TB research with lots of wealthy investors & patients (whom he calls 'guests'), chooses to marry her. Agnes herself states a couple times towards the beginning of the book that it's a "marriage of convenience" for him - but honestly, how is that plausible? She's told that he struggled to find a new wife as so few people would be willing to live in a remote TB ward, but I find it historically quite implausible that there wouldn't be a few women of higher class with somewhat delicate circumstances which would make the match more than worth the risk. Agnes seems to take the explanation in complete stride.
It'd be perfectly believable that she'd have tons of questions and doubts but be willing to put them (and any concerns for her own safety) aside for her mother's sake, so I'm not certain why the author opted to instead portray her in a way that she comes across as, well, a bit dim. We've all read plenty of heroines who are naïve & out of their depth but who don't come across as lacking in intellect despite making dubious choices or assumptions. Agnes - whose POV we spend almost all our time in - just comes along as having not much going on in her head. That empty head is a really frustrating place to exist as the reader.
At no point do we get much depth in terms of Agnes as a person; yes, we get a bit about her motivations (her mother's health, her own future security & happiness) but not even a veneer of personality or interests. Does she love music, or a particular genre of book, or dream of being a circus performer? Who knows - she certainly doesn't seem to. It'd have been better, and at least less distracting, if she was at least portrayed as being rather shallow & vapid, but there isn't even enough about her to dislike. I kept getting the disconcerting visual of her sitting there, an outline of a person with no details filled in, now and then thumbing through a book of blank pages. The template was there, but all the details were utterly missing.
I've read books where I frankly hated the protagonist but loved the setting, or world, or plot, or other characters enough to still greatly enjoy the whole. This, unfortunately, didn't happen here. The descriptions of the setting are as superficial and repetitive as Agnes. Gilded buttons with hares? Check (about 70 times). Something being described as 'like molten [insert precious metal]'? Check. The sanatorium being likened to a hotel? Check, ad nauseam.
There's a lake, there's the big house, there's some pine forest. Moody weather? Any weather at all? No idea. The perception of more than four or five people being described as even existing, much less in one place at one time? Only a few brief moments. External affairs? Zilch.
Again, this could be salvaged with a thrumming mystery - but there isn't even a hint of 'something being amiss' (in Agnes's head), aka such giant glaring red flags that even she starts to feel a bit unsettled by anything other than the floral arrangements (no, really) - until nearly half-way through the book. You can just about waste 25% of a book on establishing a setting & characters, if you're chancy (though it's not really advisable), or if you're trying to Do Srs Literature (takes some chutzpah and either 100% works or totally tanks), but it just doesn't work in what's clearly meant to be a light-read mystery with some dashes of Gothic ennui.
I know others have found this a "can't put it down" sort of book, but for me it was very much a "at what point do we actually get to the point" slog instead. As to whether it was worth persisting - reader, that'll depend on your personal level of willingness to spend 30-40% of a novel waiting for the novel to start.
Thank you to HQ & NetGalley for providing access to this eARC for consideration of review.
All opinions are my own honest & unbiased feedback based on the copy provided.
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