What do you think?
Rate this book
خستهای
شاعر ، رمان نویس و نقاش بزرگى همچون كامينگز، با شعر هایی سرشار از نمودهای عشق و طبیعت، یکی از همان نوابغى بود كه با
شوخ طبعی به جهان پير امونش نظر داشت و سياست و وضعيت موجود را بى رحمانه نقد مى كرد. ««اى. اى. كامينگز >> با جوايز ادبى
بسیار و همزمان محبوبیتش نزد مر دم، شعرش آینه ای از زندگی پر تلاطمش بود. كامینگز با تجربه ى سفر هاى بسيار، تحصيلات در
دانشگاه هار وارد، کشیدن مدام نقاشی، فعالیت های سیاسی و اتهام جاسوسى و زندانى شدن در ياريس و نوشتن يكى از بهترين رمان هاى
خودز ندگی نامه ای همه ی دور ان ها، همواره و بی وقفه از کودکی شعر نوشت؛ شعر اولویت زندگی اش بود و شاعرى ييشه ى اولش.
کتاب «خستہ ای (فکر می کنم)>» گزیده ای از اشعار این شاعر بزرگ آمر یکایی ست که همه ی نشانه های شعر او از غنى ترين
عاشقانه ها گرفته تا طنازی اش نسبت به هستی و طعنه هایش به سیاست را در شعر های این مجوعه می توان ديد. شعر كامينگز چنان در
همه ی عناصر ش منحصر به خودش بود که حتا هنگام ترجمه شدن به زبانی دیگر نیز می توان شعر هايش را با اولين مواجهه از ديكران
تشخيص داد. كتاب ««خسته اى (فكر مى كنم)>» شعرهايى دارد سرشار از عاشقيت، تصويرسازى حاصل از لذت تماشاى جهان با تحير،
هجو و نغز گویی و خیال پردازی و رویابافی، همان خیال و رویایی که سوز ان سانتاگ می گفت آرزو دار د همواره با آن زيست كند.
کامینگز زندگی در جهان را همز مان شادمان و تر اڑیک می دید، درست مثل اين شعرش: ««از دروغ بزرگ خواب برمى خيزم/ و تماشا
« .می کنم که گل های سرخ روز ریشه مى كنند
شوخ طبعی به جهان پير امونش نظر داشت و سياست و وضعيت موجود را بى رحمانه نقد مى كرد. ««اى. اى. كامينگز >> با جوايز ادبى
بسیار و همزمان محبوبیتش نزد مر دم، شعرش آینه ای از زندگی پر تلاطمش بود. كامینگز با تجربه ى سفر هاى بسيار، تحصيلات در
دانشگاه هار وارد، کشیدن مدام نقاشی، فعالیت های سیاسی و اتهام جاسوسى و زندانى شدن در ياريس و نوشتن يكى از بهترين رمان هاى
خودز ندگی نامه ای همه ی دور ان ها، همواره و بی وقفه از کودکی شعر نوشت؛ شعر اولویت زندگی اش بود و شاعرى ييشه ى اولش.
کتاب «خستہ ای (فکر می کنم)>» گزیده ای از اشعار این شاعر بزرگ آمر یکایی ست که همه ی نشانه های شعر او از غنى ترين
عاشقانه ها گرفته تا طنازی اش نسبت به هستی و طعنه هایش به سیاست را در شعر های این مجوعه می توان ديد. شعر كامينگز چنان در
همه ی عناصر ش منحصر به خودش بود که حتا هنگام ترجمه شدن به زبانی دیگر نیز می توان شعر هايش را با اولين مواجهه از ديكران
تشخيص داد. كتاب ««خسته اى (فكر مى كنم)>» شعرهايى دارد سرشار از عاشقيت، تصويرسازى حاصل از لذت تماشاى جهان با تحير،
هجو و نغز گویی و خیال پردازی و رویابافی، همان خیال و رویایی که سوز ان سانتاگ می گفت آرزو دار د همواره با آن زيست كند.
کامینگز زندگی در جهان را همز مان شادمان و تر اڑیک می دید، درست مثل اين شعرش: ««از دروغ بزرگ خواب برمى خيزم/ و تماشا
« .می کنم که گل های سرخ روز ریشه مى كنند
128 pages, Paperback
Published January 1, 2015
1 person want to read
About the author
E.E. Cummings
369 books3,951 followersEdward Estlin Cummings was born in Cambridge, Massachusetts, on October 14, 1894. He began writing poems as early as 1904 and studied Latin and Greek at the Cambridge Latin High School.
He received his BA in 1915 and his MA in 1916, both from Harvard University. His studies there introduced him to the poetry of avant-garde writers, such as Gertrude Stein and Ezra Pound.
In 1917, Cummings published an early selection of poems in the anthology Eight Harvard Poets. The same year, Cummings left the United States for France as a volunteer ambulance driver in World War I. Five months after his assignment, however, he and a friend were interned in a prison camp by the French authorities on suspicion of espionage (an experience recounted in his novel, The Enormous Room) for his outspoken anti-war convictions.
After the war, he settled into a life divided between houses in rural Connecticut and Greenwich Village, with frequent visits to Paris. He also traveled throughout Europe, meeting poets and artists, including Pablo Picasso, whose work he particularly admired.
In 1920, The Dial published seven poems by Cummings, including "Buffalo Bill ’s.” Serving as Cummings’ debut to a wider American audience, these “experiments” foreshadowed the synthetic cubist strategy Cummings would explore in the next few years.
In his work, Cummings experimented radically with form, punctuation, spelling, and syntax, abandoning traditional techniques and structures to create a new, highly idiosyncratic means of poetic expression. Later in his career, he was often criticized for settling into his signature style and not pressing his work toward further evolution. Nevertheless, he attained great popularity, especially among young readers, for the simplicity of his language, his playful mode and his attention to subjects such as war and sex.
The poet and critic Randall Jarrell once noted that Cummings is “one of the most individual poets who ever lived—and, though it sometimes seems so, it is not just his vices and exaggerations, the defects of his qualities, that make a writer popular. But, primarily, Mr. Cummings’s poems are loved because they are full of sentimentally, of sex, of more or less improper jokes, of elementary lyric insistence.”
During his lifetime, Cummings received a number of honors, including an Academy of American Poets Fellowship, two Guggenheim Fellowships, the Charles Eliot Norton Professorship at Harvard, the Bollingen Prize in Poetry in 1958, and a Ford Foundation grant.
At the time of his death, September 3, 1962, he was the second most widely read poet in the United States, after Robert Frost. He is buried in Forest Hills Cemetery in Boston, Massachusetts.
source: http://www.poets.org/poetsorg/poet/e-...
He received his BA in 1915 and his MA in 1916, both from Harvard University. His studies there introduced him to the poetry of avant-garde writers, such as Gertrude Stein and Ezra Pound.
In 1917, Cummings published an early selection of poems in the anthology Eight Harvard Poets. The same year, Cummings left the United States for France as a volunteer ambulance driver in World War I. Five months after his assignment, however, he and a friend were interned in a prison camp by the French authorities on suspicion of espionage (an experience recounted in his novel, The Enormous Room) for his outspoken anti-war convictions.
After the war, he settled into a life divided between houses in rural Connecticut and Greenwich Village, with frequent visits to Paris. He also traveled throughout Europe, meeting poets and artists, including Pablo Picasso, whose work he particularly admired.
In 1920, The Dial published seven poems by Cummings, including "Buffalo Bill ’s.” Serving as Cummings’ debut to a wider American audience, these “experiments” foreshadowed the synthetic cubist strategy Cummings would explore in the next few years.
In his work, Cummings experimented radically with form, punctuation, spelling, and syntax, abandoning traditional techniques and structures to create a new, highly idiosyncratic means of poetic expression. Later in his career, he was often criticized for settling into his signature style and not pressing his work toward further evolution. Nevertheless, he attained great popularity, especially among young readers, for the simplicity of his language, his playful mode and his attention to subjects such as war and sex.
The poet and critic Randall Jarrell once noted that Cummings is “one of the most individual poets who ever lived—and, though it sometimes seems so, it is not just his vices and exaggerations, the defects of his qualities, that make a writer popular. But, primarily, Mr. Cummings’s poems are loved because they are full of sentimentally, of sex, of more or less improper jokes, of elementary lyric insistence.”
During his lifetime, Cummings received a number of honors, including an Academy of American Poets Fellowship, two Guggenheim Fellowships, the Charles Eliot Norton Professorship at Harvard, the Bollingen Prize in Poetry in 1958, and a Ford Foundation grant.
At the time of his death, September 3, 1962, he was the second most widely read poet in the United States, after Robert Frost. He is buried in Forest Hills Cemetery in Boston, Massachusetts.
source: http://www.poets.org/poetsorg/poet/e-...
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 of 1 review
November 10, 2024
—پیش از رفتن از اتاق
برمیگردم (خم میشوم
در میان نور صبحگاهی) عزیزم
این بالش را میبوسم
جایی که سرهای ما بوده زندگی کردهاند
ارتباط گرفتن با اشعارش راحت نیست.
کیفیت چاپ این کتاب خیلی خوبه.
مشکل اساسی، نبود فهرست انگلیسی شعرهاست.
برمیگردم (خم میشوم
در میان نور صبحگاهی) عزیزم
این بالش را میبوسم
جایی که سرهای ما بوده زندگی کردهاند
ارتباط گرفتن با اشعارش راحت نیست.
کیفیت چاپ این کتاب خیلی خوبه.
مشکل اساسی، نبود فهرست انگلیسی شعرهاست.
Displaying 1 of 1 review