Abjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields including the visual arts, film and literature. It examines the complexity of the concept and its significance as a cultural category.
Kristeva’s notion of abjection is a tough topic to breach from the outside. I have more than the average reader’s grasp of Lacan, and still The Powers of Horror proved an uphill battle. Arya handles the subject with precision and clarity, and the consistent engagement with Bataille was a delight. I feel ready to take another crack at Kristeva now, and what better metric is there for gauging the success of this book?