In this book, Mumford successfully recreates the atmosphere you experience when attending a festival. From the necessity of packing the barest essentials, to the facilities, the heady atmosphere and, of course, losing your friends, this story took me away to Solstice. This is a massive festival and Libby succeeds in winning exclusive tickets. She might not be a natural festival-goer, but Libby sees this as an opportunity to step outside of her comfort zone.
The site of the Solstice festival has some pagan origins. The opening chapter details the supernatural and historical links to witches. This is then reinforced throughout the story, especially with Ma Blake’s unusual jars that contain rather odd things that could be a spell… Furthermore, the fact that the festival takes place over the longest day adds to the heady atmosphere of the festival as people attending welcome the eventual setting of the sun and rising of the moon. Except, Libby finds something more sinister going on.
When Libby loses sight of her best friend, the narrative takes a more sinister turn. Already rumours swirl around the festival and the Blake family and I enjoyed how Mumford takes readers back to the origins of the festival, especially as there was also a mysterious disappearance of a young girl in the same year. Over the story, I was able to foresee how the two timelines would eventually connect, so I was slightly disappointed that I had predicted how the novel would conclude. On the other hand, I think the writer really builds on disorientating readers as Libby tries to navigate her way through the throngs of festival goers.
Despite the supernatural location, I liked that this theme wasn’t central to the story. Instead, family secrets and the idea of belonging is what moves this narrative forwards. Libby is constantly questioning herself, especially as she had such a difficult relationship with her mother and attending the Solstice festival becomes a rebirth for the character – exactly what the festival intends. However, the darker nature of this becomes more apparent and this is intensified as readers learn more about the Blake family and their history.
In my opinion, the first half of the narrative was a lot stronger; after a while, it lost pace and, having guessed the ending, I thought it was slow in places. I would have liked some more surprising revelations, particularly after the opening really grabbed my attention. Whilst this is not my most favourite of Mumford reads, it is definitely a good summer thriller for the festival season.
With thanks to HQ and NetGalley for providing me with a copy of this book in exchange for an honest review.