GAYBY BOOMERS
I was born six years (1956) after the two principal characters in this book by Michael Thomas Ford. Ned and Jack came into this world born minutes apart to two women who were best friends and neighbors. They grow up together, their parents remain close friends until their deaths, and the two boys discover they are gay when they enter adolescence. In high school they experiment. They begin college rooming together as closeted lovers. Then at the end of this rather lengthy book, now in their fifties, we find them reminiscing about their lives, still friends after all those years.
As the boys grow from childhood into adolescence, I felt I was watching a gay version of the ABC late 80s, early 90s hit sitcom, The Wonder Years. Political and cultural events, as well as the music of that era were integrated into the suburban lives of the Arnold family. Ford does the same here only in this story, the Kevin (Ned) and Peter (Jack) characters are more sexually interested in each other than they are in Winnie, the pretty girl who lives across the street.
Being a "gayby" boomer myself, my own life experience paralleled much of what these two fictional characters experienced throughout the second half of the twentieth century. As Ford creates his story and his characters' narratives, he surrounds them with history including Vietnam, draft dodging hippies, drug culture, the civil rights movement, Watergate, rock n' roll, pop culture, and of course the scourge of AIDS. I often was left feeling somewhat wistful after reading a chapter, in and recalling where I was and what I was doing at that time. In something of a bittersweet way, the conjuring of these memories is what I most liked about the book.
Of course, as part of Ford's social commentary, there is a comprehensive account of the gay rights movement from Stonewall forward. The AIDS epidemic in the 80s & 90s which of course primarily assaulted gay men and created great political and social upheaval, has significant impact on the main characters and the topic consumes a major portion of the story in the last third of the book.
There are a few instances where I found Ford's writing either awkward or implausible simply, it seemed, to advance his plot. Dialog sometimes was cliche and just didn't read very authentic to me. Still, to the great credit of this author, it is quite an achievement to write a story of this breadth and scope. Ford does a terrific job developing realistic arcs for each of his main characters as he takes us through the decades of their, and my, life.