In Amy DeBellis's debut novel, The Hours meets My Year of Rest and Relaxation as, sometime in the near future, three Gen Z women ride the throes of late capitalist life in New York City.
Janet, Anna, and Gemma lead separate lives, each ground down by the weight of the world they were born into, lost against the dazzling pixelated backdrop of the city. Too young to remember life before the iPhone 4, they think the real world was destroyed long before they were born.
Janet is an underpaid gig therapist who spends her time as a mental health matchmaker, responding to grievance letters from faceless online avatars. Anna is a model-turned-sugar-baby who dissociates during dates with her aging daddy, hoping to save enough not for a Birkin bag, but for the water wars of the near future. And Gemma is a freshman at NYU who aspires to become an influencer, but is so haunted by a recent loss that she can’t even film one video.
Sharp, incisive, and sparkling with dark humor, this is a novel for the age of the doomer generation. DeBellis delivers an unflinching examination of three young lives as they circle closer and closer to the drain of nihilism, climate anxiety, isolation, and grief. All Our Tomorrows is about finding yourself in a broken world, and the small but mighty decisions that can save you from leaking down the drain.
Amy DeBellis's writing has been nominated multiple times for the Pushcart Prize and The Best of the Net, has appeared in the Wigleaf Top 50 Longlist, and can be found in X-R-A-Y, Uncharted, Passages North, Write or Die, Trampset, Pithead Chapel, Fractured, Vol. 1 Brooklyn, and over 50 other literary journals.
She has served as the judge for two literary contests: The Feign Lit Fiction Prize and the Moonlit Getaway Fiction Prize.
Her literary inspirations include Donna Tartt (her favorite novel of all time is The Secret History), Chuck Palahniuk, R.F. Kuang, Mona Awad, Hanya Yanagihara, and Carmen Maria Machado.
Alongside her fiction, she is passionate about raising awareness of chronic illness, and advocates for greater understanding of the disabled community.
Amy DeBellis can WRITE. She has more literary talent in her pinky finger than most of us could hope to have in our entire bodies. If I had been reading a physical copy of this book rather than an e-ARC, I fear every single page would have been highlighted and annotated. Yes, the writing is that good - and I say that as someone who is a stickler for prose, especially when it comes to literary fiction.
I was completely enamored with Anna, Janet, and Gemma, our three indelible protagonists. Multi-POV novels can be a tough sell for me, as I often find that one character gets the short end of the characterization stick (so to speak), but that is not at all the case in ALL OUR TOMORROWS. Each of these young women feel completely distinct from one another, be it in dialogue, inner monologue, or character arc. Every single chapter, I would finish it and think, "Oh yeah, she's totally my favorite of the three women!" And then in the next chapter, I would go, "Wait a second, no, SHE is my favorite for sure!" So on, so forth. In the end, I give Anna the slightest edge as my favorite character because I saw so much of myself in her that, at times, it was like looking in a mirror.
What I think will stick with me most about ALL OUR TOMORROWS is how seen it made me feel as a zillennial woman. It is a strange, strange time to be alive, and an even stranger time to be a woman in your twenties. The nihilism, the loneliness, the ever-shifting boundaries of my own identity, the constant feeling of being unmoored in a world that is always moving faster, always demanding more, and always leaving me behind... DeBellis gave life to those feelings in a way I never knew I needed.
Friends, if ALL OUR TOMORROWS is not on your TBR for 2025, it needs to be immediately. I could not recommend this more highly.
Much thanks to Amy DeBellis and CLASH Books for the ARC!
The characters are so well developed you really feel like you know them.
My favourite read this year. I’ve been a fan of Amy’s for a while, she has a unique, raw and unfiltered style that transcends her age. Her writing is beautifully woven together.
This novel has set the bar for any future work of hers!
I read an advance copy of this book. It is about three young women in New York and is very evocative of what it feels like to be young in the city. The author makes us care about the characters and empathize with their struggles. The book is a pleasure to read because of the quality of the writing and the appeal of the characters. I would highly recommend it.
A wonderful story of three young women and their incredibly different lives. Loved how the story wove them together near the end. A coming of age book that I really enjoyed as it was well written, intriguing with a great ending. I’m sad to see Anna, Gemma and Janet go …
“But maybe hope was not as meaningless an emotion as she’d always thought. Maybe it even had the potential to be stronger than pure belief, because hope, after all, was what had brought the protest together in the first place. She was sure that a lot of the other protest-goers had their doubts about it, too, that even as they marched they were suspecting it wouldn’t make a difference. In the crowd, she had felt it: their uncertainty, their lack of conviction. But they hoped. That was why they were there, in the end.”
To a young woman living amongst inevitable chaos unfolding in a late capitalist society in New York City, it may seem like the end of the world is on the horizon and nobody else seems to take it as seriously as you.
Or are there others out there suffering similar silent anxieties themselves that you have yet to cross paths with?
Janet is an underpaid online therapist whose job is to read anonymous grievance letters and connect patients to medical professionals. Those faceless complaints and pleas for assistance wear on her, but the only way she seeks out peace is through useless first dates with shallow Tinder men and by lying around in her empty apartment. She tries connecting with her sister, who seems to have it all with her husband and kids in Florida, but when a hurricane threatens to hit where Janet’s sister lives, only Janet displays concern about their safety. Is everybody this apathetic? Janet feels that the outrage toward climate change and the world as a whole only resonates with her, until she stumbles across an intelligent, thought-provoking grievance letter looking for somebody to talk to. Janet knows writing up a personalized reply to a grievance letter is unprofessional, but the thought of connecting with somebody of similar passions fills her with a kind of hope she hasn’t felt in forever.
Anna is a former Russian model and now sugar baby, working in America to save up for herself and her family as the economy threatens to collapse. Warren, her sugar daddy, treats her well enough, providing her with an allowance, endearing nicknames, and lavish outings. But Anna doesn’t love him. Grappling with memories of her ex-boyfriend and distant relatives in a whole other continent, she struggles to find a sense of belonging even beside Warren and his rich friends. She doesn’t want to be viewed as a toy rather than a woman, but she is adamant to do whatever it takes to provide for herself and her loved ones. When Warren starts to treat her to expensive pieces of apparel rather than money itself, Anna begins to have doubts about whether or not her relationship with this wealthy man is worth it in the long run.
Gemma is a British exchange student attending school in America and living with her boyfriend Derek. Still grieving the fresh loss of her mother, Gemma aspires to be a social media influencer and paint herself as somebody that others can look up to. The only problem? Gemma can’t seem to find the motivation to film a single video. Between judgmental creative writing classmates and a boyfriend who seems to be growing more distant by the minute, Gemma feels like she is more alone than ever, which especially stings in an unfamiliar country and without the loving support of her mother to guide the way.
Are these three Gen Z women doomed to despair in an era where everyone else is selfish and unmotivated, or will they find hints of hope glimmering among their grim realities?
“‘Luck doesn’t occur in the form of a person. It occurs in the patterns, the things that happen to you. People are just part of the pattern. They are incidental.’
‘So…’ Anna hesitated, wondering how to phrase her next question. They didn’t usually have this type of conversation. ‘What are you saying? I’m a person. Do you think I’m incidental?’
‘In a way, yes.’”
What I adore about Amy DeBellis’s writing is that it doesn’t shy away from the uncomfortable. Yearning for connection and silent dismay at the state of the world is something that I’m sure everybody has experienced in their lives, especially those in their twenties, but it’s rare to see those kinds of subjects touched upon. ALL OUR TOMORROWS puts a spotlight on the lonely. The anxious. The grieving. And instead of saving her characters from these unpleasant situations, DeBellis lets them sit with it, digesting the weight of their concerns and validating just how terrible it is to feel utterly alone in an era and setting that are most typically depicted as bustling, productive, and romantic.
For that reason, I really appreciate the “mundane” pacing of this particular novel. DeBellis truly nails the sensation of time standing still when nothing goes right. Each character arc is cushioned with magnificent, almost tactile imagery surrounding their quiet contemplations, leaving room to let their ruminations breathe.
Each character had quirks and charms that made me root for them, celebrate their wins, and grieve their losses. Interactions with lousy people made me go oh, come onnn, because some of the behaviors exhibited were so true to real life. It’s interesting to see these three women stand up for their beliefs instead of brushing off their experiences as nothing. Everyone deserves to feel loved! And safe! And heard!
It’s so interesting to see how each girl processes their emotions differently. Janet is more explosive and impulsive. Anna is more dreamy and pensive. Gemma is more timid and dejected. All three routes are valid. Not only that, but each character makes poor decisions at one point or another and learns from them. Well-rounded characters make for lovely realizations and hopeful outcomes.
I love a good crossover moment between multiple timelines, so if that’s something that you’re into, you’re going to like this story.
Overall, I found ALL OUR TOMORROWS to be insightful and empowering. You will find bits of yourself in each of these characters and their environments, which may hopefully remind you that you are not alone in this modern, terrifying world after all.
“Without the need to define herself, her edges could swell and expand like a sea, lapping past the borders of her existence. It was just as her mother had said: she was everything and no one. Everything to her mother, of course, and to herself—which was not selfishness but a necessity, because in the fullness of time, she was no one.
But right now, while she was still here, she didn’t want to be no one to the people around her.”
What a story! I was glued to the pages! Amy takes three completely different women and weaves their lives together in a way you don’t expect. 🍷
Each of these characters were so relatable. I’d find myself thinking, “did Amy write a book about my twenty-something year old subconscious?!” LOL When I read a book with distinctly different characters I find myself being worried I’ll get them mixed up. They were all so uniquely different, that was never the case. 💗
I think there are multiple lessons to be learned from this book, but what I gathered is: there will always be something to hide behind, but it will never save you.
Thank you so much to Amy and Clash books for sending me a copy to review! I can’t wait to read more of your work, Amy!! Bravo! 👏🏻👏🏻
4.25⭐️ — If you like sad girl lit you will like All Our Tomorrows by Amy DeBellis. It took me a little while to become invested in the lives of Janet, Gemma, and Anna, but when I did I was hooked. Set in New York, these young women are struggling to find satisfaction and happiness in their everyday lives. They are lonely and concerned about the state of the world they live in (which I think we can all relate to). This was a beautiful coming-of-age story with a wholesome and hopeful ending, even in a world that is hurting and in need of our help. Thank you for the ARC.🫶
This book presented an interesting dichotomy for me. On one hand, the writing was very strong, and I found many of the themes explored to be thought-provoking. However, I personally felt the narrative was a bit too mundane at times, and the characters didn't quite resonate with me. As a result, I sometimes found my attention wavering.
While it wasn't entirely to my taste, I can see how others might thoroughly enjoy it. Maybe this is more geared toward Gen Z rather than millennials (which I am), so definitely give it a try if you think you’ll like it!
I really loved this one! This was a book with very little plot but so much to say, and I just couldn’t put it down. This is literary fiction at its finest as the author tackles the anxieties of late stage capitalism in three women trying to get by in New York City. With each chapter being told from the perspective of one of the three women - Janet, Anna, and Gemma - we get to know all three really well. Each character is so well-written and relatable but also distinct despite the interweaving thread of feeling lost, seeking an identity outside of your relationships, feelings of loneliness, and climate anxiety.
This book beautifully represents what it is like being a woman in your 20s in the modern era. Each character struggles with their relationships in various forms whether they be romantic or familial, and each woman is lonely in her own way and deeply suffering morosely. I really struggle to pick a favorite character because they all remind me of aspects of my personality in my 20s. With Janet, I see the woman who feels desperately lonely and struggling to connect with people but desperate for that connection, working a job that she hates because at least she has a job. With Anna, I see the woman that is willing to do anything to help and support her family and feels like she has to put their needs over her own even if she is unhappy as a result. And in Gemma, I see the woman who is working through trauma and desperate to forge a path forward while not forgetting where she came from. And then they all get to deal with the anxieties of climate change where they daily hear about more and more catastrophic weather events (I happened to be reading this during the LA fires and finished around the time of Trump’s terrifying environmental executive orders).
If I hadn’t been reading an ARC, I would have a million quotes from this one as the author has such a way of pulling things from her brain that I feel so frequently but writing them in such an elegant and lyrical way. This book is about relationships, identity, and feeling helpless in a world that feels out of control. This is the perfect read for all of my sad girl lit fans out there. Amy DeBellis is a great addition for fans of Moshfegh and Awad, and I think her writing style will lend itself to fans of those authors as well.
Beautifully written. You know a book is good when you buy the ebook as well so you can highlight favourite passages of writing. It’s not surprising since I’ve loved reading the work that Amy DeBellis has published in literary magazines, so being immersed in a whole novel filled with her writing was a treat.
All Our Tomorrows is the first book I’ve read that intimately examines coming of age in a time with the ever-looming threat of climate change, where most young lives have become haunted by the digital age of detachment and doomscrolling. Through the perspectives of three young women in New York City, DeBellis captures the twin threads of nihilism and hope that underscore what it is to grow up in this generation.
I find the introspective and atmospheric nature of DeBellis’s writing to be incredibly compelling, particularly with how All Our Tomorrows explores the inherent isolation of a disconnected world and how hard it is to forge a sense of personal identity while so untethered from the physical present. From feeling haunted by the future, conscious of time being sliced away, to having your brain feel like a garbage disposal after scrolling through social media, so much of this book tapped into the existential hauntings of the world we now live in. The ending was very moving and a reminder of how meaningful connection, both with others and ourselves, can be a lifeline to those hopeful tomorrows. Amy DeBellis is undoubtedly a literary talent of our times and I am so looking forward to reading more of her novels in the future.
A eloquently worded view into the minds of three women as they enter adulthood and become increasingly aware of the world around them, this novel was beautifully descriptive and in tune with emotion, specifically the building dread of realization. I truly enjoyed reading Amy's debut, and found myself thinking of the characters long past having finished my read through. While it's somewhat of a dark book because it seems so reflective of the current state of our world, it ends with a sense of hope that I feel we are all searching for in this moment.
I received this as an ARC and my opinions are my own.
I wanted to love this so much more than I did. I love sad girl, doom and gloom stories. I love New York City. Unfortunately I just didn’t click with any of the characters and found myself mostly bored by them.
All Our Tomorrows follows Gemma, Anna and Janet and their struggles in their individual lives in NY city.
Their meet up was my favorite part of the book. I think a lot of people will love this one and relate to the characters more than I did.
I really enjoyed this. All our tomorrows is one of those books which really makes you feel you’re living in the character’s lives. I’ve never been to NY but it felt so familiar reading this book. I didn’t want to rush through this, I was enjoying it that much. If you love third person literary fiction, you won’t be disappointed. Well done Amy Debellis!
Thank you to the publisher and NetGalley for the eARC. This book will release from CLASH Books on February 25, 2025 in the US. However, I stopped reading at 17% due to concerns about the author, a white writer, voicing a Korean American character.
In All Our Tomorrows, Amy DeBellis dissects millennial and Gen Z culture through the lives of three young women navigating the complex realities of New York City in a near-future, hyper-capitalist world. Janet, an overworked online therapist; Anna, a retail worker and sugar baby seeking financial survival; and Gemma, a college student turned aspiring influencer, each confront their struggles with nihilism, isolation, and climate anxiety. DeBellis employs sharp critiques and dark humor to explore the intimate challenges of identity, privilege, and resilience in an era defined by economic instability and digital culture.
I stopped reading All Our Tomorrows at 17% because Amy DeBellis’s portrayal of Janet, a Korean American character, felt misaligned with my values around racial justice and representation. As a white author, DeBellis’s decision to voice a character with a specific racialized experience raised concerns about appropriation, particularly because Janet’s ethnicity seemed incidental to the story rather than thoughtfully integrated.
Janet’s ethnicity is revealed in a scene where her date, a tone-deaf white man, exotifies her background by asking where she’s *really* from, “like ancestrally.” While DeBellis’s critique of white privilege and microaggressions is evident, the scene risks reducing Janet’s racial identity to a narrative device for advancing this critique. If her ethnicity plays no significant role beyond this scene, it feels tokenizing and exploitative. If it reappears later, the risk grows that it could be mishandled in ways that amplify the problematic nature of this choice.
While I appreciate DeBellis’s incisive commentary on millennial struggles, her approach to Janet’s character felt at odds with my values. I’m not comfortable supporting a narrative that might perpetuate the very erasure or commodification of marginalized voices it aims to critique, particularly when those voices could be more authentically written by someone with lived experience.
Thank you to the author for an ARC. I received it in exchange for an honest review.
All Our Tomorrows is a slow-paced, reflective novel, driven by well-developed and keenly-observed characters; a deeply atmospheric, vivid rendering of modern New York; and haunting prose that pops off the page. DeBellis captures the dual anxiety and ennui of being a young woman in your early 20s so effectively. I just kept turning and turning the pages, lost in a haze of this novel's making.
As with all character-driven novels, I think your enjoyment level will be significantly affected by now much you're compelled by or resonate with the main characters. I related strongly to aspects of Gemma and Janet's stories, so I was always excited to turn the page and see one of their chapters was next, but not as much to Anna. I also found Gemma to be the most dynamic character, as her change throughout the novel was most dramatic and started the earliest; whereas I felt Janet and Anna's character development all occurred in the space of one or two POV chapters and only kicked in around the 80% mark.
Just as Anna often kept herself at a distance from other characters, I felt that she often stayed at a distance from us, the readers. It felt much harder for me to get a read on her than on Janet and Gemma, and her climate/apocalypse anxiety, supposedly the root of the reason for all of her actions throughout the novel, was hardly discussed. I feel like we hardly delved into the root of her insecurities or anxieties, a conspicuous absence in a book that's so character-driven. However, this may just be me; other readers who connect more personally to Anna's story, like I did to Janet and Gemma's, may disagree and could pick up on aspects of her story that I missed.
I also want to highlight this paragraph of user Hana Carolina's review, which articulated so well something that has been bothering me since I closed the book:
The one area that remains unexplored is politics - the characters inhabit a world where every aspect of their experience is a reflection of the neoliberal nightmare of today, but late stage-capitalism appears as a natural force, like the weather. It is then perhaps appropriate that the one threat all characters agree on is climate change. There is, however, no mention of wars, elections, corporations, only the most brief and non-substantial discussion of politicians. That is an interesting choice, perhaps a means to avoid a more divisive approach to the issues at hand. However, it creates a sense of disconnection, and poses the challenge of the Russian character never mentioning Putin, Ukraine, the Russian military, or even poverty, which as a Polish immigrant, I found mind boggling. In the end, both the problems and the solutions are individual, which seems to clash with the themes of the book, which are deeply social. (Emphasis mine.)
Mild spoilers ahead, depending on your definition of spoilers:
Okay, now these are definitely spoilers:
In conclusion: I would recommend this to those who love slow-paced, reflective, and character-driven work centering around young women trying to find their place in the world. For fans of Girlfriends by Emily Zhou or How to Adjust to the Dark by Rebecca van Laer.
Thank you so much to Amy DeBellis for the gifted ARC!
All Our Tomorrows follows three Gen Z women navigating their daily lives in New York City as they grapple with existential dread brought about by our current world.
Janet’s climate anxiety informs how she interacts with her family, leaving her feeling frustrated when they don’t share her concerns. Her work as an online therapist assigning medical professionals to grievance letter authors slowly erodes her stability, using meaningless Tinder dates as a release until she falls into responding to one intriguing letter author.
Anna, a Russian former aspiring model, is working as a sugar baby - not to earn material goods, but to build up her reserves to insulate herself against an inevitable late stage capitalism collapse. She consistently reflects on connection, seeming largely stuck in limbo as she tries to balance what she thinks she wants with fulfilling what is missing in her life.
Gemma is still reeling from the death of her mother back home in London, and coping with it by throwing herself into her new life as a student living with her American boyfriend. She thinks she wants to become an influencer, but her lack of clear motivation why causes her failure to start.
Each of the women deals with extreme feelings of isolation in their own way, and I think DeBellis did an excellent job representing how macro-scale forces like terrible government policies can make Gen Z and younger folks feel hopeless in a distinct way. Though, as a millennial, I’m only a decade older than Anna, I have enough of an age gap with all three protagonists to mean that I remember a world that wasn’t like this. Sometimes I forget or take for granted what a different experience it must be for those without that lived context, and I appreciated being humbled here. It would be easier to fall into hopelessness if this is all you’ve really ever known.
It’s worth mentioning here that DeBellis also has chronic illnesses: long COVID and ME/CFS. Chronic illness also has a way of making the people it impacts feel incredibly isolated, and I thought it was interesting that she had an individual take that she brought to her writing to explore the theme of loneliness.
Some characters felt a bit more developed than others, but I found this to be an excellent debut and look forward to what Amy DeBellis does next!
All Our Tomorrows was a whirlwind of emotions that left me both breathless and a bit bewildered. The premise of a world on the brink of destruction, where a select few are chosen to survive, was gripping from the start. I was immediately drawn into the characters' struggles as they navigated love, loss, and the terrifying unknown.
DeBellis's writing is vivid and evocative, creating a sense of urgency and desperation that kept me turning the pages. The exploration of humanity's resilience in the face of unimaginable adversity was both inspiring and thought-provoking. However, the pacing felt a bit uneven at times, and some of the plot twists felt a little contrived.
Overall, All Our Tomorrows is a powerful and emotionally charged read that explores the fragility of life and the enduring strength of the human spirit. While the story may not be perfect, it certainly left a lasting impression.
Thank you to Clash Books for the physical arc of this book!
I knew within a few chapters this book was going to be GOOD. The writing swept me off my feet. There's so much stylistic stuff that is done so well, as well as the weaving of all the timelines. The reason this gets five stars is because it also puts words to my thoughts that I often have. I didn't anticipate relating to any of these women on the surface because I am drastically different, but that's the excellent thing about being human. We're more similar than we realize.
I will eagerly be anticipating everything else that DeBellis writes, and I'll likely reread this very soon just to try to grasp at more of the details. I want to write like this one day.
(review and rating to come, but in the meantime I wanted to thank CLASH Books and Amy DeBellis herself for my ARC & swag. I'm so excited to be a part of All Our Tomorrow's Street Team and even more excited to get reading!)
One of my most anticipated books of the year! 💓 The premise of three women trying to find meaning in a disconnected, chaotic world could not have come at a better time & I love that it explores topics like nihilism and existential issues that most people can relate to at various points in there own life. So excited to meet the trio & see how their lives weave together! 💓🙌🏽
Found this book while at the library and the cover caught my attention. I’m glad I got it, I loved it. Such a good, short read. All three girls had me hooked on their parts. Don’t want to pick favorites.. okay I will, I loved Gemma’s story the most.
happy book birthday to All Our Tomorrows! this one is out today and is pretty good contribution to the sad girl litfic zeitgeist that could use some improvements.
i'd also like to thank Edelweiss and CLASH Books for the advanced digital copy.
this book is out today, February 25th, 2025.
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perhaps calling this book sad girl litfic diminishes a lot of the nuance this book contains.
we follow three different characters. we have janet, a korean-american online mental health matchmaker who is not compensated fairly for her work. anna is an ex-model sugar baby to an aging man who delights in the fact that she is exactly half his age. gemma is nineteen, a student, and has aspirations to be an influencer.
each of these women have their own arcs that culminate into an ending where we see how interconnected we all actually are and the various ways that capitalism, corporate greed, and a disrespect for the planet are impacting us all - beautiful people, wealthy people, people with families, people without.
janet's story is almost harrowing. her job requires her to take on the emotional toll of reading through the traumas of everyone that connects for help. it's wearing her down and she's clearly not being paid enough. eventually, she emails one of these clients back instead of shuffling him to a medical professional. together, they begin a lengthy correspondence where they discuss the dying world, they discuss loneliness, and within those words janet seeks to find a connection. but maybe that connection isn't what it seems.
apart from the disgusting age difference, anna's not incredibly happy with having to sugar for warren, a much older man providing her weekly allowances and gifts, but she appreciates the security the work provides her. plus, she had to go through a lot of despicable requests to find him. things start to go south when warren suddenly wants to replace her allowance with bags and guilts her about reminding him this is a financial transaction and anna begins to wonder if it's really actually worth it at all.
as a college student that's an aspiring influencer, gemma is constantly critical of herself - her round face, her inability to create content that's creative and interesting. she's also dealing with a live-in boyfriend that comes home with a suggestion - polyamory for him, but monogamy to him for her. hers is a journey of self-worth in a world that's hypercritical of women.
this is a book that touches on capitalism and the ramifications of it - food scarcity, climate change, category 5 hurricanes, housing insecurity, famine, disease. at the end of the book, you realize one thing - those who benefit from a capitalistic society will not be exempt to its consequences, even if you do continue to proudly delude yourself in the suburbs. the world is very small and we're all more connected than you think. we should perhaps find the humanness in each other.
i really enjoyed this book, but reviews have pointed out this book includes a commentary about race - on a date janet's ethnicity is micro-analyzed. i understand what the author was trying to do here - race is and should be an important part of the conversation. the problem is this wasn't really written with any nuance, nor did janet's ethnicity come up in any meaningful way during the book. capitalism wouldn't be flourishing without racism and the exploitation of marginalized people. marginalized communities deserve better than to be used as a plot device. i also question a white author writing a person of color, anyway. for that reason, i won't be rating this book.
Thank you to NetGalley, the publisher, and the author for an early copy of this book in exchange for an honest review.
This was a strange one for me. I started it during a difficult time, and I struggled to get into it, dragging it out for a while. I felt like nothing much happened until midway through the book – but that’s when everything changed. From the 50% mark, I couldn’t put it down. I loved how the characters’ stories unfolded, how they imploded, yet also brought them together. I especially loved their connections; Janet’s sister, Izzy, felt like the glue holding them all together. It was incredibly powerful.
Some quotes that I’ve highlighted:
“Luck doesn’t occur in the form of a person. It occurs in the patterns, the things that happen to you.” “In that moment, Janet realised that she had finally stopped looking ahead to anything else. The present moment was enough, and in it, she was momentarily immortal.” “She was everything and no one.” “To Gemma, the encounter with those girls had felt like a beginning in the midst of all of these endings that she was reading about and living through.” “She kept on writing about all her yesterdays, and all her tomorrows rushed in through the pages, gliding on swift, rustling wings.”
All Our Tomorrows completely blew me away. Amy DeBellis’s writing is sharp, smart, and honestly beautiful—it makes you stop and reread lines just to soak them in. For a debut, this feels unbelievably polished.
Janet, Anna, and Gemma each felt so real, like people I could actually know (or even am on a bad day). Their struggles with burnout, grief, and just trying to survive in this chaotic world hit hard, but the book also has this dark humor that keeps it from feeling too heavy.
This story captures exactly what it feels like to be young right now—exhausted, anxious, but still searching for meaning. If you like books that make you think and feel, this is one you don’t want to miss.
It's wild to me that this is Amy's debut, since this feels like a novel written by a season veteran who understands the vast intricacies life, and how our lives all seem to inexplicably intertwined. The prose style is unique and strong and I'm in awe with DeBellis's keen and adept ear for pitch-perfect dialogue. This is a novel that will hold your heart in a fist.
Thank you Netgalley for this arc! I enjoyed this book for what it was even though I think it was not my kind of book and other readers might enjoy it more. It felt a bit too mundane for me and I did not really connect with any of the characters and therefore felt a bit bored sometimes. However, I liked the writing and the overall themes!