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Le rime di Lorenzo Stecchetti

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Excerpt from Le Rime di Lorenzo Stecchetti

VII. Se nasca un'altra volta a questo mondo VIII. Quando vedrai coder le foglie morte IX. Giovanni Bongèe e detti X. L' idea pura XI. A certi farisei. XII. 'alla musa XIII. Wiener Blut XIV. Per nozze No, sgualdrina non è perchè ricusa. XVI. In musica XVII. In mare. XVIII. Candide tortorelle innamorate.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

638 pages, Hardcover

First published January 1, 1903

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About the author

Lorenzo Stecchetti was a fictional persona invented by the poet Olindo Guerrini (1845-1916) whose collection of poems Postuma was published in 1877. Allegedly, the posthumous work of Guerrini's cousin, Lorenzo Stecchetti, a poète maudit in the Romantic mould of Byron and Heine, who had supposedly died of consumption at the age of thirty. The collection provoked a scandalized response when it appeared in print on account of its frank treatment of erotic themes and the overtly blasphemous sentiments expressed in some of the verse. Nonetheless, Postuma sold extremely well and became widely popular, so much so that its publisher was compelled to reprint the volume several times to meet public demand as also a "complete edition" of Sacchetti's collected poems (Le rime di Lorenzo Stecchetti) in 1903.

The poems, which are generally short, concise and couched in straightforward language reminiscent of folk poetry, dwell on themes of lost love and world-weariness. They proved highly amenable to musical treatment and were much set by contemporary Italian composers, including Tosti, Denza, Leoncavallo, Sgambati and even the young Toscanini, amongst others. They also represents the macabre and controversial style of the Scapigliatura movement popularized in those years by Emilio Praga, Iginio Ugo Tarchetti and many others.

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