The Eloquence of Color: Rhetoric and Painting in the French Classical Age (Volume 18)

by Jacqueline Lichtenstein, Emily McVarish (Translator)

In this richly suggestive contribution to the theory of art, Jacqueline Lichtenstein discusses the importance of color in reconciling ancient differences between rhetoric and painting. The visible world had been suspect since Plato accused the Sophists of relying on rhetorical show, of being in effect makeup artists. Before the 17th century, these differences were manifest in a valorization of design over color.

But in the 17th century, the image suddenly becomes an essential agent of thought. Rhetorical color is revalued along with color in painting, with cosmetics, and with all that belonged to the feminine, as a sensual force necessary to reconcile reason and pleasure, action and passion. Lichtenstein thus identifies a major shift in European theories of meaning, of gender, and of the relationship between the word and the image.

Genres: Art, Nonfiction

282 pages, Hardcover

First published May 4, 1993

Reviews

[Brianna · Rating 5 out of 5]

genius book about painting and desire and drawing and painting as philosophically different categories of representation.

[Troy · Rating 4 out of 5]

Horribly written, but beautifully argued, Lichtenstein shows how color has been disparaged, reviled and belittled throughout the majority of Western history. This is a fantastic book of art theory and history; one that you should search out.