Forget romance, tenderness and finding your soul mate. "Studs" has something for the sadist, masochist and fetishist in all of us.
Typically, erotic short story collections are crafted to accomplish one thing only. Literary merit and characterization are often secondary, because the author knows the reader's intention to get off. "Studs: Gay Erotic Fiction," edited by Richard Labonte and introduced by Emanuel Xavier, meets the titillation expectation tenfold.
This collection of seventeen arousing anecdotes drips with animalistic behavior, illicit encounters, self-destructive tendencies and audacious role-playing fantasies commonly associated with gay men. Most entries are void of any discernible plot, and whether the reader is taken by narrator's voice or the explicit sex, overall, the steamy anthology is a worthy, enjoyable read.
For the traditionalists among us who appreciate something more than just anonymity, there are several to choose from. Wayne Courtois's "Capturing the King" introduces Brian, a groundskeeper with an insatiable affinity for feet, who throws caution to the wind and reveals his fetish to Powell, manager of the estate of Brian's employ. "Breeding Season" by Taylor Siluwe examines the connection between childhood friends Dante and Ray who discover their feelings beyond friendship are not mutual when they decide to pose for a series of suggestive Polaroids.
Jeff Mann's imagination runs wild with "Snowed in with Sam," providing intricate detail of an author's bondage fantasy when he kidnaps a coveted country singer. The trials and tribulations of relationships are pertinent topics for Alana Noel Voth's "Release," the story of abuse survivor, Damon, and his unlikely other-half, the submissive Asa, and "The Best Sex Between Them" by Andy Quan profiles a couple, Max and Geoffrey, who rediscover hot sex with each other only after having broken up.
If you're partial to quirky, "Confession Angel" by Shane Allison is a presumably autobiographical litany of memorable sexual adventures, "Rushing Tide of Sanity" by Charlie Vazquez recounts a hardcore master and servant role play scene (complete with water sports and a cage), "Underground Operator" from Andrew McCarthy begins with the narrator decrying the NYC subway's deplorable condition, yet still fitting for an anonymous three-way, and Tim Miller's brief entry, "Sex Head," reads like a young man's diary entry of worry, shame and insecurity.
Like most short story collections, not every entry is a winner. I was puzzled by Tom Cardamone's "Funeral Clothes," a well-described but seemingly pointless profile of a young NYC couple on a dangerous path of destruction, and the opener, "My Boy Tuesday," from Arden Hill, introduces an unlikeable drag queen with unduly cruel intentions.
To be taken in small doses, the stories in "Studs" may amuse, amaze or horrify, but will undoubtedly leave the reader excited.