My Rating 4/5 Stars
Breakshield draws in the reader with stunning cover art and an action sequence at the beginning that introduces the protagonist, Morgan, who is every bit the “seasoned veteran” archetype that is ever present in both Epic Fantasy and Sword and Sorcery.
As a fan of these two subgenres, playing to this archetype is just fine with me. Rockwell’s description, especially in a sylvan setting, is also reminiscent of Terry Brooks and Lloyd Alexander, who are two staples of the genre. I’m usually picky about the accuracy of sword fighting in Fantasy books because I’m mildly obsessed with fencing, but it’s hard to find fault with Breakshield’s many battles, which are mostly between Morgan (assisted by his fox familiar, Kitsune) and possessed undead creatures. (There does seem to be what some reviewers have described as “unnecessary gore”, but blood and guts don’t bother me.)
Morgan is a Seeker, and his role in Rockwell’s universe is to find people of magical Talent in the living world and prepare them for their journey after death to a place called the Between. The Between is broken into several sub-realms, such as the Shining Lands and the Dark Wastes. The concept and the world building behind it are captivating, but the trouble comes in when the reader is introduced to Jamie Aster, the young man that Morgan is sworn to protect—although he doesn’t know why. All Morgan really has to go on is that Hallea, a Watcher who just happens to be his main squeeze, has predicted that Aster will be important at some point in the future.
Even at the end, the reader still doesn’t know why Aster is worthy of the protection of these otherworldly entities. The only reason the book’s antagonist, Typhon, seems to be after the boy is that Hallea has been watching him for years. Aster doesn’t seem like a threat on any level—he habitually runs spasmodically through boarded off parks and is addicted to simple carbs—particularly pancakes with mounds and mounds of butter—and that’s about all there is to him. While Typhon alludes to his potential, the reader never sees any evidence of it.
There are other characters to like, of course. Morgan and Hallea lead a group of Talents—spirits with different magical abilities—united in their task to defend mortals who might later be taken into their fold. The novel is primarily about their conflict with Typhon and his dark Huntsmen, with Aster being more of a game piece to be saved or exploited than a figure of great importance to the reader.
It’s just a little odd to me that Rockwell chose to present the storyline in this way. In arcs like these, supernatural characters generally loom in the background, meddling occasionally, while the character who fits the “chosen one” archetype is the active protagonist. This grounds the reader and makes him or her better able to relate to the conflict. Perhaps the best known example of this type of story is The Odyssey. What would Homer’s epic be like if the bard focused almost exclusively on the gods and ignored Odysseus? Breakshield, in some ways, is the answer to this question.
For some, this type of risk might pay off. I’m all about experimentation, but I’m also the type of reader that needs to both like and be able to relate to at least one of a story’s chief characters. Morgan is an interesting character, but getting behind his quest to protect Aster is difficult when he doesn’t seem to understand why he’s on it.
Despite some hiccups, I’m interested to see where Rockwell takes the universe and characters she has created. Although it appears to be a one-shot, the book’s ending lends itself to a sequel, and another installment might be needed to underscore the gravity of the events that take place in the Between.