[7/10]
“I want to go to Xtal. As long as there’s a place with a name that I haven’t been to, I’ll be curious about it.”
The second part of the Kyreol duology, about a childwoman who goes on a quest from an isolated village and discovers a big and complex and wonderful world out there. Her curiosity is still unquenched, her mind is still swarming like a beehive with questions but inside the futuristic metropolis called Dome, she might get answers.
Her trusted companion Terje hears the home village calling him back and prepares to return there, disguised as a hunter, while Kyreol prepares to embark on a spaceship that will take her on an exploration mission to a distant planet. The two young people separate just as they tentatively discover that they have feelings for each other.
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In the beginning, I thought a sequel to Moon-Flash was unnecessary, with the first episode coming to a satisfying conclusion and the history of technology and curiosity well set down. On the other hand, I believe Patricia McKillip is incapable of writing a bad story, so I decided to give it a try, especially since the duology usually can be found packaged into a single volume.
So what’s this second book about? The title says it best: the Moon stands for the future, progress, technology while the Face (the wall of stone that encloses the Riverworld and keeps it isolated) stands for turning the eye inward and trying to find the answers to the nature of the universe through meditation and dreams.
“You understand this world so well. This tiny, peculiar Riverworld.”
Terje nodded absently. “It’s easy to understand. You sit quietly, listening to the River, and after a while everything in the Riverworld – even death – becomes part of everything else. Everything changes, nothing changes. You see it – through the dream.”
It’s the age old dilemma between the head and the heart (to quote Chris de Bourgh) that pits Western style philosophy of action and conquest against Oriental contemplative meditation.
Kyreol goes to space and pushes the borders of human knowledge further and further into space. Terje returns home to find out why the Riverworld and its dreams are so important.
This business of us sneaking around in feathers while people from the Riverworld are flying around in space and dreaming of the Dome is getting a little incongruous.
Regny, the partner and supervisor from the Dome for Terje, is aware of the limitations and moral problems posed by a backward culture kept from contact with a more advanced civilization, in particular for the case of the Riverworld Healer, who is dying and could be saved with the Dome’s medical know-how. But intervention runs the risk of altering the heritage of Riverworld since the Healer, the village shaman and preserver of traditions, is considered untouchable. ( “The world dreams, and the Dream is the World. You will know – all that you need to know.” ) If you take the contemplation away from the people of the Riverworld, maybe the whole world will be poorer in spirit.
Kyreol faces her own problems, first as technology fails her in a space accident, later as she comes in contact with true-blue-green aliens.
In the end, maybe there will be a way for the two philosophies of Life to coexist, even for the two young people to find their way back together, despite their different priorities.
She gazed at him, speechless, and wondered which of them was right. Was the complexity of the world what kept her, from moment to moment, always on the edge of wonder? Or was the wonder that it was simple, that she could turn across space and time, and there would be Terje? Terje kissed her open mouth, left her without argument.
For me, the answer is to read fantasy and science-fiction (I don’t care what particular label you attach to the series) in order to rediscover your sense of wonder at the world we are living in, and to do something to preserve it for future generations.