Shingo alias Mayo, Erbe des Kusaka-Konzerns, war jemandem im Weg. Er wurde in Malaysia mit untergeschobenen Drogen im Gepäck verhaftet und zum Tode verurteilt. Doch er konnte fliehen. Die kindliche Prostituierte Shion war jemandem im Weg. Mayo, jetzt Lohnkiller, bekam den Auftrag, sie zu beseitigen. Doch er weigerte sich.
Die kleine Shion ist von einer entwaffnenden Vertrauensseligkeit, und in ihrer Nähe löst sich Shingos Seelenstarre. Aber sie ist noch immer jemandem im Weg. Und so wird der sado-masochistische Cop Angel auf sie angesetzt...
Okamura Yoshiyuki (岡村善行), also known as Buronson (武論尊) or Sho Fumimura (史村翔 Fumimura Shō), is a Japanese manga writer most known by his famous work Hokuto no Ken. known in English as Fist of the North Star. He graduated from the Japanese Air Force Training School in 1967 and served as an Air Force radar mechanic. In 1969 he discharged from the Japanese Navy and was soon hired by Hiroshi Motomiya as a manga assistant. He started his manga writing career when he wrote the script of Pink Punch: Miyabi in 1972, drawn by Goro Sakai. In 1975 Buronson wrote his first big hit The Doberman Detective, drawn by Shinji Hiramatsu. The famous Hokuto no Ken made its debute as Buronson's greatest hit in 1983, drawn by Tetsuo Hara. In 1989 his story Ourou was released as a manga serialized in Animal Magazine, drawn by Kentarou Miura, and in 1990 a sequel entitled Ourou Den was released by the same manga artist. Buronson also collaborated with the manga artist Ryoichi Ikegami in many works as Strain (manga) , Human (manga) and the famous Sanctuary (manga). Among his other major works are The Phantom Gang, with art by Kaoru Shintani.
Buronson was mainly influenced by movies such as Bruce Lee's, and Mad Max.
The nickname Buronson is a tribute to the American actor Charles Bronson, whose way of growing the mustache was imitated by Yoshiyuki Okamura too.
More revelations and some intriguing dynamics marks this volume a definite improvement over the first. Things are getting a little complicated, now. The artwork is still very good, and the writing is a little better. Having fun reading these. So far these volumes are extremely brisk. I can get through one in about twenty-five minutes or so. Helps that the plot isn't so overly complicated that the pages are filled to the brim with expository dialogue.
“Strain” continues with competence as the relationship between hit man protagonist Mayo and the teenaged prostitute he decided to spare in volume one deepens.
The first volume was intriguing but didn’t yet offer any payback among the setup. This time around, we get revelations and dramatic twists while the lyrical, intense atmosphere persists. Captivating and delicately built, this tale has taken off beautifully.