It's a shame that Jeff Rovin's Return of the Wolf Man is impossible to buy at an affordable retail price, considering its humble paperback origin. But don't let that dissuade you from reading it if you can get your claws on a copy.
Return of the Wolf Man is a lovingly crafted homage to the classic Universal monsters from their films in the 1930s and 1940s, extending their horror legacy in a surprisingly good novel. The story roughly picks up after the film action in the studio's 1948 sequel, ABBOTT AND COSTELLO MEET FRANKENSTEIN -- a gem in the series that both earns laughs from the comedy duo yet mostly takes seriously the monsters menacing them. For decades, this film has served as an affectionately made, enjoyed and remembered gateway film for young viewers learning to love monsters and their movies, and it's definitely worth viewing in its own right before reading this novel.
Rovin picks up his tale as the horror icons -- Count Dracula, Frankenstein's monster and the Wolf Man, Larry Talbot -- are revealed to live on after the ending of the 1948 film. This is the mildest and most predictable of "spoilers" since you've already read the title of Rovin's novel. Avoiding any true plot spoilers, I'll leave it that more enjoyable and inventive monster lore ensues over 352 pages that extends the action in believable fashion, and delves deeper into these infamous characters and others.
Some surprises and several references to Universal's monster film classics enliven key moments in Rovin's tale in ways that may have readers wishing Universal had or would adapt the novel for a film version of its own. That's how adeptly and satisfyingly Rovin melds his story with the classic monsterverse fans know from the Universal legends.
Rovin expertly and cleverly establishes the mood, visual settings, environments and ambience so vividly created in the Universal films inspiring him. This a key factor in making The Return of the Wolf Man such an enjoyable read where the visuals from his story play in that magnificent theater of the mind within each reader. That this only exists as a novel does not diminish its validity or impact as a deserving part in classic Universal monster lore.
Prior knowledge of A&CMF or previous Universal monster films is not mandatory to enjoy the book, but such a reader would miss out on many narrative treasures Rovin weaves through his book that strengthen the novel's storytelling power as a prose sequel.
Sure, this novel may not shock or horrify readers, but Rovin quickly immerses his audience in this shadow-filled world that has its own dark touches, devising a great "what if?" expansion of the monsterverse that stands up to repeat readings on its own, just as the classic films do.
If vampires, werewolves and undead creatures arising from the Universal legends appeals to you, I highly recommend finding a used copy of The Return of the Wolf Man wherever you can find/buy it, and treat yourself to this worthy successor that meets and exceeds expectations. It's a shame this tale has become the Invisible Novel of its genre and remains just as elusive to find today.