REVIEW OF AUDIOBOOK; DECEMBER 30, 2014
Narrator: K C Kelly
Story: 4.5
Narration: 4
After the negative comments, I didn't expect this book to turn out as well as it did. I was expecting that Ara would remain as horrible a person after his accident, or even worse, as one or two reviewers had remarked.
What I found, instead, was a very well-paced story of transformation - Ara took a long time, so no insta-nice guy here, and I liked that I got to see Ara go through his paces, taking one painful step after another to become a much, much better man than he was before the accident that disfigured him.
The transformation from self-centered, self-absorbed, callous, I'm-God's-Gift-To-Men promiscuous social butterfly, whose self-worth was based entirely on his physical beauty to a man - and this was the defining factor: who realized his faults, and was determined to change for the better, made this a wonderful story for me.
I resonated deeply with Ara's internal torment, watching him try, fail spectacularly at first, then pitifully later, so that it's one step forward, three steps back...and finally openly admit the fears that have crippled him all these years since the accident. Admission was so terribly hard for Ara. It's there in his head, but he struggles so terribly to vocalize his feelings, good or bad, so they are masked by his bad behavior and it makes it easy for us to write him off...because that's preferable to us looking too closely.
Since the story is told mostly from Ara's POV, I got to struggle with him, and was sucked into his internal torment even as I hung on to the hope of change, as Ara did. If the authors had decided to give more of Ilias' POV, it would have been a mistake because I would have ended up sympathizing only with Ilias and hating Ara for being such an asshole. As it is, it seems to me that the reviewers who thought Ara did not change for the better, did approach the book that way.
Ara's desire to change, to be a better person, his efforts to do that, made him a true hero for me. I've seen too many people happy to stay blind to their faults, happy to justify their bad behavior. Not so with Ara. We get to see Ara acknowledge his sins, we get to see him wracked with guilt over the way he treated Beni, we get to see Ara confront his poor attitude towards Ilias, the man who is able to put Ara on the road to healing where nothing and no one else could.
Slowly, but surely, I got to see Ara become the beautiful man Ilias believed existed; a new man because the end-result was an Ara that did not even exist before the accident. This unmistakeable transformation made this story a lovely one, with a fitting Epilogue.
What I liked most: that the authors did not merely give lip-service to Ara’s struggle to overcome his flaws; that they showed the flaws, not just tell me in generalized terms. This made Ara’s eventual transformation praiseworthy.
The Niggles: the hackneyed phrase ‘you make me want to be a better person’. Read this many times in other books, and lifted right off Jack Nicholson’s character, Melvin Udall, from As Good As It Gets.
The ‘fruits of carnal labor’ is truly cringeworthy; the worst of its kind I’ve come across! I’d be horribly embarrassed if I came up with that.
I don’t get the names: Ara Costas is clearly Greek but why Ara (which is feminine) instead of the masculine ‘Ari’? And Ilias Adams didn’t come across like a Greek farm boy and I don’t recall where the Adams Farm is located, but why a Greek name for Ilias? And why with an ‘I’ instead of the normal ‘Elias’. If the authors wanted this all-Greek flavor then go all the way but it was haphazard, and K C Kelly, the narrator, pronouncing Ilias the American way – Ee-LYE-us instead of El-LEE-us didn’t help. Why not just Tom or Matt or Casey?
But, they were niggles and while they irked me, I thought the story-telling good enough to overlook them. One last niggle: why the sudden, meaningless reappearance of Josh when Ilias went home for Thanksgiving? Josh, the farm hand who freaked out when Ilias started looking at him ‘that’ way, who left the farm ‘so fast he left skid marks’ and who now pops up out of the blue for no other reason than to pick Ilias up from the airport – and is now…gay??? My only conclusion is that this is a set up for the next book, Josh’s story. I don’t know about other readers, but I don’t care for such obvious set-up scenes.
K C Kelly's narration was alright. He has a good rich voice but I would have liked his differentiation between Ara and Ilias to be more marked. Perhaps by giving Ilias the accent from the state he's from. Eg, a Kansas accent (if that's where Ilias is from) vs Ara's Greek-tinged Chicago one?